
About
William Flageollet
Overview
William Flageollet (born November 27, 1945, Nancy - Died 29 April 2019) is a French sound engineer in the music and film. He participated in mixing more than 120 films and directed the recording and mixing of hundreds of film scores. He was nominated several times for the César Award for Best Sound; he won it twice, in 1987 for Round Midnight, and in 1994 for Three Colors: Blue.
Source: Article "William Flageollet" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known for
Sound |
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2010 | Conte de la frustration | Sound | Sound Re-Recording Mixer | 59 Average |
2004 | The Box | Sound | Sound Re-Recording Mixer | 58 Average |
2004 | Black Mor's Island | Sound | Sound Mixer | 58 Average |
2002 | Demonlover | Sound | Sound Re-Recording Mixer | 58 Average |
2001 | La Tour Montparnasse Infernale | Sound | Sound Re-Recording Mixer | 61 Fair |
2000 | Sentimental Destinies | Sound | Sound Re-Recording Mixer | 58 Average |
2000 | T'aime | Sound | Sound Mixer | 58 Average |
2000 | Marry Me | Sound | Sound Re-Recording Mixer | 59 Average |
1999 | Season's Beatings | Sound | Sound Re-Recording Mixer | 58 Average |
1999 | Le port des amours, Reinette l'Oranaise | Sound | Sound Mixer | 59 Average |
1999 | The Children of the Marshland | Sound | Sound Re-Recording Mixer | 61 Fair |
1998 | Man Is a Woman | Sound | Sound Re-Recording Mixer | 58 Average |
1997 | On Guard | Sound | Sound Re-Recording Mixer | 61 Fair |
1996 | Irma Vep | Sound | Sound Re-Recording Mixer | 61 Fair |
1996 | Line of Life | Sound | Sound Director | 58 Average |
1995 | Madame Butterfly | Sound | Sound Re-Recording Mixer | 58 Average |
1994 | U.S. Go Home | Sound | Sound | 59 Average |
1993 | Three Colors: Blue | Sound | Sound Re-Recording Mixer | 72 Good |
1993 | Travolta and Me | Sound | Sound Re-Recording Mixer | 58 Average |
1991 | The Jackpot! | Sound | Sound Re-Recording Mixer | 58 Average |
1991 | The Double Life of Véronique | Sound | Sound Re-Recording Mixer | 68 Fair |
1990 | Lung Ta: The Forgotten Tibet | Sound | Sound | N/A N/A |
1989 | Music Box | Sound | Sound Mixer | 61 Fair |
1989 | Wedding morning | Sound | Sound Mixer | N/A N/A |
1989 | Deux | Sound | Sound Re-Recording Mixer | 58 Average |
1989 | Lost Angels | Sound | Music Editor | 59 Average |
1989 | Once Around the Park | Sound | Sound | 58 Average |
1989 | Brothers in Arms | Sound | Music Arranger | 59 Average |
1989 | Brothers in Arms | Sound | Recording Supervision | 59 Average |
1989 | La Voix Humaine: Tragédie Lyrique en un Acte | Sound | Sound Mixer | N/A N/A |
1988 | Camille Claudel | Sound | Sound Mixer | 60 Fair |
1988 | The Cannibals | Sound | Sound Re-Recording Mixer | 59 Average |
1988 | To Kill a Priest | Sound | Sound | 59 Average |
1988 | La geste gibelline | Sound | Music Sound Design and Processing | N/A N/A |
1988 | El Dorado | Sound | Sound Mixer | 59 Average |
1988 | The Murdered House | Sound | Sound Re-Recording Mixer | 59 Average |
1987 | The Two Crocodiles | Sound | Sound | 58 Average |
1987 | Subway to the Stars | Sound | Sound Mixer | 59 Average |
1985 | Sincerely Charlotte | Sound | Sound Mixer | 58 Average |
1983 | First Desires | Sound | Music Editor | 57 Average |
1983 | My Other Husband | Sound | Music | 58 Average |
1981 | Choice of Arms | Sound | Sound Engineer | 59 Average |
1971 | Max and the Junkmen | Sound | Scoring Mixer | 61 Fair |
Crew |
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1989 | The Mortal Fortune | Crew | Mixing Engineer | 59 Average |