About
Chloé Galibert-Laîné
Overview
Chloé Galibert-Laîné (1992, France) is a researcher and filmmaker. They are currently finishing a PhD in the arts at the École normale supérieure de Paris. In addition, they teach theory classes and artistic workshops on film and media at several institutions across Europe, including the Royal Academy of Art in The Hague and Johannes Gutenberg University. Their work mainly explores the intersection between cinema and online media. Galibert-Laîné has directed several award-winning short films and stage productions, and their video essays on film and media are regularly screened in academic contexts and at film festivals. They often work together with filmmaker and media artist Kevin B. Lee; they have presented their collaborative works at IFFR, True/False Film Festival, Open City Documentary Film Festival, Camden International Film Festival and London Essay Film Festival as well as art venues such as the Ars Electronica Festival and the WRO Media Art Biennale.
Known for
Acting |
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2023 | Threads Of Blood | Actor | N/A N/A |
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2022 | About Three Women I Met Lately | Actor | Voice | N/A N/A |
2021 | Bottled Songs 1-4 | Actor | N/A N/A |
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2019 | Watching the Pain of Others | Actor | Herself / Voiceover | 59 Average |
Directing |
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2023 | I Would Like to Rage | Directing | Director | N/A N/A |
2023 | Geomarkr | Directing | Director | N/A N/A |
2021 | Bottled Songs 1-4 | Directing | Director | N/A N/A |
2020 | Bottled Songs: The Observer | Directing | Director | N/A N/A |
2020 | A very long exposure time | Directing | Director | N/A N/A |
2020 | Forensickness | Directing | Director | N/A N/A |
2020 | Bottled Songs 1 & 2 | Directing | Director | N/A N/A |
2019 | Watching the Pain of Others | Directing | Director | 59 Average |
2019 | Re-enacting the Future | Directing | Director | N/A N/A |
2018 | Planning Unexpected Encounters: the Making of Route One USA by Robert Kramer | Directing | Director | N/A N/A |
2018 | Flânerie 2.0 | Directing | Director | N/A N/A |
2018 | Reading Binging Benning | Directing | Director | N/A N/A |
2018 | Bottled Songs 3 & 4 | Directing | Director | N/A N/A |
2017 | Peeping Ruth | Directing | Director | N/A N/A |
2017 | The Human, The Machine, and Spike Jonze | Directing | Director | N/A N/A |
2017 | Dupieux / Haneke - an essay on metacinema | Directing | Director | N/A N/A |
2017 | Why Framing Matters in Movies | Directing | Director | N/A N/A |
2017 | Bottled Songs: My Crush Was a Superstar | Directing | Director | N/A N/A |
2017 | The Eye Was in the Tomb and Stared at Daney | Directing | Director | N/A N/A |
2015 | The Burrow | Directing | Director | N/A N/A |
Writing |
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2023 | Geomarkr | Writing | Writer | N/A N/A |
2021 | Bottled Songs 1-4 | Writing | Writer | N/A N/A |
2019 | Re-enacting the Future | Writing | Writer | N/A N/A |
2017 | The Eye Was in the Tomb and Stared at Daney | Writing | Writer | N/A N/A |
Production |
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2021 | Bottled Songs 1-4 | Production | Producer | N/A N/A |
2020 | Forensickness | Production | Producer | N/A N/A |
Sound |
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2021 | Bottled Songs 1-4 | Sound | Sound Designer | N/A N/A |
Art |
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2021 | Bottled Songs 1-4 | Art | Production Design | N/A N/A |
Camera |
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2021 | Bottled Songs 1-4 | Camera | Director of Photography | N/A N/A |
Editing |
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2023 | Geomarkr | Editing | Editor | N/A N/A |
2021 | Bottled Songs 1-4 | Editing | Editor | N/A N/A |
2019 | Watching the Pain of Others | Editing | Editor | 59 Average |
2017 | The Eye Was in the Tomb and Stared at Daney | Editing | Editor | N/A N/A |