About
Tom Poole
Overview
Tom Poole is the Chief Creative Officer and Senior Colourist at Company 3. He was born in London, England, where he began his career, before moving to the States in 2004. He joined Company 3 in 2007.
In 2013, 2015, and 2016, he won a Hollywood Post Alliance (HPA) award for Outstanding Colour Grading. Poole was recognised with two 2019 AICP awards for ‘Best Commercial Colour Grading Over :90’ on National Lottery ‘Amazing Starts Here’ and ‘Best Music Video Colour Grading’ for The Carters pes**t.’ In 2017 Poole won the AICP ‘Best Commercial Colour Grading Over :90’ award for Squarespace ‘John's Journey’ and in 2016 the ‘Best Colour Grading’ award for the Adidas ‘Future’ campaign.
In 2017 Poole was accepted into The Academy Of Motion Picture Arts & Sciences.
Description above from the Wikipedia article Tom Poole (colourist), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Acting |
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| 2011 | Torchwood: Web of Lies | Actor | PhiCorp Executive | 67 Fair |
Editing |
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| 2025 | Thunderbolts* | Editing | Colorist | N/A N/A |
| 2024 | Carry-On | Editing | Senior Colorist | 67 Fair |
| 2024 | Julie Keeps Quiet | Editing | Colorist | 58 Average |
| 2024 | MaXXXine | Editing | Colorist | 62 Fair |
| 2023 | Leave the World Behind | Editing | Colorist | 63 Fair |
| 2023 | Dumb Money | Editing | Senior Colorist | 63 Fair |
| 2023 | The Good Mother | Editing | Senior Colorist | 57 Average |
| 2021 | Halloween Kills | Editing | Senior Colorist | 63 Fair |
| 2021 | Blue Bayou | Editing | Colorist | 64 Fair |
| 2021 | What Josiah Saw | Editing | Senior Colorist | 59 Average |
| 2021 | Judas and the Black Messiah | Editing | Senior Colorist | 69 Fair |
| 2021 | Malcolm & Marie | Editing | Colorist | 67 Fair |
| 2020 | Jungleland | Editing | Colorist | 60 Fair |
| 2020 | The Invisible Man | Editing | Digital Intermediate Colorist | 70 Good |
| 2020 | The Last Thing He Wanted | Editing | Color Grading | 53 Average |
| 2019 | 21 Bridges | Editing | Digital Intermediate Colorist | 66 Fair |
| 2019 | Skin | Editing | Colorist | 63 Fair |
| 2019 | Captive State | Editing | Senior Colorist | 56 Average |
| 2018 | Halloween | Editing | Senior Colorist | 65 Fair |
| 2018 | I Think We're Alone Now | Editing | Colorist | 58 Average |
| 2018 | BlacKkKlansman | Editing | Colorist | 73 Good |
| 2018 | 12 Strong | Editing | Digital Intermediate Colorist | 62 Fair |
| 2016 | Assassin's Creed | Editing | Senior Colorist | 54 Average |
| 2015 | Black Mass | Editing | Senior Colorist | 64 Fair |
| 2015 | The Girl Is in Trouble | Editing | Colorist | 58 Average |
| 2014 | The Longest Week | Editing | Colorist | 55 Average |
| 2014 | Let's Be Cops | Editing | Digital Intermediate Colorist | 64 Fair |
| 2012 | Compliance | Editing | Colorist | 61 Fair |
| Rosemead | Editing | Colorist | N/A N/A |
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