![](https://image.tmdb.org/t/p/original/lHMPlkrIiRGV5j1uQyTEON0lhVl.jpg)
About
Heinz Emigholz
Overview
Born in 1948 near Bremen in Germany, Heinz Emigholz trained first as a draftsman before studying philosophy and literature in Hamburg. He began filmmaking in 1968 and has worked since 1973 as a filmmaker, artist, writer and producer in Germany and the USA. In 1974 he started his encyclopaedic drawing series The Basis of Make-Up . He looks back on numerous exhibitions, retrospectives, lectures and publications. In 1984 he started his film series Photography and beyond. He has held a professorship in Experimental Filmmaking at the Universität der Künste Berlin from 1993 to 2013, and co-founded the Institute for Time-based Media and the program Art and Media, there. Since 2012 member of the Academy of Arts in Berlin. In 2003 Filmgalerie 451 started an edition of all his films on DVD. Publications a.o.: Krieg der Augen, Kreuz der Sinne (War of Eyes, Cross of Senses), Seit Freud gesagt hat, der Künstler heile seine Neurose selbst, heilen die Künstler ihre Neurosen selbst (Since Freud Said That the Artist Heals His Neuroses Himself, Artists Have Been Healing Their Neuroses Themselves), Normalsatz – Siebzehn Filme (Ordinary Sentence – Seventeen Films) and Das schwarze Schamquadrat (The Black Sqare of Shame) (all four books at Verlag Martin Schmitz); Die Basis des Make-Up (I) and (II), Der Begnadete Meier (Grace Jones), Kleine Enzyklopädie der Photographie (Little Encyclopaedia of Photography) and Die Basis des Make-Up (III) (in Die Republik No. 68-71, 76-78, 89-91, 94-97 and 123-125); Sense of Architecture with more than 600 photographs.
Known for
Acting |
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2023 | Slaughterhouses of Modernity | Actor | (voice over) | N/A N/A |
2009 | Saturn Returns | Actor | Edgar | 58 Average |
1995 | Brother of Sleep | Actor | Haintz | 59 Average |
1993 | Stalingrad | Actor | Edgar Emigholz | 66 Fair |
1988 | The Meadow of Things | Actor | 59 Average |
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1985 | Home Movies 1971-81 | Actor | N/A N/A |
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1984 | Fury Is a Feeling Too | Actor | N/A N/A |
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1984 | Committed | Actor | Dr. Kraus | N/A N/A |
1983 | Die blaue Distanz | Actor | Voice at telephone | N/A N/A |
1982 | Ordinary Sentence | Actor | N/A N/A |
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1982 | Macumba | Actor | Vinzenz Nola | N/A N/A |
1979 | Execution: A Story of Mary | Actor | Narrator (voice) | 58 Average |
1977 | Der Ort der Handlung | Actor | N/A N/A |
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1976 | Bartleby | Actor | N/A N/A |
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Bombenwerfer | Actor | N/A N/A |
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Directing |
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2024 | The Suit | Directing | Director | N/A N/A |
2023 | Slaughterhouses of Modernity | Directing | Director | N/A N/A |
2022 | Salamone, Pampa | Directing | Director | N/A N/A |
2022 | Mamani in El Alto | Directing | Director | N/A N/A |
2021 | The Last City | Directing | Director | 60 Fair |
2021 | Berlin [Underground] | Directing | Director | N/A N/A |
2021 | WEISS hoch ZWEI | Directing | Director | N/A N/A |
2021 | Casa Golly | Directing | Director | N/A N/A |
2021 | Antivilla | Directing | Director | N/A N/A |
2020 | The Lobby | Directing | Director | N/A N/A |
2019 | Years of Construction | Directing | Director | 59 Average |
2018 | Two Basilicas | Directing | Director | N/A N/A |
2017 | Dieste [Uruguay] | Directing | Director | 59 Average |
2017 | Streetscapes [Dialogue] | Directing | Director | 58 Average |
2017 | 2 + 2 = 22 [The Alphabet] | Directing | Director | 58 Average |
2016 | Bickels [Socialism] | Directing | Director | 59 Average |
2016 | Le Corbusier [IIIII] Asger Jorn [Relief] | Directing | Director | 59 Average |
2014 | The Airstrip - Decampment of Modernism, Part III | Directing | Director | 59 Average |
2014 | Two Museums | Directing | Director | 59 Average |
2013 | Winter | Directing | Director | N/A N/A |
2012 | Perret in France and Algeria | Directing | Director | 59 Average |
2012 | Parabeton: Pier Luigi Nervi and Roman Concrete | Directing | Director | 58 Average |
2011 | A Series of Thoughts | Directing | Director | N/A N/A |
2009 | Sense of Architecture | Directing | Director | N/A N/A |
2009 | Two Projects by Friedrich Kiesler | Directing | Director | N/A N/A |
2009 | Ornament und Verbrechen | Directing | Director | N/A N/A |
2008 | Loos Ornamental | Directing | Director | N/A N/A |
2007 | Schindler's Houses | Directing | Director | 59 Average |
2005 | D’Annunzio’s Cave | Directing | Director | 58 Average |
2005 | The Basis of Make-Up III | Directing | Director | N/A N/A |
2005 | Miscellanea III | Directing | Director | N/A N/A |
2003 | Goff in the Desert | Directing | Director | 59 Average |
2001 | Miscellanea II | Directing | Director | 59 Average |
2001 | Miscellanea I | Directing | Director | N/A N/A |
2001 | The Basis of Make-Up II | Directing | Director | N/A N/A |
2001 | Maillart's Bridges | Directing | Director | 58 Average |
2001 | Sullivan's Banks | Directing | Director | 58 Average |
1991 | The Holy Bunch | Directing | Director | 59 Average |
1988 | The Meadow of Things | Directing | Director | 59 Average |
1985 | Die Basis des Make-Up | Directing | Director | N/A N/A |
1983 | The Basis of Make-Up I | Directing | Director | N/A N/A |
1982 | Ordinary Sentence | Directing | Director | N/A N/A |
1977 | Demon | Directing | Director | 58 Average |
1976 | Wandsbek Gartenstück | Directing | Director | N/A N/A |
1976 | Schuhstück | Directing | Director | N/A N/A |
1976 | Cup Piece | Directing | Director | N/A N/A |
1976 | Schenec-Tady III | Directing | Director | 59 Average |
1976 | Hotel | Directing | Director | N/A N/A |
1975 | Schenec-Tady II | Directing | Director | 59 Average |
1975 | Brooklyn Bathroom Piece | Directing | Director | N/A N/A |
1975 | Tide | Directing | Director | N/A N/A |
1975 | Stair Piece | Directing | Director | N/A N/A |
1974 | Arrowplane | Directing | Director | N/A N/A |
1973 | Schenec-Tady I | Directing | Director | 59 Average |
Innsbruck, March 6th 2023 | Directing | Director | N/A N/A |
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Writing |
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2023 | Slaughterhouses of Modernity | Writing | Writer | N/A N/A |
2022 | Mamani in El Alto | Writing | Screenplay | N/A N/A |
2021 | The Last City | Writing | Writer | 60 Fair |
2017 | Dieste [Uruguay] | Writing | Writer | 59 Average |
2017 | Streetscapes [Dialogue] | Writing | Writer | 58 Average |
2017 | 2 + 2 = 22 [The Alphabet] | Writing | Writer | 58 Average |
2016 | Bickels [Socialism] | Writing | Writer | 59 Average |
2011 | A Series of Thoughts | Writing | Writer | N/A N/A |
2009 | Two Projects by Friedrich Kiesler | Writing | Writer | N/A N/A |
2005 | D’Annunzio’s Cave | Writing | Writer | 58 Average |
2005 | Miscellanea III | Writing | Writer | N/A N/A |
2005 | The Basis of Make-Up III | Writing | Writer | N/A N/A |
2001 | Miscellanea II | Writing | Writer | 59 Average |
2001 | Miscellanea I | Writing | Writer | N/A N/A |
2001 | Maillart's Bridges | Writing | Writer | 58 Average |
2001 | The Basis of Make-Up II | Writing | Writer | N/A N/A |
1991 | The Holy Bunch | Writing | Screenplay | 59 Average |
1983 | The Basis of Make-Up I | Writing | Writer | N/A N/A |
1982 | Ordinary Sentence | Writing | Writer | N/A N/A |
1976 | Schenec-Tady III | Writing | Writer | 59 Average |
1975 | Schenec-Tady II | Writing | Writer | 59 Average |
1974 | Arrowplane | Writing | Writer | N/A N/A |
1973 | Schenec-Tady I | Writing | Writer | 59 Average |
Production |
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2017 | 2 + 2 = 22 [The Alphabet] | Production | Producer | 58 Average |
Camera |
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2023 | Der Maler Philip Guston – Ein amerikanisches Leben | Camera | Director of Photography | 59 Average |
2021 | The Last City | Camera | Director of Photography | 60 Fair |
2017 | Dieste [Uruguay] | Camera | Director of Photography | 59 Average |
2017 | 2 + 2 = 22 [The Alphabet] | Camera | Director of Photography | 58 Average |
2016 | Bickels [Socialism] | Camera | Director of Photography | 59 Average |
2014 | The Airstrip - Decampment of Modernism, Part III | Camera | Director of Photography | 59 Average |
2014 | Two Museums | Camera | Camera Operator | 59 Average |
2005 | D’Annunzio’s Cave | Camera | Director of Photography | 58 Average |
1991 | The Holy Bunch | Camera | Director of Photography | 59 Average |
1987 | She Must Be Seeing Things | Camera | Director of Photography | 58 Average |
Crew |
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2023 | Slaughterhouses of Modernity | Crew | Cinematography | N/A N/A |
2022 | Mamani in El Alto | Crew | Cinematography | N/A N/A |
2021 | Antivilla | Crew | Cinematography | N/A N/A |
2017 | Streetscapes [Dialogue] | Crew | Cinematography | 58 Average |
2005 | The Basis of Make-Up III | Crew | Cinematography | N/A N/A |
2001 | The Basis of Make-Up II | Crew | Cinematography | N/A N/A |
1989 | Virgin Machine | Crew | Thanks | 58 Average |
1984 | Committed | Crew | Cinematography | N/A N/A |
1983 | The Basis of Make-Up I | Crew | Cinematography | N/A N/A |
Editing |
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2023 | Slaughterhouses of Modernity | Editing | Editor | N/A N/A |
2022 | Mamani in El Alto | Editing | Editor | N/A N/A |
2021 | The Last City | Editing | Editor | 60 Fair |
2021 | Antivilla | Editing | Editor | N/A N/A |
2017 | Dieste [Uruguay] | Editing | Editor | 59 Average |
2017 | Streetscapes [Dialogue] | Editing | Editor | 58 Average |
2017 | 2 + 2 = 22 [The Alphabet] | Editing | Editor | 58 Average |
2016 | Bickels [Socialism] | Editing | Editor | 59 Average |
2014 | The Airstrip - Decampment of Modernism, Part III | Editing | Editor | 59 Average |
2005 | The Basis of Make-Up III | Editing | Editor | N/A N/A |
2001 | The Basis of Make-Up II | Editing | Editor | N/A N/A |
1983 | The Basis of Make-Up I | Editing | Editor | N/A N/A |
1982 | Ordinary Sentence | Editing | Editor | N/A N/A |