About
Rick Santizo
Overview
No biography available
Known for
Sound |
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2025 | Star Trek: Section 31 | Sound | Sound Re-Recording Mixer | 56 Average |
2023 | God Is a Bullet | Sound | Sound Re-Recording Mixer | 59 Average |
2021 | Every Last One of Them | Sound | Dialogue Editor | 58 Average |
2021 | Every Last One of Them | Sound | Sound Re-Recording Mixer | 58 Average |
2021 | Every Last One of Them | Sound | Supervising Sound Editor | 58 Average |
2021 | Every Last One of Them | Sound | ADR Editor | 58 Average |
2021 | Take Back | Sound | Supervising Sound Editor | 59 Average |
2021 | Sweet Tooth | Sound | Sound Re-Recording Mixer | 77 Good |
2020 | Paydirt | Sound | Sound Re-Recording Mixer | 58 Average |
2020 | Paydirt | Sound | Dialogue Editor | 58 Average |
2020 | Paydirt | Sound | ADR Editor | 58 Average |
2020 | Paydirt | Sound | Supervising Sound Editor | 58 Average |
2020 | Murder at the Mansion | Sound | ADR Recordist | 58 Average |
2019 | Secrets at the Lake | Sound | ADR Mixer | 59 Average |
2018 | Mommy Group Murder | Sound | Sound Re-Recording Mixer | 59 Average |
2018 | A Fairy's Game | Sound | Dialogue Editor | 59 Average |
2018 | Armen and Me | Sound | Sound Effects Editor | N/A N/A |
2018 | Armen and Me | Sound | Foley Mixer | N/A N/A |
2017 | Kill 'em All | Sound | Foley | 58 Average |
Crew |
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2013 | The Wolverine: Path of a Ronin | Crew | Mixing Engineer | 59 Average |