About
William A. Fraker
Overview
William Ashman Fraker (September 29, 1923 – May 31, 2010) was an American cinematographer, film director and producer. He was nominated five times for the Academy Award for Best Cinematography. In 2000, he received a Lifetime Achievement Award from the American Society of Cinematographers (ASC) honoring his career.
As cinematographer, his films include The President's Analyst (1967), Rosemary's Baby (1968), Bullitt (1968), Paint Your Wagon (1969), The Day of the Dolphin (1973), Coonskin (1975), Looking For Mr. Goodbar (1977), Exorcist II: The Heretic (1977), Heaven Can Wait (1978), 1941 (1979), WarGames (1983), Irreconcilable Differences (1984), Murphy's Romance (1985), Tombstone (1993), and Street Fighter (1994).
He directed three theatrical films, Monte Walsh (1970), A Reflection of Fear (1971), and The Legend of the Lone Ranger (1981), as well as several television series.
Description above from the Wikipedia article William A. Fraker, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Acting |
||||
| 2002 | Polanski y los ojos del mal | Actor | Himself | 59 Average |
| 1996 | The Making of '1941' | Actor | 58 Average |
|
| 1992 | Visions of Light | Actor | Self | 59 Average |
| 1984 | Irreconcilable Differences | Actor | "Gabrielle" Cinematographer | 58 Average |
| 1971 | Dusty and Sweets McGee | Actor | The Cellist | 59 Average |
Directing |
||||
| 1981 | The Legend of the Lone Ranger | Directing | Director | 58 Average |
| 1973 | A Reflection of Fear | Directing | Director | 59 Average |
| 1970 | Monte Walsh | Directing | Director | 59 Average |
Camera |
||||
| 2002 | Waking Up in Reno | Camera | Director of Photography | 57 Average |
| 2001 | Town & Country | Camera | Director of Photography | 57 Average |
| 2000 | Rules of Engagement | Camera | Director of Photography | 60 Fair |
| 1997 | Vegas Vacation | Camera | Director of Photography | 59 Average |
| 1996 | The Island of Dr. Moreau | Camera | Director of Photography | 53 Average |
| 1995 | Father of the Bride Part II | Camera | Director of Photography | 60 Fair |
| 1995 | Death in Small Doses | Camera | Director of Photography | 59 Average |
| 1994 | Street Fighter | Camera | Director of Photography | 49 Bad |
| 1994 | There Goes My Baby | Camera | Director of Photography | 59 Average |
| 1993 | Tombstone | Camera | Director of Photography | 72 Good |
| 1992 | Honeymoon in Vegas | Camera | Director of Photography | 57 Average |
| 1992 | Memoirs of an Invisible Man | Camera | Director of Photography | 58 Average |
| 1990 | The Freshman | Camera | Director of Photography | 60 Fair |
| 1989 | An Innocent Man | Camera | Director of Photography | 59 Average |
| 1989 | Chances Are | Camera | Director of Photography | 61 Fair |
| 1987 | Baby Boom | Camera | Director of Photography | 61 Fair |
| 1987 | Burglar | Camera | Director of Photography | 57 Average |
| 1986 | SpaceCamp | Camera | Director of Photography | 58 Average |
| 1985 | Murphy's Romance | Camera | Director of Photography | 59 Average |
| 1985 | Fever Pitch | Camera | Director of Photography | 58 Average |
| 1984 | Protocol | Camera | Director of Photography | 58 Average |
| 1984 | Irreconcilable Differences | Camera | Director of Photography | 58 Average |
| 1983 | WarGames | Camera | Director of Photography | 68 Fair |
| 1982 | Hey Good Lookin' | Camera | Director of Photography | 58 Average |
| 1982 | The Best Little Whorehouse in Texas | Camera | Director of Photography | 59 Average |
| 1981 | Sharky's Machine | Camera | Director of Photography | 59 Average |
| 1980 | Divine Madness | Camera | Director of Photography | 59 Average |
| 1980 | The Hollywood Knights | Camera | Director of Photography | 59 Average |
| 1979 | 1941 | Camera | Director of Photography | 58 Average |
| 1979 | Old Boyfriends | Camera | Director of Photography | 58 Average |
| 1978 | Heaven Can Wait | Camera | Director of Photography | 62 Fair |
| 1978 | American Hot Wax | Camera | Director of Photography | 58 Average |
| 1977 | Looking for Mr. Goodbar | Camera | Director of Photography | 59 Average |
| 1977 | Exorcist II: The Heretic | Camera | Director of Photography | 50 Average |
| 1976 | The Killer Inside Me | Camera | Director of Photography | 58 Average |
| 1976 | Gator | Camera | Director of Photography | 57 Average |
| 1976 | Lipstick | Camera | Additional Director of Photography | 58 Average |
| 1975 | Coonskin | Camera | Director of Photography | 59 Average |
| 1975 | Aloha, Bobby and Rose | Camera | Director of Photography | 58 Average |
| 1975 | Rancho Deluxe | Camera | Director of Photography | 58 Average |
| 1975 | Conversation with Fritz Lang | Camera | Director of Photography | 59 Average |
| 1973 | The Day of the Dolphin | Camera | Director of Photography | 58 Average |
| 1973 | Fade-In | Camera | Director of Photography | 58 Average |
| 1971 | Dusty and Sweets McGee | Camera | Director of Photography | 59 Average |
| 1969 | Paint Your Wagon | Camera | Director of Photography | 60 Fair |
| 1968 | Bullitt | Camera | Director of Photography | 67 Fair |
| 1968 | Rosemary's Baby | Camera | Director of Photography | 75 Good |
| 1967 | The President's Analyst | Camera | Director of Photography | 58 Average |
| 1967 | The Fox | Camera | Director of Photography | 59 Average |
| 1967 | Games | Camera | Director of Photography | 58 Average |
| 1966 | Incubus | Camera | Director of Photography | 58 Average |
| 1964 | The Ghost of Sierra de Cobre | Camera | Camera Operator | 58 Average |
| 1933 | Cocktail Hour | Camera | Still Photographer | 58 Average |
Crew |
||||
| 1982 | Hey Good Lookin' | Crew | Cinematography | 58 Average |