About
Mauro Fiore
Overview
Mauro Fiore (born November 15, 1964) is an Italian-American cinematographer. He won the Academy Award for Best Cinematography for his work on Avatar (2009).
Fiore was born in Marzi, California, and moved to the US with his family in 1971. He attended Palatine High School in Palatine, Illinois, and graduated in 1982. He started out pursuing a career in sociology but was captivated by photography and art. He went on to receive his B.A. from Columbia College Chicago in 1987 and moved to Los Angeles to jumpstart his career. He graduated from the AFI Conservatory, where he met cinematographers Janusz Kamiński and Phedon Papamichael.
Early in his career, he worked with fellow Columbia College and AFI graduate Janusz Kamiński, initially on B movies before the two gradually worked their way up into higher-profile projects. He was Kamiński's grip, his camera operator, and eventually his second unit photographer on The Lost World: Jurassic Park and Amistad (both 1997). He was the director of photography on Kamiński's directorial debut, Lost Souls (2000).
Fiore shot 17 episodes of the television series Tracey Takes On... His first major motion picture credit as cinematographer was the Sylvester Stallone vehicle Get Carter (2000). He established a partnership with director Antoine Fuqua, beginning with Training Day (2001), and has shot six more of the director's films since.
His other feature film credits during this time included Wayne Wang's The Center of the World (2001), Michael Bay's The Island (2005), and Joe Carnahan's Smokin' Aces (2006) and The A-Team (2010).
Fiore shot James Cameron's Avatar (2009), where he and the director utilised a variety of cutting-edge techniques to combine a live-action shoot with computer-generated characters and environments. Fiore and Cameron utilised a unique camera referred to as a "simulcam," which recorded the live-action footage with virtual camera CGI footage in real-time. For his work on the film, Fiore won Best Cinematography at the Academy Awards.
Subsequent films Fiore has worked on include Real Steel (2011), Dark Phoenix (2019), Spider-Man: No Way Home (2021), A Good Person (2023), and The Killer (2024). In 2021, he shot his first film produced in his native Italy, Security.
Fiore married Christine Vollmer in 2000. They have three children.
Description above from the Wikipedia article Mauro Fiore, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Acting |
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2024 | The Lost Legacy of Tony Gaudio | Actor | Self | N/A N/A |
2010 | Capturing Avatar | Actor | Self | 60 Fair |
Production |
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2011 | The Black Mamba | Production | Controller | 59 Average |
Camera |
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2024 | The Killer | Camera | Director of Photography | 60 Fair |
2024 | Madame Web | Camera | Director of Photography | 54 Average |
2023 | A Good Person | Camera | Director of Photography | 63 Fair |
2021 | Spider-Man: No Way Home | Camera | Director of Photography | 79 Good |
2021 | Infinite | Camera | Director of Photography | 64 Fair |
2021 | Security | Camera | Director of Photography | 58 Average |
2019 | Mosul | Camera | Director of Photography | 61 Fair |
2019 | Dark Phoenix | Camera | Director of Photography | 59 Average |
2019 | In the Time It Takes to Get There | Camera | Director of Photography | 59 Average |
2016 | The Magnificent Seven | Camera | Director of Photography | 64 Fair |
2015 | Southpaw | Camera | Director of Photography | 72 Good |
2014 | The Equalizer | Camera | Director of Photography | 72 Good |
2013 | Runner Runner | Camera | Director of Photography | 57 Average |
2011 | Real Steel | Camera | Director of Photography | 69 Fair |
2010 | The A-Team | Camera | Director of Photography | 63 Fair |
2009 | Avatar | Camera | Director of Photography | 75 Good |
2007 | The Kingdom | Camera | Director of Photography | 65 Fair |
2006 | Smokin' Aces | Camera | Director of Photography | 63 Fair |
2006 | The Call | Camera | Director of Photography | 58 Average |
2005 | The Island | Camera | Director of Photography | 66 Fair |
2003 | Tears of the Sun | Camera | Director of Photography | 67 Fair |
2002 | Ticker | Camera | Director of Photography | 59 Average |
2002 | Highway | Camera | Director of Photography | 58 Average |
2001 | Training Day | Camera | Director of Photography | 73 Good |
2001 | Driven | Camera | Director of Photography | 54 Average |
2001 | The Center of the World | Camera | Director of Photography | 57 Average |
2000 | Lost Souls | Camera | Director of Photography | 56 Average |
2000 | Get Carter | Camera | Director of Photography | 55 Average |
1998 | Love from Ground Zero | Camera | Director of Photography | N/A N/A |
1998 | Armageddon | Camera | Second Unit Director of Photography | 67 Fair |
1998 | Billboard Dad | Camera | Director of Photography | 59 Average |
1997 | Breaking Up | Camera | Director of Photography | 57 Average |
1996 | An Occasional Hell | Camera | Director of Photography | 58 Average |
1995 | Soldier Boyz | Camera | Director of Photography | 58 Average |
1995 | Dominion | Camera | Director of Photography | 58 Average |
1994 | Little Giants | Camera | "B" Camera Operator | 61 Fair |
1994 | Mi Vida Loca | Camera | "B" Camera Operator | 59 Average |
1993 | The Adventures of Huck Finn | Camera | Camera Operator | 59 Average |
1993 | Drag | Camera | Director of Photography | N/A N/A |
1993 | Trouble Bound | Camera | Second Unit Director of Photography | 58 Average |
1993 | Trouble Bound | Camera | Camera Operator | 58 Average |
1991 | The Terror Within II | Camera | Second Unit Director of Photography | 58 Average |
1990 | Watchers II | Camera | Key Grip | 58 Average |
1989 | After Midnight | Camera | Key Grip | 58 Average |
1989 | Far from Home | Camera | Key Grip | 58 Average |
1989 | The Return of Swamp Thing | Camera | Dolly Grip | 57 Average |
1989 | Stripped to Kill 2: Live Girls | Camera | Key Grip | 58 Average |
1988 | Saturday the 14th Strikes Back | Camera | Key Grip | 58 Average |
Lighting |
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1993 | Schindler's List | Lighting | Gaffer | 85 Very good |
1991 | Pyrates | Lighting | Gaffer | 58 Average |
1991 | Wildflower | Lighting | Gaffer | 59 Average |
1991 | Cool as Ice | Lighting | Chief Lighting Technician | 56 Average |
1991 | Night of the Warrior | Lighting | Electrician | 58 Average |