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About
Harry Jackson
Overview
From Wikipedia, the free encyclopedia
Harry Jackson (April 15, 1896 – August 3, 1953) was an American cinematographer.
Jackson was born in Nebraska, and was first employed in Hollywood as a still photographer for Warner Brothers. As a cinematographer he was active through the end of the silent era in 1927, through his death in 1953, shooting about 75 films altogether. He was nominated for the Academy Award for Color Cinematography for his work on 1947's Mother Wore Tights
Known for
Camera |
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1954 | Rhapsody | Camera | Director of Photography | 59 Average |
1953 | The Band Wagon | Camera | Director of Photography | 62 Fair |
1953 | The Kid from Left Field | Camera | Director of Photography | 59 Average |
1953 | White Witch Doctor | Camera | Second Unit Director of Photography | 59 Average |
1952 | Way of a Gaucho | Camera | Director of Photography | 58 Average |
1952 | Lydia Bailey | Camera | Director of Photography | 59 Average |
1952 | Pony Soldier | Camera | Director of Photography | 58 Average |
1951 | Anne of the Indies | Camera | Director of Photography | 59 Average |
1951 | Take Care of My Little Girl | Camera | Director of Photography | 58 Average |
1951 | Halls of Montezuma | Camera | Director of Photography | 58 Average |
1950 | American Guerrilla in the Philippines | Camera | Director of Photography | 58 Average |
1950 | Three Little Words | Camera | Director of Photography | 58 Average |
1950 | A Ticket to Tomahawk | Camera | Director of Photography | 59 Average |
1949 | Dancing in the Dark | Camera | Director of Photography | 59 Average |
1949 | Oh, You Beautiful Doll | Camera | Director of Photography | 58 Average |
1949 | The Beautiful Blonde from Bashful Bend | Camera | Director of Photography | 58 Average |
1949 | Chicken Every Sunday | Camera | Director of Photography | 59 Average |
1948 | When My Baby Smiles at Me | Camera | Director of Photography | 58 Average |
1948 | Apartment for Peggy | Camera | Director of Photography | 59 Average |
1948 | Give My Regards to Broadway | Camera | Director of Photography | 59 Average |
1948 | Fury at Furnace Creek | Camera | Director of Photography | 59 Average |
1947 | Mother Wore Tights | Camera | Director of Photography | 58 Average |
1947 | Carnival in Costa Rica | Camera | Director of Photography | 59 Average |
1946 | Wake Up and Dream | Camera | Director of Photography | 59 Average |
1946 | Strange Triangle | Camera | Director of Photography | 58 Average |
1945 | Circumstantial Evidence | Camera | Director of Photography | 58 Average |
1944 | Irish Eyes Are Smiling | Camera | Director of Photography | 58 Average |
1944 | Lifeboat | Camera | Camera Operator | 65 Fair |
1942 | To the Shores of Tripoli | Camera | Director of Photography | 58 Average |
1941 | We Go Fast | Camera | Director of Photography | 59 Average |
1940 | Li'l Abner | Camera | Director of Photography | 59 Average |
1938 | City Girl | Camera | Director of Photography | 59 Average |
1937 | Charlie Chan on Broadway | Camera | Director of Photography | 59 Average |
1937 | Wild and Woolly | Camera | Director of Photography | N/A N/A |
1937 | The Great Hospital Mystery | Camera | Director of Photography | 58 Average |
1935 | Piernas de Seda | Camera | Director of Photography | 58 Average |
1935 | $10 Raise | Camera | Director of Photography | 59 Average |
1933 | Jungle Bride | Camera | Director of Photography | 58 Average |
1932 | Get That Girl | Camera | Director of Photography | 59 Average |
1930 | The Costello Case | Camera | Director of Photography | N/A N/A |
1929 | New Orleans | Camera | Director of Photography | N/A N/A |
1929 | The Voice Within | Camera | Director of Photography | N/A N/A |
1929 | My Lady's Past | Camera | Director of Photography | N/A N/A |
1929 | Lucky Boy | Camera | Director of Photography | 58 Average |
1927 | Three Hours | Camera | Director of Photography | N/A N/A |
Crew |
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1932 | Partners | Crew | Cinematography | N/A N/A |
1931 | The Hot Spot | Crew | Cinematography | N/A N/A |
1930 | Clancy in Wall Street | Crew | Cinematography | 58 Average |