About
Leslie Shatz
Overview
Leslie Shatz is an academy award and Emmy award-nominated sound designer whose career spans over 50 years.
Known for
Directing |
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| 1978 | The New Klan: Heritage of Hate | Directing | Director | N/A N/A |
Sound |
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| 2024 | Blink Twice | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2024 | Blink Twice | Sound | Supervising Sound Editor | 64 Fair |
| 2024 | Shirley | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2024 | Shirley | Sound | Sound Designer | 60 Fair |
| 2023 | May December | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2023 | May December | Sound | Sound Designer | 63 Fair |
| 2023 | Love to Love You, Donna Summer | Sound | Sound | 59 Average |
| 2022 | Blonde | Sound | Sound Designer | 59 Average |
| 2022 | Blonde | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | The Lost Daughter | Sound | Supervising Sound Editor | 62 Fair |
| 2021 | The Lost Daughter | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2021 | Worth | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2021 | Worth | Sound | Sound Designer | 62 Fair |
| 2021 | Zola | Sound | Sound Designer | 59 Average |
| 2021 | Zola | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | The World to Come | Sound | Sound Designer | 63 Fair |
| 2020 | Shirley | Sound | Sound Designer | 59 Average |
| 2020 | First Cow | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2020 | First Cow | Sound | Sound Designer | 64 Fair |
| 2020 | The Assistant | Sound | Supervising Sound Editor | 60 Fair |
| 2020 | The Assistant | Sound | Sound Designer | 60 Fair |
| 2020 | The Assistant | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2019 | Dark Waters | Sound | Sound Designer | 71 Good |
| 2019 | Dark Waters | Sound | Sound Re-Recording Mixer | 71 Good |
| 2019 | Luce | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2019 | Luce | Sound | Supervising Sound Editor | 60 Fair |
| 2018 | Ghostbox Cowboy | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Ghostbox Cowboy | Sound | Sound Designer | 59 Average |
| 2018 | Furlough | Sound | Sound Re-Recording Mixer | 59 Average |
| 2018 | Furlough | Sound | Sound Designer | 59 Average |
| 2017 | Brigsby Bear | Sound | Supervising Sound Editor | 64 Fair |
| 2017 | Literally, Right Before Aaron | Sound | Sound Re-Recording Mixer | 57 Average |
| 2016 | Certain Women | Sound | Sound Designer | 59 Average |
| 2016 | Triple 9 | Sound | Sound Designer | 59 Average |
| 2016 | Triple 9 | Sound | Sound Re-Recording Mixer | 59 Average |
| 2015 | Carol | Sound | Sound Re-Recording Mixer | 73 Good |
| 2015 | The End of the Tour | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2015 | Tale of Tales | Sound | Sound Designer | 62 Fair |
| 2015 | Tale of Tales | Sound | Sound Mixer | 62 Fair |
| 2015 | True Story | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2014 | Beyond the Lights | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2014 | Child of God | Sound | Sound Re-Recording Mixer | 57 Average |
| 2013 | Out of the Furnace | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2013 | 12 Years a Slave | Sound | Sound Designer | 78 Good |
| 2013 | Escape Plan | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2013 | The Spectacular Now | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2013 | Warm Bodies | Sound | Sound Designer | 64 Fair |
| 2013 | Odd Thomas | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2012 | Stand Up Guys | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Lawless | Sound | Sound Designer | 69 Fair |
| 2012 | Killing Them Softly | Sound | Sound Designer | 59 Average |
| 2012 | Killing Them Softly | Sound | Sound Re-Recording Mixer | 59 Average |
| 2012 | Game Change | Sound | Sound Designer | 62 Fair |
| 2011 | Rampart | Sound | Sound Re-Recording Mixer | 57 Average |
| 2011 | Beginners | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2011 | Beginners | Sound | Sound Designer | 65 Fair |
| 2011 | Meek's Cutoff | Sound | Sound Designer | 61 Fair |
| 2011 | Take Me Home Tonight | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Death Race 2 | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | Welcome to the Rileys | Sound | Supervising Sound Editor | 62 Fair |
| 2010 | Welcome to the Rileys | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2010 | Biutiful | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2010 | The Ward | Sound | Sound Designer | 58 Average |
| 2010 | The Twilight Saga: Eclipse | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2010 | The Twilight Saga: Eclipse | Sound | Sound Designer | 61 Fair |
| 2010 | The Twilight Saga: Eclipse | Sound | Supervising Sound Editor | 61 Fair |
| 2010 | The Terror Experiment | Sound | Sound Re-Recording Mixer | 58 Average |
| 2010 | Leap Year | Sound | Sound Designer | 66 Fair |
| 2009 | A Single Man | Sound | Sound Designer | 69 Fair |
| 2009 | The Road | Sound | Sound Designer | 68 Fair |
| 2009 | G.I. Joe: The Rise of Cobra | Sound | Sound Re-Recording Mixer | 57 Average |
| 2008 | Wendy and Lucy | Sound | Sound Designer | 62 Fair |
| 2008 | Twilight | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2008 | Milk | Sound | Supervising Sound Editor | 69 Fair |
| 2008 | Milk | Sound | Sound Designer | 69 Fair |
| 2008 | Gomorrah | Sound | Sound Designer | 65 Fair |
| 2008 | Gomorrah | Sound | Sound Mixer | 65 Fair |
| 2008 | Rambo | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2008 | Assassination of a High School President | Sound | Sound Re-Recording Mixer | 58 Average |
| 2007 | I'm Not There | Sound | Sound Designer | 62 Fair |
| 2007 | I'm Not There | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2007 | The Assassination of Jesse James by the Coward Robert Ford | Sound | Sound Designer | 68 Fair |
| 2007 | Before the Rains | Sound | Supervising Sound Editor | 58 Average |
| 2007 | Paranoid Park | Sound | Sound Designer | 62 Fair |
| 2006 | Goya's Ghosts | Sound | Sound Designer | 62 Fair |
| 2006 | 2:37 | Sound | Sound Designer | 60 Fair |
| 2005 | Shopgirl | Sound | Sound Re-Recording Mixer | 58 Average |
| 2005 | Shopgirl | Sound | Supervising Sound Editor | 58 Average |
| 2005 | Last Days | Sound | Sound Designer | 57 Average |
| 2005 | Sahara | Sound | Sound Designer | 58 Average |
| 2005 | Sahara | Sound | Sound Re-Recording Mixer | 58 Average |
| 2004 | Mindhunters | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2004 | Van Helsing | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2003 | Elephant | Sound | Sound Designer | 68 Fair |
| 2003 | Masked and Anonymous | Sound | Sound Designer | 58 Average |
| 2003 | Masked and Anonymous | Sound | Sound Re-Recording Mixer | 58 Average |
| 2002 | Far from Heaven | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2002 | Gerry | Sound | Supervising Sound Editor | 59 Average |
| 2002 | Gerry | Sound | Sound Designer | 59 Average |
| 2002 | Reign of Fire | Sound | Sound Designer | 61 Fair |
| 2001 | The Mummy Returns | Sound | Sound Designer | 63 Fair |
| 2001 | 15 Minutes | Sound | Sound Designer | 58 Average |
| 2001 | 15 Minutes | Sound | Sound Re-Recording Mixer | 58 Average |
| 2001 | Brotherhood of the Wolf | Sound | Sound Mixer | 65 Fair |
| 2000 | Committed | Sound | Sound Re-Recording Mixer | 57 Average |
| 1999 | The Mummy | Sound | Sound Re-Recording Mixer | 68 Fair |
| 1999 | The Mummy | Sound | Sound Designer | 68 Fair |
| 1999 | The Other Sister | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1999 | In Dreams | Sound | Sound Re-Recording Mixer | 57 Average |
| 1999 | In Dreams | Sound | Sound Designer | 57 Average |
| 1998 | Psycho | Sound | Sound Re-Recording Mixer | 53 Average |
| 1998 | Deep Rising | Sound | Sound Designer | 60 Fair |
| 1998 | Deep Rising | Sound | Sound Re-Recording Mixer | 60 Fair |
| 1998 | Deep Rising | Sound | Sound Editor | 60 Fair |
| 1997 | Good Will Hunting | Sound | Sound Re-Recording Mixer | 80 Very good |
| 1997 | Alien Resurrection | Sound | Sound Designer | 61 Fair |
| 1996 | Scream | Sound | Sound Re-Recording Mixer | 73 Good |
| 1996 | Blood and Wine | Sound | Sound Re-Recording Mixer | 58 Average |
| 1996 | Blood and Wine | Sound | Sound Designer | 58 Average |
| 1995 | Judge Dredd | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Judge Dredd | Sound | Sound Designer | 58 Average |
| 1995 | Johnny Mnemonic | Sound | Sound Re-Recording Mixer | 57 Average |
| 1995 | Born to Be Wild | Sound | Sound Re-Recording Mixer | 58 Average |
| 1995 | Born to Be Wild | Sound | Sound Designer | 58 Average |
| 1993 | Indian Summer | Sound | Sound Re-Recording Mixer | 59 Average |
| 1992 | Bram Stoker's Dracula | Sound | Sound Designer | 72 Good |
| 1992 | Bram Stoker's Dracula | Sound | Sound Re-Recording Mixer | 72 Good |
| 1992 | Equinox | Sound | Sound Re-Recording Mixer | 58 Average |
| 1992 | The Vagrant | Sound | Sound Re-Recording Mixer | 58 Average |
| 1991 | Ernest Scared Stupid | Sound | Sound Re-Recording Mixer | 57 Average |
| 1991 | A Matter of Degrees | Sound | Sound Re-Recording Mixer | 58 Average |
| 1990 | Henry & June | Sound | Sound Re-Recording Mixer | 59 Average |
| 1990 | Ghost | Sound | Sound Re-Recording Mixer | 71 Good |
| 1990 | Ghost | Sound | Supervising Sound Editor | 71 Good |
| 1989 | The War of the Roses | Sound | Supervising Sound Editor | 65 Fair |
| 1989 | The War of the Roses | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1989 | Catch Me If You Can | Sound | Supervising Sound Editor | 58 Average |
| 1989 | Roe vs. Wade | Sound | Supervising Sound Editor | 59 Average |
| 1989 | The Fly II | Sound | Sound Designer | 57 Average |
| 1988 | Plain Clothes | Sound | Supervising Sound Editor | 59 Average |
| 1986 | Kamikaze Hearts | Sound | Sound | 59 Average |
| 1986 | True Stories | Sound | Sound Designer | 60 Fair |
| 1986 | Seize the Day | Sound | Sound Mixer | 58 Average |
| 1985 | Mishima: A Life in Four Chapters | Sound | Sound Designer | 65 Fair |
| 1985 | Mishima: A Life in Four Chapters | Sound | Sound Re-Recording Mixer | 65 Fair |
| 1984 | Dune | Sound | Sound Editor | 61 Fair |
| 1983 | Rumble Fish | Sound | Dialogue Editor | 65 Fair |
| 1983 | The Black Stallion Returns | Sound | Sound Editor | 59 Average |
| 1977 | Death Game | Sound | Sound | 58 Average |
| 1973 | An Eye for an Eye | Sound | Sound Recordist | 58 Average |
| 1971 | Directed by John Ford | Sound | Sound Re-Recording Mixer | 59 Average |
Crew |
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| 2016 | Moonlight | Crew | Thanks | 72 Good |