About
Camillo Bazzoni
Overview
Camillo Bazzoni was an Italian cinematographer and film director known for his contributions to Italian cinema from the 1960s through the 1980s. He began his career as a camera operator in 1960, working on various Italian films. By 1967, Bazzoni had established himself as a cinematographer, collaborating with directors such as Lina Wertmüller, Mario Monicelli, Salvatore Samperi, Massimo Troisi, and Franco Rossi. Notably, he served as a second unit camera operator on Warren Beatty's Reds (1981). In 1968, Bazzoni made his directorial debut with Suicide Commando and the Spaghetti Western A Long Ride from Hell. He was the younger brother of director Luigi Bazzoni and the brother-in-law of Academy Award-winning cinematographer Vittorio Storaro.
Known for
Directing |
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1972 | Shadows Unseen | Directing | Director | 59 Average |
1970 | Black Lemons | Directing | Director | 59 Average |
1968 | Suicide Commando | Directing | Director | 58 Average |
1968 | A Long Ride from Hell | Directing | Director | 58 Average |
1966 | The Scream | Directing | Director | N/A N/A |
Writing |
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1974 | The Last Desperate Hours | Writing | Writer | 59 Average |
Camera |
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2000 | Rosa and Cornelia | Camera | Director of Photography | 58 Average |
2000 | The Shadow of the Giant | Camera | Director of Photography | N/A N/A |
1996 | Love, Money and Philosophy | Camera | Director of Photography | 59 Average |
1991 | I Thought It Was Love | Camera | Director of Photography | 62 Fair |
1987 | Le vie del Signore sono finite | Camera | Director of Photography | 61 Fair |
1986 | Il caso Moro | Camera | Director of Photography | 59 Average |
1986 | Summer Night with Greek Profile, Almond Eyes and Scent of Basil | Camera | Director of Photography | 58 Average |
1986 | The Corruption | Camera | Director of Photography | 58 Average |
1986 | Let's Hope It's a Girl | Camera | Director of Photography | 60 Fair |
1985 | The 2 Lives of Mattia Pascal | Camera | Director of Photography | 58 Average |
1984 | Bertoldo, Bertoldino, and Cacasenno | Camera | Director of Photography | 59 Average |
1983 | A Joke of Destiny, Lying in Wait Around the Corner Like a Street Bandit | Camera | Director of Photography | 59 Average |
1983 | Street of Mirrors | Camera | Director of Photography | 58 Average |
1982 | Vampirismus | Camera | Director of Photography | N/A N/A |
1981 | Reds | Camera | Camera Operator | 62 Fair |
1979 | Ernesto | Camera | Director of Photography | 59 Average |
1977 | Histoire D'Eau | Camera | Director of Photography | N/A N/A |
1965 | The Possessed | Camera | Camera Operator | 59 Average |
1964 | Before the Revolution | Camera | Camera Operator | 61 Fair |
1962 | La bellezza di Ippolita | Camera | Camera Operator | 58 Average |
1962 | The Black Invaders | Camera | Camera Operator | N/A N/A |
1962 | The Police Commissioner | Camera | Camera Operator | 59 Average |
1961 | The Laws of War | Camera | Camera Operator | 58 Average |
1960 | Fury of the Pagans | Camera | Assistant Camera | N/A N/A |
Crew |
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1992 | Angeli a sud | Crew | Cinematography | N/A N/A |
1989 | Cavalli si nasce | Crew | Photoscience Manager | 59 Average |
1982 | The Charterhouse of Parma | Crew | Cinematography | 70 Good |
1967 | Man, Pride and Vengeance | Crew | Cinematography | 58 Average |