
About
Paolo Heusch
Overview
Paolo Heusch (26 February 1924 – 16 October 1982) was an Italian film director and screenwriter.
Born in Rome, Heush started his career immediately after the World War II as a script supervisor. Between 1949 and 1957 he was active as an assistant director for over twenty films. After directing a number of documentaries, he made his feature film debut in 1958 with The Day the Sky Exploded, the first science fiction film produced in Italy. His third film as a director was Werewolf in a Girls' Dormitory. He was then asked to co-direct Violent Life. based on Pier Paolo Pasolini's novel of the same name. He was hired by producer Moris Ergas to direct the film with Brunello Rondi as the produced wanted a technically gifted director to help the screenwriter direct his first film.
Heusch was often brought on to co-direct films, and works that were credited to other filmmakers, such as The Commandant, Che fine ha fatto Toto baby? which is only credited to Ottavio Alessi and Toto d'Arabia which is credited to Jose Antonio de la Loma. Heusch continued to work in other genres including heist films, adventures, and erotic dramas in the 1960s. Heusch's last uncredited work was shooting some extra scenes for Massimo Dallamano's Venus in Furs for its 1975 re-release.
Known for
Directing |
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1970 | Bali | Directing | Director | 58 Average |
1968 | Bloody Che Contra | Directing | Director | 59 Average |
1966 | Un colpo da mille miliardi | Directing | Director | N/A N/A |
1965 | The Desert Renegades | Directing | Director | N/A N/A |
1963 | The Commandant | Directing | Director | 58 Average |
1962 | Violent Life | Directing | Director | 59 Average |
1961 | Werewolf in a Girls' Dormitory | Directing | Director | 57 Average |
1959 | Un uomo facile | Directing | Director | N/A N/A |
1958 | The Day the Sky Exploded | Directing | Director | 58 Average |
1957 | Holiday Island | Directing | First Assistant Director | 59 Average |
1957 | The Most Wonderful Moment | Directing | First Assistant Director | 59 Average |
1955 | Roman Tales | Directing | First Assistant Director | 59 Average |
1955 | Il padrone sono me | Directing | First Assistant Director | N/A N/A |
1955 | Le signorine dello 04 | Directing | First Assistant Director | 59 Average |
1954 | The Two Orphans | Directing | First Assistant Director | 59 Average |
1954 | Passionately | Directing | First Assistant Director | 59 Average |
1954 | A Day in Court | Directing | Second Assistant Director | 59 Average |
1953 | I Always Loved You | Directing | First Assistant Director | N/A N/A |
1953 | Siamo tutti inquilini | Directing | Second Assistant Director | 59 Average |
1953 | Perdonami! | Directing | First Assistant Director | 58 Average |
1952 | Sunday Heroes | Directing | First Assistant Director | 58 Average |
1951 | Anna | Directing | First Assistant Director | 59 Average |
1951 | Il microfono è vostro | Directing | First Assistant Director | N/A N/A |
1950 | Il voto | Directing | First Assistant Director | 58 Average |
1950 | The White Line | Directing | Script Supervisor | 59 Average |
1949 | The Emperor of Capri | Directing | First Assistant Director | 59 Average |
1949 | Sicilian Uprising | Directing | First Assistant Director | N/A N/A |
1949 | The Mill on the Po | Directing | Script Supervisor | 58 Average |
1949 | Campane a martello | Directing | Script Supervisor | 59 Average |
1948 | Under the Sun of Rome | Directing | Script Supervisor | 59 Average |
1948 | Escape to France | Directing | Script Supervisor | 58 Average |
Writing |
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1962 | Violent Life | Writing | Screenplay | 59 Average |
Production |
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1979 | Caligula | Production | Casting Director | 59 Average |