About
Jack Solomon
Overview
From Wikipedia, the free encyclopedia
Jack Solomon (March 8, 1913 – November 8, 2002) was an American sound engineer. He won an Oscar for Sound Recordingfor Hello, Dolly! (1969) and was nominated for five more in the same category. He worked on over 90 films between 1953 and 1991.
Known for
Production |
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| 1971 | My Old Man's Place | Production | Associate Producer | 59 Average |
Sound |
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| 1987 | No Way Out | Sound | Sound Mixer | 64 Fair |
| 1984 | The Last Starfighter | Sound | Production Sound Mixer | 63 Fair |
| 1982 | MegaForce | Sound | Sound | 56 Average |
| 1981 | The Cannonball Run | Sound | Sound | 60 Fair |
| 1980 | Smokey and the Bandit II | Sound | Sound | 57 Average |
| 1980 | Serial | Sound | Sound Mixer | 59 Average |
| 1980 | Skag | Sound | Sound Mixer | N/A N/A |
| 1978 | Hooper | Sound | Sound | 59 Average |
| 1976 | King Kong | Sound | Sound Mixer | 60 Fair |
| 1976 | The Missouri Breaks | Sound | Sound | 60 Fair |
| 1975 | Hustle | Sound | Sound Mixer | 58 Average |
| 1975 | Night Moves | Sound | Sound Mixer | 61 Fair |
| 1973 | Sleeper | Sound | Sound Mixer | 65 Fair |
| 1973 | Lost Horizon | Sound | Sound | 58 Average |
| 1972 | Everything You Always Wanted to Know About Sex *But Were Afraid to Ask | Sound | Sound Mixer | 62 Fair |
| 1972 | The Other | Sound | Sound | 60 Fair |
| 1972 | Cisco Pike | Sound | Sound | 58 Average |
| 1971 | Black Noon | Sound | Sound Mixer | 58 Average |
| 1971 | Kotch | Sound | Sound | 59 Average |
| 1971 | A Gunfight | Sound | Sound | 59 Average |
| 1971 | My Old Man's Place | Sound | Sound Mixer | 59 Average |
| 1971 | A Step Out of Line | Sound | Sound Mixer | 58 Average |
| 1970 | The Liberation of L.B. Jones | Sound | Sound | 58 Average |
| 1968 | The Stalking Moon | Sound | Sound | 58 Average |
| 1967 | The Graduate | Sound | Sound | 73 Good |
| 1967 | The Way West | Sound | Sound | 59 Average |
| 1965 | The Collector | Sound | Sound Designer | 62 Fair |
| 1964 | The New Interns | Sound | Sound | 59 Average |
| 1964 | The Best Man | Sound | Sound | 59 Average |
| 1963 | 4 for Texas | Sound | Sound Mixer | 58 Average |
| 1963 | McLintock! | Sound | Sound | 60 Fair |
| 1963 | Thunder Island | Sound | Sound | 58 Average |
| 1963 | Days of Wine and Roses | Sound | Sound | 63 Fair |
| 1962 | What Ever Happened to Baby Jane? | Sound | Sound | 72 Good |
| 1962 | The Cabinet of Caligari | Sound | Sound Recordist | 59 Average |
| 1962 | Follow That Dream | Sound | Sound | 59 Average |
| 1961 | El Cid | Sound | Sound Recordist | 62 Fair |
| 1960 | Freckles | Sound | Sound | 58 Average |
| 1960 | The Magnificent Seven | Sound | Sound Designer | 71 Good |
| 1959 | The Gene Krupa Story | Sound | Sound | 59 Average |
| 1959 | Anatomy of a Murder | Sound | Sound Designer | 71 Good |
| 1959 | Anatomy of a Murder | Sound | Sound | 71 Good |
| 1959 | The Horse Soldiers | Sound | Sound Mixer | 62 Fair |
| 1958 | Murder by Contract | Sound | Sound | 60 Fair |
| 1958 | Anna Lucasta | Sound | Sound | 58 Average |
| 1958 | Man of the West | Sound | Sound | 60 Fair |
| 1957 | The Young Don't Cry | Sound | Sound | 59 Average |
| 1957 | Sweet Smell of Success | Sound | Sound Recordist | 67 Fair |
| 1957 | Men in War | Sound | Sound | 59 Average |
| 1956 | The King and Four Queens | Sound | Sound | 58 Average |
| 1956 | Man from Del Rio | Sound | Sound | 58 Average |
| 1956 | Attack | Sound | Sound | 60 Fair |
| 1956 | Nightmare | Sound | Sound Recordist | 58 Average |
| 1956 | While the City Sleeps | Sound | Sound Engineer | 60 Fair |
| 1955 | The Man with the Golden Arm | Sound | Sound Engineer | 62 Fair |
| 1955 | The Big Knife | Sound | Sound | 58 Average |
| 1955 | Kiss Me Deadly | Sound | Sound Designer | 64 Fair |
| 1954 | World for Ransom | Sound | Sound Recordist | 58 Average |
| 1953 | Phantom from Space | Sound | Sound Recordist | 58 Average |
Crew |
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| 1956 | Kentucky Rifle | Crew | Sound Recordist | 58 Average |