About
Tobias A. Schliessler
Overview
Tobias A. Schliessler (born 5 November 1958) is a German cinematographer. Schliessler was born in Baden-Baden, Germany, to documentary filmmaker and artist Martin Schliessler (1929–2008) and editor Anemone Schliessler (née Heim). His brother, Jochen, is a documentary filmmaker, and his sister, Tina, a film producer, photographer, and painter. He often works with the directors Bill Condon and Peter Berg. He is a member of the American Society of Cinematographers.
Known for
Camera |
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2023 | Rustin | Camera | Director of Photography | 60 Fair |
2022 | The Adam Project | Camera | Director of Photography | 69 Fair |
2021 | There's Someone Inside Your House | Camera | Second Unit Director of Photography | 56 Average |
2021 | Come from Away | Camera | Director of Photography | 60 Fair |
2021 | Palmer | Camera | Director of Photography | 75 Good |
2020 | Ma Rainey's Black Bottom | Camera | Director of Photography | 64 Fair |
2020 | Refugee | Camera | Director of Photography | N/A N/A |
2020 | Spenser Confidential | Camera | Director of Photography | 64 Fair |
2019 | The Good Liar | Camera | Director of Photography | 64 Fair |
2018 | The Rankin File: Legacy of a Radical | Camera | Director of Photography | N/A N/A |
2018 | A Wrinkle in Time | Camera | Director of Photography | 52 Average |
2017 | Beauty and the Beast | Camera | Director of Photography | 69 Fair |
2016 | Patriots Day | Camera | Director of Photography | 69 Fair |
2015 | Mr. Holmes | Camera | Director of Photography | 63 Fair |
2013 | Lone Survivor | Camera | Director of Photography | 72 Good |
2013 | The Fifth Estate | Camera | Director of Photography | 59 Average |
2012 | Battleship | Camera | Director of Photography | 58 Average |
2009 | The Taking of Pelham 1 2 3 | Camera | Director of Photography | 62 Fair |
2008 | Hancock | Camera | Director of Photography | 63 Fair |
2006 | Dreamgirls | Camera | Director of Photography | 64 Fair |
2004 | Friday Night Lights | Camera | Director of Photography | 64 Fair |
2003 | The Rundown | Camera | Director of Photography | 63 Fair |
2000 | The Guilty | Camera | Director of Photography | 58 Average |
2000 | Bait | Camera | Director of Photography | 58 Average |
1998 | Legalese | Camera | Director of Photography | 59 Average |
1998 | Hoods | Camera | Director of Photography | 59 Average |
1998 | The Long Way Home | Camera | Director of Photography | 59 Average |
1998 | Outrage | Camera | Director of Photography | 58 Average |
1997 | Free Willy 3: The Rescue | Camera | Director of Photography | 60 Fair |
1997 | Volcano: Fire on the Mountain | Camera | Director of Photography | 58 Average |
1997 | Mandela and de Klerk | Camera | Director of Photography | 59 Average |
1995 | The Omen | Camera | Director of Photography | 58 Average |
1995 | Candyman: Farewell to the Flesh | Camera | Director of Photography | 57 Average |
1994 | Killer | Camera | Director of Photography | 58 Average |
1994 | Double Cross | Camera | Director of Photography | 59 Average |
1994 | Green Dolphin Beat | Camera | Director of Photography | 59 Average |
1994 | Sin and Redemption | Camera | Director of Photography | 59 Average |
1993 | Just One of the Girls | Camera | Director of Photography | 58 Average |
1992 | Sexual Advances | Camera | Director of Photography | 59 Average |
1991 | Writer's Block | Camera | Director of Photography | N/A N/A |
1991 | Chaindance | Camera | Director of Photography | 58 Average |
1989 | Quarantine | Camera | Director of Photography | 59 Average |
1989 | The Top of His Head | Camera | Director of Photography | 59 Average |
Kiss of the Spider Woman | Camera | Director of Photography | N/A N/A |
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Crew |
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2023 | All the Light We Cannot See | Crew | Cinematography | 74 Good |
1992 | South of Wawa | Crew | Cinematography | 59 Average |