About
Lionel Lindon
Overview
No biography available
Known for
Camera |
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1978 | The Meanest Men in the West | Camera | Director of Photography | 58 Average |
1977 | Don't Push, I'll Charge When I'm Ready | Camera | Director of Photography | N/A N/A |
1972 | Ransom for a Dead Man | Camera | Director of Photography | 59 Average |
1971 | Vanished | Camera | Director of Photography | 70 Good |
1971 | Do You Take This Stranger? | Camera | Director of Photography | 58 Average |
1970 | Ritual of Evil | Camera | Director of Photography | 59 Average |
1970 | The Movie Murderer | Camera | Director of Photography | 59 Average |
1969 | Generation | Camera | Director of Photography | 59 Average |
1969 | The Extraordinary Seaman | Camera | Director of Photography | 58 Average |
1969 | Pendulum | Camera | Director of Photography | 59 Average |
1966 | Grand Prix | Camera | Director of Photography | 62 Fair |
1966 | Dead Heat on a Merry-Go-Round | Camera | Director of Photography | 58 Average |
1966 | Boy, Did I Get a Wrong Number! | Camera | Director of Photography | 58 Average |
1966 | The Trouble with Angels | Camera | Director of Photography | 59 Average |
1964 | See How They Run | Camera | Director of Photography | 58 Average |
1964 | The Solid Gold Girl | Camera | Director of Photography | N/A N/A |
1962 | The Manchurian Candidate | Camera | Director of Photography | 68 Fair |
1962 | All Fall Down | Camera | Director of Photography | 59 Average |
1961 | Too Late Blues | Camera | Director of Photography | 59 Average |
1961 | The Young Savages | Camera | Director of Photography | 59 Average |
1959 | Alias Jesse James | Camera | Director of Photography | 59 Average |
1958 | I Want to Live! | Camera | Director of Photography | 60 Fair |
1957 | The Black Scorpion | Camera | Director of Photography | 58 Average |
1957 | The Lonely Man | Camera | Director of Photography | 59 Average |
1957 | Bailout at 43,000 | Camera | Director of Photography | 58 Average |
1957 | The Big Caper | Camera | Director of Photography | 59 Average |
1956 | Around the World in Eighty Days | Camera | Director of Photography | 62 Fair |
1956 | The Scarlet Hour | Camera | Director of Photography | 58 Average |
1956 | Around the World in 80 Days | Camera | Director of Photography | N/A N/A |
1955 | Lucy Gallant | Camera | Director of Photography | 59 Average |
1955 | A Man Alone | Camera | Director of Photography | 58 Average |
1955 | Hell's Island | Camera | Director of Photography | 58 Average |
1955 | Conquest of Space | Camera | Director of Photography | 58 Average |
1954 | Secret of the Incas | Camera | Director of Photography | 58 Average |
1954 | Casanova's Big Night | Camera | Director of Photography | 59 Average |
1954 | Jivaro | Camera | Director of Photography | 58 Average |
1953 | Here Come the Girls | Camera | Director of Photography | 58 Average |
1953 | Those Redheads from Seattle | Camera | Director of Photography | 58 Average |
1953 | The Vanquished | Camera | Director of Photography | 58 Average |
1953 | Sangaree | Camera | Director of Photography | 59 Average |
1952 | The Blazing Forest | Camera | Director of Photography | 59 Average |
1952 | The Turning Point | Camera | Director of Photography | 59 Average |
1952 | Hong Kong | Camera | Director of Photography | 58 Average |
1952 | Japanese War Bride | Camera | Director of Photography | 59 Average |
1951 | Submarine Command | Camera | Director of Photography | 58 Average |
1951 | Drums in the Deep South | Camera | Director of Photography | 58 Average |
1951 | Rhubarb | Camera | Director of Photography | 59 Average |
1951 | Only the Valiant | Camera | Director of Photography | 59 Average |
1950 | Prehistoric Women | Camera | Director of Photography | 58 Average |
1950 | The Sun Sets at Dawn | Camera | Director of Photography | 59 Average |
1950 | Destination Moon | Camera | Director of Photography | 58 Average |
1950 | Quicksand | Camera | Director of Photography | 59 Average |
1950 | The Great Rupert | Camera | Director of Photography | 59 Average |
1949 | Without Honor | Camera | Director of Photography | 58 Average |
1949 | Red, Hot and Blue | Camera | Additional Photography | 58 Average |
1949 | Top o' the Morning | Camera | Director of Photography | 59 Average |
1949 | Alias Nick Beal | Camera | Director of Photography | 59 Average |
1948 | Isn't It Romantic? | Camera | Director of Photography | 59 Average |
1948 | Tap Roots | Camera | Director of Photography | 59 Average |
1948 | The Sainted Sisters | Camera | Director of Photography | 59 Average |
1947 | Variety Girl | Camera | Director of Photography | 59 Average |
1947 | The Trouble with Women | Camera | Director of Photography | N/A N/A |
1947 | Welcome Stranger | Camera | Director of Photography | 58 Average |
1947 | My Favorite Brunette | Camera | Director of Photography | 59 Average |
1946 | Monsieur Beaucaire | Camera | Director of Photography | 59 Average |
1946 | O.S.S. | Camera | Director of Photography | 59 Average |
1946 | The Blue Dahlia | Camera | Director of Photography | 60 Fair |
1946 | Road to Utopia | Camera | Director of Photography | 59 Average |
1945 | Masquerade in Mexico | Camera | Director of Photography | 58 Average |
1945 | Duffy's Tavern | Camera | Director of Photography | 59 Average |
1945 | A Medal for Benny | Camera | Director of Photography | 58 Average |
1944 | Going My Way | Camera | Director of Photography | 61 Fair |
1943 | Let's Face It | Camera | Director of Photography | 58 Average |
Crew |
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1954 | The Big Moment | Crew | Cinematography | N/A N/A |
1952 | Caribbean | Crew | Cinematography | 59 Average |