About
Charles Lawton Jr.
Overview
No biography available
Known for
Camera |
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| 1967 | Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feeling So Sad | Camera | Director of Photography | 58 Average |
| 1965 | A Rage to Live | Camera | Director of Photography | 58 Average |
| 1964 | Youngblood Hawke | Camera | Director of Photography | 59 Average |
| 1964 | Ensign Pulver | Camera | Director of Photography | 59 Average |
| 1963 | Spencer's Mountain | Camera | Director of Photography | 59 Average |
| 1962 | Rome Adventure | Camera | Director of Photography | 58 Average |
| 1961 | A Raisin in the Sun | Camera | Director of Photography | 62 Fair |
| 1961 | Two Rode Together | Camera | Director of Photography | 59 Average |
| 1960 | The Wackiest Ship in the Army | Camera | Director of Photography | 59 Average |
| 1960 | Man on a String | Camera | Director of Photography | 59 Average |
| 1960 | Comanche Station | Camera | Director of Photography | 60 Fair |
| 1959 | The Gene Krupa Story | Camera | Director of Photography | 59 Average |
| 1959 | It Happened to Jane | Camera | Director of Photography | 59 Average |
| 1959 | Ride Lonesome | Camera | Director of Photography | 60 Fair |
| 1958 | The Last Hurrah | Camera | Director of Photography | 60 Fair |
| 1958 | Gunman's Walk | Camera | Director of Photography | 59 Average |
| 1958 | Cowboy | Camera | Director of Photography | 59 Average |
| 1957 | Operation Mad Ball | Camera | Camera Operator | 59 Average |
| 1957 | 3:10 to Yuma | Camera | Director of Photography | 64 Fair |
| 1957 | The Tall T | Camera | Director of Photography | 61 Fair |
| 1956 | You Can't Run Away from It | Camera | Director of Photography | 58 Average |
| 1956 | Jubal | Camera | Director of Photography | 60 Fair |
| 1955 | My Sister Eileen | Camera | Director of Photography | 59 Average |
| 1955 | Bring Your Smile Along | Camera | Director of Photography | 58 Average |
| 1955 | The Long Gray Line | Camera | Director of Photography | 59 Average |
| 1954 | They Rode West | Camera | Director of Photography | 59 Average |
| 1954 | Three Hours to Kill | Camera | Director of Photography | 58 Average |
| 1954 | Drive a Crooked Road | Camera | Director of Photography | 59 Average |
| 1953 | Miss Sadie Thompson | Camera | Director of Photography | 58 Average |
| 1953 | Let's Do It Again | Camera | Director of Photography | 58 Average |
| 1953 | Last of the Comanches | Camera | Director of Photography | 59 Average |
| 1952 | Hangman's Knot | Camera | Director of Photography | 59 Average |
| 1952 | The Happy Time | Camera | Director of Photography | 59 Average |
| 1952 | Captain Pirate | Camera | Director of Photography | 58 Average |
| 1952 | Paula | Camera | Director of Photography | 58 Average |
| 1951 | Man in the Saddle | Camera | Director of Photography | 59 Average |
| 1951 | Mask of the Avenger | Camera | Director of Photography | 58 Average |
| 1951 | Santa Fe | Camera | Director of Photography | 59 Average |
| 1950 | Stage to Tucson | Camera | Director of Photography | 59 Average |
| 1950 | The Fuller Brush Girl | Camera | Director of Photography | 58 Average |
| 1950 | Cargo to Capetown | Camera | Director of Photography | 59 Average |
| 1950 | The Nevadan | Camera | Director of Photography | 58 Average |
| 1949 | Tokyo Joe | Camera | Director of Photography | 59 Average |
| 1949 | Miss Grant Takes Richmond | Camera | Director of Photography | 59 Average |
| 1949 | Mr. Soft Touch | Camera | Director of Photography | 59 Average |
| 1949 | The Doolins of Oklahoma | Camera | Director of Photography | 59 Average |
| 1949 | The Walking Hills | Camera | Director of Photography | 58 Average |
| 1949 | Slightly French | Camera | Director of Photography | 58 Average |
| 1949 | Shockproof | Camera | Director of Photography | 59 Average |
| 1948 | The Untamed Breed | Camera | Director of Photography | 58 Average |
| 1948 | The Black Arrow | Camera | Director of Photography | 58 Average |
| 1948 | I Love Trouble | Camera | Director of Photography | 59 Average |
| 1947 | The Lady from Shanghai | Camera | Director of Photography | 67 Fair |
| 1947 | Her Husband's Affairs | Camera | Director of Photography | 59 Average |
| 1946 | The Return of Monte Cristo | Camera | Director of Photography | 59 Average |
| 1946 | Blondie Knows Best | Camera | Director of Photography | 59 Average |
| 1946 | The Thrill of Brazil | Camera | Director of Photography | 59 Average |
| 1946 | The Walls Came Tumbling Down | Camera | Director of Photography | 58 Average |
| 1945 | Getting Gertie's Garter | Camera | Director of Photography | 58 Average |
| 1945 | Kiss and Tell | Camera | Director of Photography | 59 Average |
| 1945 | Brewster's Millions | Camera | Director of Photography | 59 Average |
| 1944 | 3 Is a Family | Camera | Director of Photography | N/A N/A |
| 1944 | Up in Mabel's Room | Camera | Director of Photography | 58 Average |
| 1944 | Abroad with Two Yanks | Camera | Director of Photography | 59 Average |
| 1944 | See Here, Private Hargrove | Camera | Director of Photography | 59 Average |
| 1943 | Young Ideas | Camera | Director of Photography | 58 Average |
| 1942 | Famous Boners | Camera | Director of Photography | 59 Average |
| 1942 | Eyes in the Night | Camera | Director of Photography | 58 Average |
| 1942 | The Affairs of Martha | Camera | Director of Photography | 58 Average |
| 1942 | Further Prophecies of Nostradamus | Camera | Director of Photography | 59 Average |
| 1942 | Fingers at the Window | Camera | Director of Photography | 58 Average |
| 1942 | This Time for Keeps | Camera | Director of Photography | 59 Average |
| 1942 | The Vanishing Virginian | Camera | Director of Photography | 59 Average |
| 1942 | Joe Smith, American | Camera | Director of Photography | 58 Average |
| 1941 | Ringside Maisie | Camera | Director of Photography | 58 Average |
| 1941 | The Big Store | Camera | Director of Photography | 59 Average |
| 1941 | More About Nostradamus | Camera | Director of Photography | 58 Average |
| 1941 | Maisie Was a Lady | Camera | Director of Photography | 59 Average |
| 1940 | Dulcy | Camera | Director of Photography | 59 Average |
| 1940 | Sky Murder | Camera | Director of Photography | 59 Average |
| 1940 | Gold Rush Maisie | Camera | Director of Photography | 59 Average |
| 1940 | Congo Maisie | Camera | Director of Photography | 58 Average |
| 1939 | Nick Carter, Master Detective | Camera | Director of Photography | 59 Average |
| 1939 | Miracles for Sale | Camera | Director of Photography | 59 Average |
| 1939 | The Giant of Norway | Camera | Director of Photography | N/A N/A |
| 1938 | Listen, Darling | Camera | Director of Photography | 59 Average |
| 1938 | Bravest of the Brave | Camera | Director of Photography | N/A N/A |
| 1938 | The Chaser | Camera | Director of Photography | 59 Average |
| 1937 | The King Without a Crown | Camera | Director of Photography | 58 Average |
| 1937 | My Dear Miss Aldrich | Camera | Director of Photography | 59 Average |
Crew |
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| 1956 | Full of Life | Crew | Cinematography | 58 Average |
| 1940 | Andy Hardy Meets Debutante | Crew | Cinematography | 58 Average |