About
Virgil Miller
Overview
From Wikipedia, the free encyclopedia
Virgil Miller (December 20, 1886 - October 5, 1974) was an American cinematographer who was the director of photography for 157 films between 1917 and 1956.
Miller's credits include The Phantom of the Opera (1925), Danger - Love at Work (1937), Mr. Moto Takes a Chance (1938), The Mummy's Curse (1944), Navajo (1952), Crazylegs (1953), and six Charlie Chan films.
Prior to working for Universal Studios and, eventually, most other major studios, Miller was a graduate from and a professor at Kansas State University teaching physics and electrical engineering.
In 1913 he became the first director and founder of the electrical department of Universal Studios. He also coordinated very early special effects including filming stampedes, explosions, and shrinking people.
Known for
Camera |
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1955 | Unchained | Camera | Director of Photography | N/A N/A |
1953 | Miss Robin Crusoe | Camera | Director of Photography | 59 Average |
1953 | Murder Without Tears | Camera | Director of Photography | 58 Average |
1952 | Navajo | Camera | Director of Photography | 58 Average |
1950 | To the Coast of Devon | Camera | Director of Photography | N/A N/A |
1950 | Pastoral Panoramas | Camera | Director of Photography | N/A N/A |
1950 | Land of Tradition | Camera | Director of Photography | 59 Average |
1949 | A Wee Bit of Scotland | Camera | Director of Photography | N/A N/A |
1949 | Glimpses of Old England | Camera | Director of Photography | 59 Average |
1949 | Roaming Through Northern Ireland | Camera | Director of Photography | N/A N/A |
1948 | Scholastic England | Camera | Director of Photography | N/A N/A |
1948 | Night Life in Chicago | Camera | Director of Photography | N/A N/A |
1948 | Wandering Through Wales | Camera | Director of Photography | N/A N/A |
1948 | Cape Breton Island | Camera | Director of Photography | N/A N/A |
1947 | On the Shores of Nova Scotia | Camera | Director of Photography | N/A N/A |
1947 | The Vigilantes Return | Camera | Director of Photography | 58 Average |
1945 | The Falcon in San Francisco | Camera | Director of Photography | 58 Average |
1945 | The Woman in Green | Camera | Director of Photography | 59 Average |
1945 | The House of Fear | Camera | Director of Photography | 60 Fair |
1944 | The Mummy's Curse | Camera | Director of Photography | 58 Average |
1944 | The Pearl of Death | Camera | Director of Photography | 60 Fair |
1944 | Trial by Trigger | Camera | Director of Photography | 58 Average |
1944 | Colorful Colorado | Camera | Director of Photography | N/A N/A |
1944 | Mackinac Island | Camera | Director of Photography | N/A N/A |
1944 | Weird Woman | Camera | Director of Photography | 59 Average |
1944 | Visiting St. Louis | Camera | Director of Photography | N/A N/A |
1943 | Calling Dr. Death | Camera | Director of Photography | 59 Average |
1942 | Dr. Renault's Secret | Camera | Director of Photography | 58 Average |
1942 | Berlin Correspondent | Camera | Director of Photography | 59 Average |
1942 | Castle in the Desert | Camera | Director of Photography | 59 Average |
1941 | Man at Large | Camera | Director of Photography | 59 Average |
1941 | Ride, Kelly, Ride | Camera | Director of Photography | N/A N/A |
1940 | Pier 13 | Camera | Director of Photography | 59 Average |
1940 | Charlie Chan's Murder Cruise | Camera | Director of Photography | 59 Average |
1939 | City in Darkness | Camera | Director of Photography | 59 Average |
1939 | Inside Story | Camera | Director of Photography | N/A N/A |
1939 | Mr. Moto's Last Warning | Camera | Director of Photography | 58 Average |
1938 | Mysterious Mr. Moto | Camera | Director of Photography | 58 Average |
1938 | Mr. Moto Takes a Chance | Camera | Director of Photography | 58 Average |
1938 | Walking Down Broadway | Camera | Director of Photography | 58 Average |
1937 | Thank You, Mr. Moto | Camera | Director of Photography | 59 Average |
1937 | Courage of the West | Camera | Director of Photography | N/A N/A |
1936 | Drift Fence | Camera | Director of Photography | 58 Average |
1928 | Finders Keepers | Camera | Director of Photography | N/A N/A |
1927 | Irish Hearts | Camera | Director of Photography | N/A N/A |
1927 | Finger Prints | Camera | Director of Photography | N/A N/A |
1926 | Broken Hearts of Hollywood | Camera | Director of Photography | 58 Average |
1925 | The Phantom of the Opera | Camera | Director of Photography | 63 Fair |
1925 | California Straight Ahead | Camera | Director of Photography | 58 Average |
1925 | The Saddle Hawk | Camera | Director of Photography | N/A N/A |
1924 | All's Swell on the Ocean | Camera | Director of Photography | N/A N/A |
1924 | Hook and Ladder | Camera | Director of Photography | N/A N/A |
1923 | The Thrill Chaser | Camera | Director of Photography | 58 Average |
1922 | Don't Shoot | Camera | Director of Photography | N/A N/A |
1922 | The Trap | Camera | Director of Photography | 58 Average |
1921 | Red Courage | Camera | Director of Photography | N/A N/A |
1918 | The Eagle | Camera | Director of Photography | N/A N/A |
1918 | Smashing Through | Camera | Director of Photography | N/A N/A |
1918 | Brace Up | Camera | Director of Photography | N/A N/A |
Crew |
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1949 | From Liverpool to Stratford | Crew | Cinematography | N/A N/A |
1928 | Gang War | Crew | Cinematography | 58 Average |
1926 | Private Izzy Murphy | Crew | Cinematography | N/A N/A |
1923 | The Hunchback of Notre Dame | Crew | Cinematography | 60 Fair |
1920 | Pink Tights | Crew | Cinematography | 58 Average |