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Bodies #1 Saint Agatha

Touch acts as a catalyst to experiment with the possibilities of approaching a Renaissance painting. Using haptic visuality as an affective strategy, the limits between subject and object blur enabling a mutual contagion. The film combines theory and lived experience in a heterodox essay crossed by author's own subjectivity, the body, affect, folklore and feminism.

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Bodies #1 Saint Agatha

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Mirari Echávarri
Director of Photography

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