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About
Alvaro Mancori
Overview
Alvaro Mancori was an Italian cinematographer, director, and producer active from the late 1940s through the 1970s. Born in Rome, he began his career as a camera operator and assistant cinematographer, working on films such as Atto di accusa (1950) and Tragic Return (1952). Mancori established himself as a cinematographer with works like The Violent Patriot (1956) and The Moralist (1959). He also ventured into directing with films such as The Double Bed (1965) and Hercules the Invincible (1964). As a producer, Mancori contributed to several projects, including The Tramplers (1965). His work is characterized by its technical proficiency and adaptability across various genres, including peplum, comedy, and adventure films.
Known for
Acting |
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1976 | Lunatics and Lovers | Actor | Nanè | 58 Average |
Directing |
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1965 | The Double Bed | Directing | Director | 58 Average |
1964 | Hercules the Invincible | Directing | Director | 58 Average |
Writing |
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1964 | Hercules the Invincible | Writing | Screenplay | 58 Average |
Production |
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1971 | Bastard, Go and Kill | Production | Producer | 58 Average |
1970 | Ostia | Production | Producer | 59 Average |
1968 | Run, Man, Run | Production | Producer | 59 Average |
1966 | Trap for the Assassin | Production | Producer | 58 Average |
1964 | Hercules the Invincible | Production | Producer | 58 Average |
Camera |
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1966 | The Christmas That Almost Wasn't | Camera | Director of Photography | 57 Average |
1965 | Espionage in Tangiers | Camera | Director of Photography | 58 Average |
1964 | Amori pericolosi | Camera | Director of Photography | N/A N/A |
1964 | Totò contro il pirata nero | Camera | Director of Photography | 59 Average |
1964 | Badmen of the West | Camera | Director of Photography | N/A N/A |
1963 | Scandal Nudes | Camera | Director of Photography | 58 Average |
1963 | The Lion of St. Mark | Camera | Director of Photography | 58 Average |
1963 | Blood of the Executioner | Camera | Director of Photography | 58 Average |
1963 | Toto and Cleopatra | Camera | Director of Photography | 59 Average |
1963 | I Am Semiramis | Camera | Director of Photography | 58 Average |
1963 | Divorzio alla siciliana | Camera | Director of Photography | 59 Average |
1962 | Tiger of the Seven Seas | Camera | Director of Photography | 58 Average |
1962 | The Secret Mark of D'Artagnan | Camera | Director of Photography | 58 Average |
1962 | Ulysses Against the Son of Hercules | Camera | Director of Photography | 58 Average |
1961 | Mole Men Against the Son of Hercules | Camera | Director of Photography | 59 Average |
1961 | Goliath and the Vampires | Camera | Director of Photography | 59 Average |
1961 | Sua Eccellenza si fermò a mangiare | Camera | Director of Photography | 59 Average |
1961 | Totò, Peppino and... the Sweet Life | Camera | Director of Photography | 59 Average |
1960 | Little Girls and High Finance | Camera | Director of Photography | 58 Average |
1960 | Le Olimpiadi dei mariti | Camera | Director of Photography | 59 Average |
1960 | Letto a tre piazze | Camera | Director of Photography | 60 Fair |
1960 | Toto, Fabrizi and the Young People Today | Camera | Director of Photography | 60 Fair |
1960 | Signori si nasce | Camera | Director of Photography | 60 Fair |
1960 | I piaceri dello scapolo | Camera | Director of Photography | N/A N/A |
1960 | Genitori in blue-jeans | Camera | Director of Photography | 58 Average |
1959 | La cambiale | Camera | Director of Photography | 59 Average |
1959 | Vacations in Majorca | Camera | Director of Photography | 59 Average |
1959 | Sogno di una notte di mezza sbornia | Camera | Director of Photography | 59 Average |
1959 | The Moralist | Camera | Director of Photography | 59 Average |
1959 | Men and Noblemen | Camera | Director of Photography | 58 Average |
1959 | Toto in Madrid | Camera | Director of Photography | 59 Average |
1958 | The Beautiful Legs of Sabrina | Camera | Director of Photography | 59 Average |
1958 | Toto in Paris | Camera | Director of Photography | 59 Average |
1958 | È arrivata la parigina | Camera | Director of Photography | N/A N/A |
1958 | El hereje | Camera | Director of Photography | N/A N/A |
1958 | Domenica è sempre domenica | Camera | Director of Photography | 58 Average |
1957 | Totò, Vittorio and the Doctor | Camera | Director of Photography | 58 Average |
1957 | Il cocco di mamma | Camera | Director of Photography | 58 Average |
1956 | Guaglione | Camera | Director of Photography | 59 Average |
1956 | The Violent Patriot | Camera | Director of Photography | 58 Average |
1956 | The Wanderers | Camera | Director of Photography | N/A N/A |
1955 | Il campanile d'oro | Camera | Director of Photography | N/A N/A |
1955 | Torna piccina mia! | Camera | Director of Photography | N/A N/A |
1954 | Napoli terra d'amore | Camera | Director of Photography | N/A N/A |
1954 | Mata Hari's Daughter | Camera | Second Unit Director of Photography | N/A N/A |
1954 | Bertoldo, Bertoldino and Cacasenno | Camera | Director of Photography | N/A N/A |
1954 | La campana di San Giusto | Camera | Director of Photography | N/A N/A |
1953 | Anna's Sin | Camera | Director of Photography | 58 Average |
1952 | La muta di Portici | Camera | Director of Photography | N/A N/A |
1952 | Tragico ritorno | Camera | Director of Photography | 59 Average |
1952 | Salvate mia figlia | Camera | Director of Photography | N/A N/A |
1951 | Greetings and sons! | Camera | Director of Photography | 58 Average |
1951 | Domani è un altro giorno | Camera | Camera Operator | 58 Average |
1950 | The Accusation | Camera | Director of Photography | 59 Average |
1950 | Totò cerca moglie | Camera | Camera Operator | 59 Average |
1949 | Cenerentola | Camera | Camera Operator | N/A N/A |
Crew |
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1965 | Hercules the Avenger | Crew | Cinematography | 58 Average |
1954 | Mystery of the Black Jungle | Crew | Cinematography | 59 Average |
1954 | La prigioniera di Amalfi | Crew | Cinematography | N/A N/A |