D'apres Meg
In D'APRES MEG, small hand gestures are microscopically observed in their everyday context, a garden conversation, a construction site, a gallery setting. By taking our common peripheral vision of events seriously, Grenier produces an evocative enigma. From these images and bits of conversations, which are equally mundane, a new kind of disinterested seeing can be engaged. One that does not reflect meaning as invite it through repetition
D'apres Meg
January 1, 1982
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