About
Robert Farr
Overview
No biography available
Known for
Sound |
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| 2024 | Jackdaw | Sound | Sound Re-Recording Mixer | 58 Average |
| 2023 | There’s Always Hope | Sound | Sound Mixer | N/A N/A |
| 2021 | Nour Shams | Sound | Sound Designer | N/A N/A |
| 2020 | Mogul Mowgli | Sound | Sound Re-Recording Mixer | 59 Average |
| 2020 | The Trip to Greece | Sound | Sound Re-Recording Mixer | 59 Average |
| 2020 | The Courier | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2019 | Hope Gap | Sound | Sound Re-Recording Mixer | 59 Average |
| 2019 | Greed | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Out of Blue | Sound | Sound Re-Recording Mixer | 58 Average |
| 2019 | Fisherman's Friends | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2018 | A Dark Place | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Colette | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2018 | Hurricane | Sound | Sound Re-Recording Mixer | 58 Average |
| 2018 | The Hurricane Heist | Sound | Sound Re-Recording Mixer | 57 Average |
| 2018 | On Chesil Beach | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2017 | Woman Walks Ahead | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2017 | Jawbone | Sound | Sound Re-Recording Mixer | 59 Average |
| 2017 | The Sense of an Ending | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | The Limehouse Golem | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | Trespass Against Us | Sound | Sound Re-Recording Mixer | 58 Average |
| 2016 | Alone in Berlin | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2015 | Cider with Rosie | Sound | Sound Re-Recording Mixer | 58 Average |
| 2015 | The Falling | Sound | Sound Re-Recording Mixer | 57 Average |
| 2014 | Mr. Turner | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2014 | Hangar 10 | Sound | Supervising Sound Editor | 57 Average |
| 2014 | Starred Up | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2013 | Byzantium | Sound | Additional Sound Re-Recording Mixer | 61 Fair |
| 2012 | Great Expectations | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2012 | Now Is Good | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2012 | Boxing Day | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | Lay the Favorite | Sound | Sound Re-Recording Mixer | 57 Average |
| 2012 | Dark Tide | Sound | Sound Re-Recording Mixer | 55 Average |
| 2012 | Bel Ami | Sound | Supervising Sound Editor | 55 Average |
| 2012 | Bel Ami | Sound | Sound Re-Recording Mixer | 55 Average |
| 2011 | We Need to Talk About Kevin | Sound | ADR Mixer | 72 Good |
| 2011 | We Need to Talk About Kevin | Sound | Sound Re-Recording Mixer | 72 Good |
| 2011 | The Deep Blue Sea | Sound | Sound Re-Recording Mixer | 58 Average |
| 2011 | Blitz | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2011 | Jane Eyre | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2011 | Coriolanus | Sound | ADR Mixer | 58 Average |
| 2010 | Toast | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2010 | Mr. Nice | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Baseline | Sound | ADR Mixer | 59 Average |
| 2009 | Machan: La vera storia di una falsa squadra | Sound | Dialogue Editor | 59 Average |
| 2009 | Machan: La vera storia di una falsa squadra | Sound | Recording Supervision | 59 Average |
| 2008 | All Bar Love | Sound | Sound | N/A N/A |
| 2008 | Happy-Go-Lucky | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2008 | Bananaz | Sound | Sound | 59 Average |
| 2006 | Alien Autopsy | Sound | Sound Re-Recording Mixer | 58 Average |
| 2006 | V for Vendetta | Sound | ADR & Dubbing | 78 Good |
| 2005 | Star Wars: Episode III - Revenge of the Sith | Sound | ADR Mixer | 73 Good |
| 2005 | Valiant | Sound | Foley Mixer | 56 Average |
| 2005 | The Magic Roundabout | Sound | ADR Mixer | 57 Average |
| 2004 | Wake of Death | Sound | Sound Re-Recording Mixer | 59 Average |
| 2004 | The Rocket Post | Sound | Sound Re-Recording Mixer | 58 Average |
| 2003 | The Boys & Girl from County Clare | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | One for the Road | Sound | Sound Re-Recording Mixer | 59 Average |
| 2003 | This Little Life | Sound | Recording Supervision | N/A N/A |
| 2002 | Spider | Sound | ADR Recordist | 63 Fair |
| 2002 | Spider | Sound | ADR Mixer | 63 Fair |
| 2002 | 24 Hour Party People | Sound | Foley Mixer | 63 Fair |
| 2000 | Purely Belter | Sound | Sound Recordist | 59 Average |
| 2000 | Hotel Splendide | Sound | ADR Recordist | 58 Average |
| 2000 | 24 Hours in London | Sound | Sound Re-Recording Mixer | 58 Average |
| 2000 | The Beach | Sound | ADR Mixer | 64 Fair |
| 1998 | Dad Savage | Sound | Sound Re-Recording Mixer | 58 Average |
| 1998 | Tower of the First Born | Sound | Sound Re-Recording Mixer | 58 Average |
| 1997 | The Peacemaker | Sound | ADR Mixer | 59 Average |
| 1997 | Bring Me the Head of Mavis Davis | Sound | Sound Re-Recording Mixer | 58 Average |
| 1996 | Space Truckers | Sound | Sound Mixer | 57 Average |
| 1996 | Emma | Sound | Sound Re-Recording Mixer | 63 Fair |
| 1992 | Immaculate Conception | Sound | Sound Re-Recording Mixer | 58 Average |
| 1991 | The Fisher King | Sound | Sound Re-Recording Mixer | 69 Fair |
| 1984 | Dark Enemy | Sound | Location Sound Mixer | N/A N/A |
| 1983 | A Swarm in May | Sound | Location Sound Mixer | N/A N/A |
| 1982 | Captain Stirrick | Sound | Location Sound Mixer | N/A N/A |