The film presents the encounter of two young Christians during the festivities of Círio de Nazaré in Belém do Pará, the largest catholic procession in Latin America. The intention was to try to displace and question the idea of sacrifice, which etymologically means sacred work and is perpetuated as a purifying act. In addition, we think about how the construction of hegemonic masculinity is not intrinsically linked to a colonizing inheritance.