Waiting for the Wind
“Nares creates a tornado-like catastrophe with a hand-held super-8 camera, a shooting ratio of three to one (about $100 worth of film stock), and remarkable timing…fine filmmaking control is uses to suggest the terror of a world completely beyond personal control…Nares opens up the possibility of metaphor, evoking forces both terrifying and exhilarating.” Amy Taubin
Waiting for the Wind
January 1, 1982
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