About
Michel Magne
Overview
Michel Magne (20 March 1930 in Lisieux, Calvados, France – 19 December 1984 in Cergy-Pontoise, Val-d'Oise) was a French film and experimental music composer.
He was the fifth child in a family of eight. As young as age five, he was intrigued by his parents' piano. The Lisieux cathedral’s organist taught him to play keyboards, and soon he played the harmonium during Sunday services. At age nine he found his parents' Wagner discs, and thereafter would often quote Wagner in his works.
He then studied music at the French: Caen Conservatory, in Caen, France. By age 16 he had written an oratorio and a piano concerto. In 1946, he left Caen to attend the Paris Conservatory, where he had lessons by Simone Plé-Caussade and Olivier Messiaen.
He was nominated in 1962 for an Academy Award and Golden Globe Award for adapting the Jackie Gleason score to film Gigot. He also scored Barbarella and a series of OSS 117 films.
In 1962, he released the studio album Tropical Fantasy.
Magne wrote some songs with lyrics by Françoise Sagan for Juliette Gréco and provided orchestral accompaniment.
In 1962, he purchased the Château d'Hérouville, near Pontoise, and converted it into a residential recording studio in 1969, known as Studio d'enregistrement Michel Magne, which through the 1970s was used by a series of artists such as Elton John (at his Honky Château), Pink Floyd, David Bowie, Jethro Tull, Cat Stevens, and the Bee Gees among many others.
In the 1970's, Jean-Claude Petit scored Magne's films, without due credit.
In 1972, he married Marie-Claude, née Calvet, having met her in 1970, near Hérouville while she was hitch-hiking as a schoolgirl. The couple moved to the south of France in 1974.
Magne committed suicide in 1984, in a hotel room.
Source: Article "Michel Magne" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known for
Acting |
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2009 | Michel Magne, le Fantaisiste Pop | Actor | Michel Magne | N/A N/A |
Sound |
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2008 | Fantomas Demasque | Sound | Original Music Composer | N/A N/A |
1984 | Emmanuelle 4 | Sound | Original Music Composer | 57 Average |
1983 | The Informer | Sound | Music | 59 Average |
1983 | S.A.S. San Salvador | Sound | Music | 58 Average |
1982 | Les Misérables | Sound | Original Music Composer | 60 Fair |
1982 | Le transfuge | Sound | Original Music Composer | N/A N/A |
1978 | Rape | Sound | Music | 58 Average |
1976 | Nea | Sound | Music | 58 Average |
1974 | Chinese In Paris | Sound | Music | 59 Average |
1973 | Un ange au paradis | Sound | Music | N/A N/A |
1973 | Don Juan or If Don Juan Were a Woman | Sound | Original Music Composer | 58 Average |
1973 | Moi y'en a vouloir des sous | Sound | Original Music Composer | 59 Average |
1972 | Everybody He Is Nice, Everybody He Is Beautiful | Sound | Music | 59 Average |
1971 | Four Nights of a Dreamer | Sound | Original Music Composer | 60 Fair |
1970 | Cold Sweat | Sound | Original Music Composer | 58 Average |
1970 | Safety Catch | Sound | Original Music Composer | 59 Average |
1969 | The Strangers | Sound | Original Music Composer | 59 Average |
1968 | The Sergeant | Sound | Music | 59 Average |
1968 | Angelique and the Sultan | Sound | Original Music Composer | 59 Average |
1967 | Sorrel Flower | Sound | Original Music Composer | 58 Average |
1967 | Johnny Banco | Sound | Music | 59 Average |
1967 | The Looters | Sound | Original Music Composer | 58 Average |
1967 | Two Weeks in September | Sound | Music | 58 Average |
1967 | Shock Troops | Sound | Original Music Composer | 59 Average |
1967 | Fantomas vs. Scotland Yard | Sound | Original Music Composer | 62 Fair |
1967 | Untamable Angelique | Sound | Original Music Composer | 59 Average |
1966 | Brigade Anti Gangs | Sound | Original Music Composer | 59 Average |
1966 | Angelique and the King | Sound | Original Music Composer | 60 Fair |
1966 | Galia | Sound | Music | 58 Average |
1965 | Fantomas Unleashed | Sound | Original Music Composer | 63 Fair |
1965 | The Sleeping Car Murder | Sound | Original Music Composer | 60 Fair |
1965 | How to Keep the Red Lamp Burning | Sound | Original Music Composer | 58 Average |
1965 | Mission to Caracas | Sound | Original Music Composer | N/A N/A |
1965 | Angelique: The Road To Versailles | Sound | Original Music Composer | 60 Fair |
1965 | OSS 117: Mission for a Killer | Sound | Music | 60 Fair |
1965 | Ivory Coast Adventure | Sound | Music | 59 Average |
1965 | Crime on a Summer Morning | Sound | Original Music Composer | 59 Average |
1964 | The Great Spy Chase | Sound | Original Music Composer | 60 Fair |
1964 | Angelique | Sound | Original Music Composer | 61 Fair |
1964 | Fantomas | Sound | Original Music Composer | 64 Fair |
1964 | Cyrano and d'Artagnan | Sound | Music | 59 Average |
1964 | Circle of Love | Sound | Original Music Composer | 59 Average |
1964 | Male Hunt | Sound | Original Music Composer | 59 Average |
1964 | The Monocle's Sour Laugh | Sound | Original Music Composer | 58 Average |
1964 | OSS 117: Panic in Bangkok | Sound | Music | 60 Fair |
1964 | Jeff Gordon, Secret Agent | Sound | Original Music Composer | 58 Average |
1963 | Crooks in Clover | Sound | Original Music Composer | 67 Fair |
1963 | Germinal | Sound | Original Music Composer | 59 Average |
1963 | Symphony for a Massacre | Sound | Original Music Composer | 59 Average |
1963 | Of Flesh and Blood | Sound | Original Music Composer | N/A N/A |
1963 | OSS 117 Is Unleashed | Sound | Original Music Composer | 59 Average |
1963 | Ladies First | Sound | Music | 58 Average |
1963 | Any Number Can Win | Sound | Original Music Composer | 62 Fair |
1963 | Vice and Virtue | Sound | Original Music Composer | 58 Average |
1963 | Abel Gance, Yesterday and Tomorrow | Sound | Music | 59 Average |
1962 | The Devil and the Ten Commandments | Sound | Music | 58 Average |
1962 | The Devil and the Ten Commandments | Sound | Music Director | 58 Average |
1962 | Love on a Pillow | Sound | Original Music Composer | 59 Average |
1962 | A Monkey in Winter | Sound | Original Music Composer | 63 Fair |
1962 | Konga Yo | Sound | Music | N/A N/A |
1961 | My Baby Is Black! | Sound | Music | 59 Average |