About
William C. Mellor
Overview
William C. Mellor was an American cinematographer, who's career in filmmaking spanned almost three decades. He was nominated for 3 Oscars throughout his career and won 2.
Known for
Camera |
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1965 | The Greatest Story Ever Told | Camera | Director of Photography | 60 Fair |
1962 | Mr. Hobbs Takes a Vacation | Camera | Director of Photography | 59 Average |
1962 | State Fair | Camera | Director of Photography | 58 Average |
1961 | The Big Gamble | Camera | Director of Photography | 59 Average |
1961 | Wild in the Country | Camera | Director of Photography | 59 Average |
1960 | Crack in the Mirror | Camera | Director of Photography | 59 Average |
1959 | The Best of Everything | Camera | Director of Photography | 59 Average |
1959 | Woman Obsessed | Camera | Director of Photography | 59 Average |
1959 | Compulsion | Camera | Director of Photography | 61 Fair |
1959 | The Diary of Anne Frank | Camera | Director of Photography | 64 Fair |
1957 | Peyton Place | Camera | Director of Photography | 59 Average |
1957 | Love in the Afternoon | Camera | Director of Photography | 63 Fair |
1956 | Giant | Camera | Director of Photography | 68 Fair |
1956 | Back from Eternity | Camera | Director of Photography | 59 Average |
1956 | Johnny Concho | Camera | Director of Photography | 58 Average |
1955 | The Last Frontier | Camera | Director of Photography | 59 Average |
1955 | Bad Day at Black Rock | Camera | Director of Photography | 64 Fair |
1954 | Alaska Seas | Camera | Director of Photography | 58 Average |
1953 | Give a Girl a Break | Camera | Director of Photography | 58 Average |
1953 | Big Leaguer | Camera | Director of Photography | 59 Average |
1953 | The Affairs of Dobie Gillis | Camera | Director of Photography | 59 Average |
1953 | The Naked Spur | Camera | Director of Photography | 61 Fair |
1952 | My Man and I | Camera | Director of Photography | 59 Average |
1952 | Skirts Ahoy! | Camera | Director of Photography | 58 Average |
1951 | Westward the Women | Camera | Director of Photography | 60 Fair |
1951 | The Unknown Man | Camera | Director of Photography | 58 Average |
1951 | Across the Wide Missouri | Camera | Director of Photography | 59 Average |
1951 | A Place in the Sun | Camera | Director of Photography | 65 Fair |
1951 | Soldiers Three | Camera | Director of Photography | 58 Average |
1950 | The Next Voice You Hear... | Camera | Director of Photography | 59 Average |
1949 | Love Happy | Camera | Director of Photography | 58 Average |
1949 | Too Late for Tears | Camera | Director of Photography | 60 Fair |
1948 | Man-Eater of Kumaon | Camera | Director of Photography | 59 Average |
1948 | Texas, Brooklyn & Heaven | Camera | Director of Photography | 59 Average |
1947 | Blaze of Noon | Camera | Director of Photography | 59 Average |
1946 | Abie's Irish Rose | Camera | Director of Photography | N/A N/A |
1942 | Commandos Strike at Dawn | Camera | Director of Photography | 58 Average |
1942 | Road to Morocco | Camera | Director of Photography | 60 Fair |
1942 | Wake Island | Camera | Director of Photography | 58 Average |
1942 | Beyond the Blue Horizon | Camera | Director of Photography | N/A N/A |
1942 | The Great Man's Lady | Camera | Director of Photography | 59 Average |
1942 | My Favorite Blonde | Camera | Director of Photography | 59 Average |
1942 | The Fleet's In | Camera | Director of Photography | 59 Average |
1941 | Birth of the Blues | Camera | Director of Photography | 58 Average |
1940 | The Great McGinty | Camera | Director of Photography | 60 Fair |
1940 | Moon Over Burma | Camera | Director of Photography | 58 Average |
1940 | Typhoon | Camera | Director of Photography | 59 Average |
1940 | Road to Singapore | Camera | Director of Photography | 59 Average |
1939 | Disputed Passage | Camera | Director of Photography | 59 Average |
1939 | $1,000 a Touchdown | Camera | Director of Photography | 58 Average |
1939 | The Magnificent Fraud | Camera | Director of Photography | N/A N/A |
1939 | Hotel Imperial | Camera | Director of Photography | 59 Average |
1938 | Ride a Crooked Mile | Camera | Director of Photography | N/A N/A |
1938 | Bulldog Drummond in Africa | Camera | Director of Photography | 58 Average |
1938 | Romance in the Dark | Camera | Director of Photography | 58 Average |
1937 | Thrill of a Lifetime | Camera | Director of Photography | 59 Average |
1937 | Bulldog Drummond Comes Back | Camera | Director of Photography | 59 Average |
1937 | Exclusive | Camera | Director of Photography | 58 Average |
1937 | Make Way for Tomorrow | Camera | Director of Photography | 63 Fair |
1936 | The Sky Parade | Camera | Director of Photography | N/A N/A |
1936 | Woman Trap | Camera | Director of Photography | N/A N/A |
1935 | Without Regret | Camera | Director of Photography | N/A N/A |
1935 | Car 99 | Camera | Director of Photography | 59 Average |
1935 | Enter Madame | Camera | Director of Photography | 59 Average |
1934 | Cleopatra | Camera | Camera Operator | 59 Average |
1934 | Wagon Wheels | Camera | Director of Photography | 58 Average |
1932 | Love Me Tonight | Camera | Camera Operator | 59 Average |
1932 | This Is the Night | Camera | Camera Operator | 58 Average |
1932 | One Hour with You | Camera | Camera Operator | 59 Average |
Crew |
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1952 | Carbine Williams | Crew | Cinematography | 59 Average |
1936 | A Son Comes Home | Crew | Cinematography | 58 Average |