
About
Harry Watt
Overview
Raymond Egerton Harry Watt (18 October 1906 – 2 April 1987) was a Scottish documentary and feature film director, who began his career working for John Grierson and Robert Flaherty.
His 1959 film The Siege of Pinchgut was entered into the 9th Berlin International Film Festival.
He was born in Edinburgh, the son of the Scottish Liberal MP Harry Watt. He studied at Edinburgh University but failed to complete his degree. He enlisted in the Merchant Navy and worked in a number of industrial jobs.
Known for
Acting |
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1986 | Made In Ealing: The Story of Ealing Studios | Actor | Interviewee | 59 Average |
1978 | How the Myth Was Made: A Study of Robert Flaherty's Man of Aran | Actor | Self | N/A N/A |
1938 | Wealth of a Nation | Actor | Commentator | N/A N/A |
Directing |
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1961 | The Boy Who Loved Horses | Directing | Director | 58 Average |
1961 | Vidunderhunden Bara | Directing | Director | N/A N/A |
1959 | The Siege of Pinchgut | Directing | Director | 59 Average |
1954 | West of Zanzibar | Directing | Director | 58 Average |
1951 | Where No Vultures Fly | Directing | Director | 59 Average |
1949 | Eureka Stockade | Directing | Director | 58 Average |
1946 | The Overlanders | Directing | Director | 58 Average |
1944 | Fiddlers Three | Directing | Director | 59 Average |
1943 | Nine Men | Directing | Director | 58 Average |
1943 | Save Your Shillings and Smile | Directing | Director | N/A N/A |
1942 | Twenty-One Miles | Directing | Director | 58 Average |
1941 | Target for Tonight | Directing | Director | 59 Average |
1940 | Christmas Under Fire | Directing | Director | 58 Average |
1940 | London Can Take It! | Directing | Director | 59 Average |
1940 | Britain at Bay | Directing | Director | N/A N/A |
1940 | The Front Line | Directing | Director | N/A N/A |
1940 | Squadron 992 | Directing | Director | 58 Average |
1939 | The First Days | Directing | Director | 59 Average |
1938 | North Sea | Directing | Director | 58 Average |
1937 | Big Money | Directing | Director | N/A N/A |
1936 | The Saving of Bill Blewitt | Directing | Director | N/A N/A |
1936 | Night Mail | Directing | Director | 59 Average |
1935 | Droitwich: The World's Most Modern Long Wave Transmitter | Directing | Director | N/A N/A |
1934 | 6.30 Collection | Directing | Director | 59 Average |
Writing |
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1961 | The Boy Who Loved Horses | Writing | Writer | 58 Average |
1961 | Vidunderhunden Bara | Writing | Writer | N/A N/A |
1959 | The Siege of Pinchgut | Writing | Adaptation | 59 Average |
1959 | The Siege of Pinchgut | Writing | Screenplay | 59 Average |
1954 | West of Zanzibar | Writing | Story | 58 Average |
1951 | Where No Vultures Fly | Writing | Story | 59 Average |
1949 | Eureka Stockade | Writing | Screenplay | 58 Average |
1946 | The Overlanders | Writing | Writer | 58 Average |
1944 | For Those in Peril | Writing | Screenplay | 58 Average |
1943 | Nine Men | Writing | Writer | 58 Average |
1938 | North Sea | Writing | Writer | 58 Average |
Production |
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1940 | The Story of an Air Communiqué | Production | Producer | N/A N/A |
1940 | Health in War | Production | Producer | N/A N/A |
Camera |
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1935 | Coal Face | Camera | Additional Photography | 58 Average |
1935 | Droitwich: The World's Most Modern Long Wave Transmitter | Camera | Additional Photography | N/A N/A |
Crew |
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1940 | War and Order | Crew | Script | N/A N/A |
1939 | Jamaica Inn | Crew | Special Effects | 59 Average |
Editing |
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1935 | Droitwich: The World's Most Modern Long Wave Transmitter | Editing | Editor | N/A N/A |
1934 | 6.30 Collection | Editing | Editor | 59 Average |