
About
Kidlat Tahimik
Overview
Eric de Guia (born October 3, 1942 in Baguio City, Philippines), better known as Kidlat Tahimik (a Tagalog translation of "silent lightning"), is a film director, writer and actor whose films are commonly associated with the Third Cinemamovement through their critiques of neocolonialism. One of the most prominent names in the Filipino film industry, he has garnered various accolades locally and internationally, including a Plaridel honorarium for Independent Cinema. He is dubbed by fellow filmmakers and critics as the "Father of Philippine Independent Cinema".
Known for
Acting |
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2025 | First Light | Actor | N/A N/A |
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2025 | Bulakna | Actor | N/A N/A |
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2023 | Lucid | Actor | Himself | N/A N/A |
2018 | A Man Who Became Cinema | Actor | N/A N/A |
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2017 | BalikBayan #1: Memories of Overdevelopment Redux VI | Actor | N/A N/A |
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2015 | Ode to Dreamers | Actor | Panaginip Pictures CEO | N/A N/A |
2015 | Balikbayan #1: Memories of Overdevelopment Redux III | Actor | N/A N/A |
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2011 | Illogical Patterns of a Logical Parallelism | Actor | N/A N/A |
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2010 | Philippine New Wave: This Is Not a Film Movement | Actor | Himself | 59 Average |
1998 | José Rizal | Actor | La Liga Filipina Guest | 58 Average |
1996 | Japanese Summers of a Filipino Fundoshi | Actor | Himself | N/A N/A |
1991 | A Movie Capital | Actor | Self | 59 Average |
1982 | Shaman Wars | Actor | Shaman | N/A N/A |
1981 | I am Blushing | Actor | Kidlat, the driver | N/A N/A |
1979 | Perfumed Nightmare | Actor | Kidlat | 59 Average |
1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Actor | Kidlat | 58 Average |
1974 | The Enigma of Kaspar Hauser | Actor | Hombrecito, the Indian | 64 Fair |
Shaman Showman: The Life and Work of Roberto Villanueva | Actor | N/A N/A |
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Directing |
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2020 | Kabunyan's Journey to Liwanag | Directing | Director | N/A N/A |
2019 | Journey | Directing | Director | N/A N/A |
2017 | BalikBayan #1: Memories of Overdevelopment Redux VI | Directing | Director | N/A N/A |
2015 | Balikbayan #1: Memories of Overdevelopment Redux III | Directing | Director | N/A N/A |
2006 | Roofs of the World! Unite! | Directing | Director | N/A N/A |
2006 | Video-Palaro: The Video Diaries of Kidlat Tahimik | Directing | Director | N/A N/A |
2005 | Our Film-Grimage to Guimaras | Directing | Director | N/A N/A |
2005 | Some More Rice | Directing | Director | N/A N/A |
2003 | Holy Wood | Directing | Director | N/A N/A |
1996 | Japanese Summers of a Filipino Fundoshi | Directing | Director | N/A N/A |
1995 | Our Bomb Mission in Hiroshima | Directing | Director | N/A N/A |
1995 | Celebrating the Year 2021, Today | Directing | Director | N/A N/A |
1994 | Why Is Yellow the Middle of the Rainbow? | Directing | Director | 58 Average |
1992 | Orbit 50: Letters to My 3 Sons | Directing | Director | N/A N/A |
1991 | Takedera mon amour: Diary of a Bamboo Connection | Directing | Director | N/A N/A |
1984 | Memories of Overdevelopment | Directing | Director | N/A N/A |
1981 | Turumba | Directing | Director | 59 Average |
1980 | Yan Ki Made in Hongkong | Directing | Director | N/A N/A |
1979 | Perfumed Nightmare | Directing | Director | 59 Average |
1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Directing | Director | 58 Average |
Writing |
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2019 | Journey | Writing | Screenplay | N/A N/A |
2006 | Roofs of the World! Unite! | Writing | Writer | N/A N/A |
2005 | Our Film-Grimage to Guimaras | Writing | Writer | N/A N/A |
2005 | Some More Rice | Writing | Writer | N/A N/A |
2003 | Holy Wood | Writing | Writer | N/A N/A |
1996 | Japanese Summers of a Filipino Fundoshi | Writing | Writer | N/A N/A |
1995 | Celebrating the Year 2021, Today | Writing | Writer | N/A N/A |
1994 | Why Is Yellow the Middle of the Rainbow? | Writing | Writer | 58 Average |
1992 | Orbit 50: Letters to My 3 Sons | Writing | Writer | N/A N/A |
1991 | Takedera mon amour: Diary of a Bamboo Connection | Writing | Writer | N/A N/A |
1984 | Memories of Overdevelopment | Writing | Writer | N/A N/A |
1981 | Turumba | Writing | Writer | 59 Average |
1980 | Yan Ki Made in Hongkong | Writing | Writer | N/A N/A |
1979 | Perfumed Nightmare | Writing | Writer | 59 Average |
1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Writing | Writer | 58 Average |
Production |
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1979 | Perfumed Nightmare | Production | Producer | 59 Average |
Art |
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1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Art | Production Design | 58 Average |
Camera |
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1996 | Japanese Summers of a Filipino Fundoshi | Camera | Director of Photography | N/A N/A |
1994 | Why Is Yellow the Middle of the Rainbow? | Camera | Director of Photography | 58 Average |
1979 | Perfumed Nightmare | Camera | Director of Photography | 59 Average |
Crew |
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1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Crew | Cinematography | 58 Average |
Editing |
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1994 | Why Is Yellow the Middle of the Rainbow? | Editing | Editor | 58 Average |
1979 | Perfumed Nightmare | Editing | Editor | 59 Average |
1979 | Sinong Lumikha ng Yoyo? Sinong Lumikha ng Moon Buggy? | Editing | Editor | 58 Average |