Untitled is an investigation into an anecdote the artist heard about a house near Algiers: that it was abandoned by its wealthy owners during the political unrest in the 1990s and occupied by a terrorist group. The idyllic landscape we are shown is in fact a series of full-scale inkjet prints, which the artist photographed and used to wallpaper a life-size model of the house for his film set. Actors playing the landlord of the house, the gardener and the neighbors give conflicting accounts of what the terrorists had done there, how they lived, how they ate. More importantly, they question why the group chose to live in a house with floor-to-ceiling glass windows on all sides. This re-imagined scene is typical of Beloufa’s exploration of the hazy shades of narrative, make-believe and truth that underpin the representations of real-world events.