
About
Beau Borders
Overview
Beau Borders is an American sound engineer and race driver.
Born into a grassroots racing family, Beau Borders’ earliest memories revolve around the white-knuckle world of motorsports. His extensive racing resume includes many wins, podiums, and even a few championships in both open- and closed-wheel competition. Beau's racing career has been intertwined with his film career, which began at George Lucas's famed Skywalker Ranch. Since that time, Beau has built quite a profession in sound mixing and editing within the movie industry. He has collaborated on such box office hits as “Titanic,” “The Lord of the Rings,” and “Lone Survivor,” for which Beau and his mixing partners received Academy Award nominations for Sound Mixing in 2014. A further Academy Award as well as a BAFTA nomination came as recently as 2021 for the movie “Greyhound" with Tom Hanks. Beau has competed in the Trans-Am West Series on and off since 2019. He scored a win and several podiums in the Trans-Am Series and ended up in 2nd place in the GT class. He has also been racing a Factory Five GTM since 2015 when he joined the Prototype Development Group. As a team they have earned many wins and podiums in Endurance Sportscar Racing, and they look forward to many more in the upcoming season. Beau was awarded the 2018 Driver of the Year award by the SCCA NorCal Region and won both the NASA Western Endurance and SCCA T-2 Class Championships. He currently resides in Venice Beach, California.
Description above from the Wikipedia article Beau Borders, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Sound |
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2024 | Y2K | Sound | Sound Re-Recording Mixer | 57 Average |
2023 | Leave the World Behind | Sound | Sound Re-Recording Mixer | 63 Fair |
2023 | Strays | Sound | Sound Re-Recording Mixer | 67 Fair |
2023 | Gran Turismo | Sound | Sound Re-Recording Mixer | 74 Good |
2023 | 65 | Sound | Sound Re-Recording Mixer | 59 Average |
2022 | Amsterdam | Sound | Sound Re-Recording Mixer | 60 Fair |
2022 | Morbius | Sound | Sound Re-Recording Mixer | 59 Average |
2022 | Ambulance | Sound | Sound Re-Recording Mixer | 64 Fair |
2022 | Uncharted | Sound | Sound Re-Recording Mixer | 68 Fair |
2021 | Venom: Let There Be Carnage | Sound | Sound Re-Recording Mixer | 67 Fair |
2021 | The Tomorrow War | Sound | Sound Re-Recording Mixer | 73 Good |
2021 | Sweet Girl | Sound | Sound Re-Recording Mixer | 64 Fair |
2021 | The Boss Baby: Family Business | Sound | Sound Re-Recording Mixer | 71 Good |
2020 | Unhinged | Sound | Sound Re-Recording Mixer | 63 Fair |
2020 | Greyhound | Sound | Sound Re-Recording Mixer | 71 Good |
2020 | Spenser Confidential | Sound | Sound Re-Recording Mixer | 63 Fair |
2020 | Bloodshot | Sound | Sound Re-Recording Mixer | 66 Fair |
2018 | 12 Strong | Sound | Sound Re-Recording Mixer | 62 Fair |
2017 | 24 Hours to Live | Sound | Sound Re-Recording Mixer | 58 Average |
2017 | Ghost in the Shell | Sound | Sound Re-Recording Mixer | 60 Fair |
2016 | The Great Wall | Sound | Sound Re-Recording Mixer | 59 Average |
2016 | Ghostbusters | Sound | Sound Re-Recording Mixer | 53 Average |
2016 | The Sea of Trees | Sound | Sound Re-Recording Mixer | 60 Fair |
2016 | Allegiant | Sound | Sound Re-Recording Mixer | 60 Fair |
2015 | Hardcore Henry | Sound | Sound Re-Recording Mixer | 63 Fair |
2015 | Goosebumps | Sound | Sound Re-Recording Mixer | 62 Fair |
2015 | Spy | Sound | Sound Re-Recording Mixer | 67 Fair |
2014 | The Book of Life | Sound | Sound Re-Recording Mixer | 72 Good |
2014 | As Above, So Below | Sound | Sound Re-Recording Mixer | 65 Fair |
2014 | Muppets Most Wanted | Sound | Sound Re-Recording Mixer | 61 Fair |
2013 | Lone Survivor | Sound | Sound Re-Recording Mixer | 72 Good |
2013 | Carrie | Sound | Sound Re-Recording Mixer | 59 Average |
2013 | The Last Stand | Sound | Sound Re-Recording Mixer | 60 Fair |
2012 | The Dictator | Sound | Sound Re-Recording Mixer | 61 Fair |
2012 | Battleship | Sound | Sound Re-Recording Mixer | 58 Average |
2011 | The Muppets | Sound | Sound Re-Recording Mixer | 65 Fair |
2011 | Big Mommas: Like Father, Like Son | Sound | Sound Re-Recording Mixer | 56 Average |
2010 | Prince of Persia: The Sands of Time | Sound | Sound Re-Recording Mixer | 62 Fair |
2010 | A Nightmare on Elm Street | Sound | Sound Re-Recording Mixer | 55 Average |
2010 | The Back-Up Plan | Sound | Additional Sound Re-Recording Mixer | 60 Fair |
2008 | The Ruins | Sound | Sound Re-Recording Mixer | 58 Average |
2008 | One Missed Call | Sound | Sound Re-Recording Mixer | 55 Average |
2006 | Déjà Vu | Sound | Sound Mixer | 68 Fair |
2005 | Tamara | Sound | Sound Re-Recording Mixer | 56 Average |
2004 | A Christmas Carol | Sound | Sound Re-Recording Mixer | 59 Average |
2004 | Catwoman | Sound | Sound Effects Editor | 47 Bad |
2003 | Young Black Stallion | Sound | Sound Effects Editor | 59 Average |
2003 | The Lord of the Rings: The Return of the King | Sound | Sound Effects Editor | 84 Very good |
2003 | Ghosts of the Abyss | Sound | Supervising Sound Editor | 61 Fair |
2002 | I Spy | Sound | Sound Effects Editor | 55 Average |
2002 | Blood Work | Sound | Sound Effects Editor | 60 Fair |
2000 | Rules of Engagement | Sound | Assistant Sound Editor | 60 Fair |
2000 | Pitch Black | Sound | Assistant Sound Editor | 67 Fair |
1999 | The Iron Giant | Sound | Sound Effects Editor | 77 Good |
Camera |
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2004 | Up for Grabs | Camera | Additional Camera | 58 Average |
Crew |
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2004 | Man on Fire | Crew | Special Sound Effects | 73 Good |
2003 | Bad Boys II | Crew | Special Sound Effects | 65 Fair |
2000 | What Lies Beneath | Crew | Sound Design Assistant | 62 Fair |