
About
Georges Feydeau
Overview
Georges-Léon-Jules-Marie Feydeau (8 December 1862 – 5 June 1921) was a French playwright of the Belle Époque era, remembered for his farces, written between 1886 and 1914.
Feydeau was born in Paris to middle-class parents and raised in an artistic and literary environment. From an early age he was fascinated by the theatre, and as a child he wrote plays and organised his schoolfellows into a drama group. In his teens he wrote comic monologues and moved on to writing longer plays. His first full-length comedy, Tailleur pour dames ('Ladies' tailor'), was well received, but was followed by a string of comparative failures. He gave up writing for a time in the early 1890s and studied the methods of earlier masters of French comedy, particularly Eugène Labiche, Alfred Hennequin and Henri Meilhac. With his technique honed, and sometimes in collaboration with a co-author, he wrote seventeen full-length plays between 1892 and 1914, many of which have become staples of the theatrical repertoire in France and abroad. They include L'Hôtel du libre échange ('The Free Exchange Hotel', 1894), La Dame de chez Maxim ('The lady from Maxim's', 1899), La Puce à l'oreille ('A flea in her ear', 1907) and Occupe-toi d'Amélie! ('Look after Amélie', 1908).
The plays of Feydeau are marked by closely observed characters, with whom his audiences could identify, plunged into fast-moving comic plots of mistaken identity, attempted adultery, split-second timing and a precariously happy ending. After the great success they enjoyed in his lifetime they were neglected after his death, until the 1940s and 1950s, when productions by Jean-Louis Barrault and the Comédie-Française led a revival of interest in his works, at first in Paris and subsequently worldwide.
Feydeau's personal life was marred by depression, unsuccessful gambling and divorce. In 1919 his mental condition deteriorated sharply and he spent his final two years in a sanatorium at Rueil (now Rueil-Malmaison), near Paris. He died there in 1921 at the age of fifty-eight.
Feydeau was born at his parents' house in the Rue de Clichy, Paris, on 8 December 1862. His father, Ernest-Aimé Feydeau (1821–1873), was a financier and a moderately well-known writer, whose first novel Fanny (1858) was a succès de scandale and earned him some notoriety. It was condemned from the pulpit by the Archbishop of Paris, and consequently sold in large numbers and had to be reprinted; Ernest dedicated the new edition to the archbishop.
Feydeau's mother was Lodzia Bogaslawa, née Zelewska (1838–1924) known as "Léocadie". When she married Ernest Feydeau in 1861, he was a forty-year-old childless widower and she was twenty-two. She was a famous beauty, and rumours spread that she was the mistress of the Duc de Morny or even the Emperor Napoleon III and that one of them was the father of Georges, her first child. In later life Léocadie commented, "How can anyone be stupid enough to believe that a boy as intelligent as Georges is the son of that idiotic emperor!" She was more equivocal about her relationship with the duke, and Georges later said that people could think Morny his father if they wanted to. ...
Source: Article "Georges Feydeau" from Wikipedia in English, licensed under CC-BY-SA.
Known for
Directing |
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2012 | Ohnsorg Theater - Der Floh im Ohr | Directing | Director | N/A N/A |
Writing |
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2023 | Un fil à la patte | Writing | Author | N/A N/A |
2022 | On purge bébé | Writing | Writer | N/A N/A |
2020 | Brouk v hlavě | Writing | Theatre Play | 58 Average |
2020 | La Dame de chez Maxim | Writing | Theatre Play | N/A N/A |
2019 | La Puce à l'Oreille | Writing | Writer | N/A N/A |
2019 | The Fool | Writing | Theatre Play | 57 Average |
2019 | L'Hôtel du libre-échange | Writing | Writer | N/A N/A |
2017 | A Finada Mãe da Madame | Writing | Story | N/A N/A |
2015 | L'Hôtel du libre échange | Writing | Theatre Play | N/A N/A |
2015 | Fleas in the ears | Writing | Original Story | N/A N/A |
2013 | Le Système Ribadier | Writing | Screenplay | 59 Average |
2012 | Occupe-toi d'Amélie | Writing | Writer | 58 Average |
2012 | Le Dindon | Writing | Theatre Play | 59 Average |
2010 | Un fil à la patte | Writing | Author | 58 Average |
2010 | Feu la mère de Madame | Writing | Theatre Play | N/A N/A |
2009 | Chat en Poche | Writing | Author | 59 Average |
2008 | Le Système Ribadier | Writing | Theatre Play | 59 Average |
2008 | Tailleur pour dames | Writing | Theatre Play | N/A N/A |
2005 | Un fil à la patte | Writing | Theatre Play | 58 Average |
2005 | The Art of Breaking Up | Writing | Writer | 58 Average |
2003 | A Key to the Bedroom | Writing | Theatre Play | 58 Average |
2003 | Chevallier et Laspalès - Monsieur chasse ! | Writing | Author | N/A N/A |
2003 | Brouk v hlavě | Writing | Writer | 58 Average |
2002 | Un fil à la patte | Writing | Author | N/A N/A |
1998 | Le ruban | Writing | Writer | N/A N/A |
1993 | Tailleur pour Dames | Writing | Theatre Play | N/A N/A |
1989 | Un fil à la patte | Writing | Author | 59 Average |
1989 | Tak sa na mňa prilepila | Writing | Theatre Play | N/A N/A |
1986 | Le Dindon | Writing | Author | N/A N/A |
1985 | Tailleur pour dames | Writing | Theatre Play | N/A N/A |
1983 | Chrobák v hlave | Writing | Theatre Play | N/A N/A |
1981 | La pulga en la oreja | Writing | Author | 59 Average |
1981 | La Dame de chez Maxim | Writing | Writer | N/A N/A |
1980 | Räkan från Maxim | Writing | Writer | N/A N/A |
1979 | L'Hôtel du libre échange | Writing | Writer | N/A N/A |
1979 | On purge bébé | Writing | Writer | N/A N/A |
1978 | La Puce à l'oreille | Writing | Author | N/A N/A |
1978 | Feu la mère de Madame | Writing | Writer | N/A N/A |
1975 | Chat en poche | Writing | Writer | 58 Average |
1975 | Chat en poche | Writing | Theatre Play | 58 Average |
1975 | Le Système Ribadier | Writing | Writer | 59 Average |
1974 | In Fashion | Writing | Theatre Play | N/A N/A |
1973 | Ako ostrihať manžela | Writing | Theatre Play | N/A N/A |
1972 | Le p'tit vient vite | Writing | Theatre Play | N/A N/A |
1970 | Un fil à la patte | Writing | Author | 59 Average |
1970 | Brouk v hlavě | Writing | Theatre Play | 59 Average |
1968 | A Flea in Her Ear | Writing | Theatre Play | 58 Average |
1968 | Le Dindon | Writing | Writer | N/A N/A |
1968 | Feu la mère de madame | Writing | Author | N/A N/A |
1966 | Hotel Paradiso | Writing | Writer | 58 Average |
1964 | The Marriage Wrestler | Writing | Theatre Play | 58 Average |
1961 | On purge bébé | Writing | Author | 59 Average |
1960 | Spökhotellet | Writing | Theatre Play | N/A N/A |
1956 | The Flea in the Ear | Writing | Author | 59 Average |
1955 | My Husband and My Boyfriend | Writing | Writer | 59 Average |
1954 | Le Fil à la patte | Writing | Novel | 58 Average |
1951 | The Turkey | Writing | Novel | 59 Average |
1949 | Keep an Eye on Amelia | Writing | Theatre Play | 58 Average |
1947 | Monsieur chasse | Writing | Theatre Play | N/A N/A |
1942 | Ceniza al viento | Writing | Writer | N/A N/A |
1936 | Mais n'te promène donc pas toute nue | Writing | Author | 58 Average |
1934 | The Free Trade Hotel | Writing | Theatre Play | 59 Average |
1933 | The Girl from Maxim's | Writing | Theatre Play | N/A N/A |
1933 | La Dame de chez Maxim's | Writing | Theatre Play | 59 Average |
1932 | Take Care of Amelie | Writing | Theatre Play | N/A N/A |
1931 | Baby's Laxative | Writing | Writer | 58 Average |
1926 | Die Königin von Moulin Rouge | Writing | Writer | N/A N/A |
1923 | La dama de chez Maxim's | Writing | Theatre Play | N/A N/A |
1913 | La duchesse des Folies-Bergères | Writing | Screenplay | N/A N/A |
Félrelépni szabad | Writing | Writer | N/A N/A |