A mountain range on the horizon separates the cloudy sky from the dusty desert soil of the El Mirage Dry Lake, with the sounds of a distant roar. In the long shot, the gaze shows a detail of the Californian Mojave landscape, whose static panorama forms the referential and also material background for Circular Inscription…Circular Inscription positions itself, not only formally, as homage to the Land Art of the 1960s and 1970s, and produces in the process an ambivalent reproduction of tire tracks, which on the screen, ultimately take on the monumentality of the oversized Earth Works. Remaining behind in the landscape is the image of a temporary sign, a spiral, like Robert Smithson´s Spiral Jetty, or a circle, like the ones Michael Heizer carved in the El Mirage Dry Lake nearly a half-century before as Circular Surface. Planar Displacement Drawings. (Kathrin Wojtowicz, Translation: Lisa Rosenblatt)