About
Jorge García Bastidas
Overview
No biography available
Known for
Sound |
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| 2022 | The Innocent | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2019 | Plus One | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2018 | It Came from the Desert | Sound | Sound Re-Recording Mixer | 57 Average |
| 2018 | Loveling | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2017 | Night Is Short, Walk On Girl | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2016 | The Limehouse Golem | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2016 | Sharknado 4: The 4th Awakens | Sound | Sound Re-Recording Mixer | 52 Average |
| 2016 | Independents' Day | Sound | Sound Re-Recording Mixer | 56 Average |
| 2016 | Greetings from Fukushima | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | Sharknado 3: Oh Hell No! | Sound | Sound Mixer | 52 Average |
| 2014 | Road to Paloma | Sound | Sound Re-Recording Mixer | 59 Average |
| 2013 | Sharknado | Sound | Sound Re-Recording Mixer | 43 Bad |
| 2013 | The Wedding Chapel | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | The Impossible | Sound | Sound Re-Recording Mixer | 72 Good |
| 2012 | En fuera de juego | Sound | Dialogue Editor | 58 Average |
Crew |
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| 2021 | Dungeon ni Deai o Motomeru no wa Machigatte Iru darou ka: Familia Myth II: Mujintou ni Yakusou o Motomeru no wa Machigatte Iru darou ka | Crew | Mixing Engineer | 69 Fair |