
About
Peter Field
Overview
Peter Field is a second unit director of photography. He began his career in the visual effects department at Pinewood Studios, where he notably contributed to the production of Superman III. From those early days in optical and visual effects, he advanced into camera work both as an operator and as a second‑unit cinematographer, eventually building a reputation on large-scale international feature films and television productions.
Over the years, he has accumulated over 50 film credits and around 18 television credits, working across main, second, splinter, VFX, action, and model/miniature units. His roles frequently include second‑unit Director of Photography or camera operator, particularly on action sequences and specialised shots.
His cinematography collaborations span many high-profile films. Some examples include second‑unit work on Hot Fuzz (2007), Lara Croft: Tomb Raider (2001), Doomsday (2008), Edge of Tomorrow (2014), Spectre and Mission: Impossible – Rogue Nation (both 2015), Jason Bourne (2016), Rogue One: A Star Wars Story (2016), Doctor Strange (2016), Mortal Engines (2018), The Huntsman: Winter's War (2016), Maleficent: Mistress of Evil (2019), The Warrior Queen of Jhansi (2019), Kingdoms of Fire (2019), The Letter to the King (2020), The Wilds (2020) and The Lord of the Rings: Rings of Power seasons 1 and 2 (2022–2023).
In particular, his work as second‑unit Action/Drama Director of Photography on The Lord of the Rings: Rings of Power season 1 earned him the prestigious New Zealand Cinematographers Society Silver Award in May 2023. He was accorded full NZCS accreditation soon after. He then returned to shoot season 2 under the guidance of Vic Armstrong, his frequent collaborator, across a nine‑month UK shoot that concluded in mid‑2023.
Beyond films and episodic TV, Peter also works on commercials and short films, and enjoys operating additional units, including model/miniature units, as well as splinter and VFX units. He has collaborated with top directors such as Tim Burton, Joe Johnston, Neil Marshall, John Madden, Edgar Wright, Paul Greengrass, Sam Mendes, and Kenneth Branagh, as well as with major studios including Disney, Warner Bros., Marvel, Paramount, Netflix, Amazon Studios, MGM, Sony, Working Title, and more.
Colleagues widely praise him for his technical skills, creative eye, calm professionalism, and collaborative spirit—Vic Armstrong described him as "the consummate professional," while other collaborators called him "highly collaborative," "excited by action," and someone they would hire again without hesitation. He is also the son of renowned visual effects artist Roy Field and brother of Tim Field.
Known for
Directing |
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Cookster: No Going Back | Directing | Director | N/A N/A |
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Camera |
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2024 | Damsel | Camera | Second Unit Director of Photography | 68 Fair |
2021 | No Time to Die | Camera | Camera Operator | 72 Good |
2021 | F9 | Camera | Camera Operator | 69 Fair |
2020 | Wonder Woman 1984 | Camera | Camera Operator | 63 Fair |
2020 | Artemis Fowl | Camera | Camera Operator | 56 Average |
2020 | Dolittle | Camera | Camera Operator | 65 Fair |
2019 | Kingdoms of Fire | Camera | Second Unit Director of Photography | 70 Good |
2019 | The Warrior Queen of Jhansi | Camera | Second Unit Director of Photography | 58 Average |
2019 | Maleficent: Mistress of Evil | Camera | Camera Operator | 71 Good |
2018 | Mortal Engines | Camera | "A" Camera Operator | 61 Fair |
2018 | I Am Urban | Camera | Director of Photography | 58 Average |
2018 | A Wrinkle in Time | Camera | Camera Operator | 52 Average |
2017 | Star Wars: The Last Jedi | Camera | Camera Operator | 67 Fair |
2017 | The Changeover | Camera | Camera Operator | 58 Average |
2016 | Rogue One: A Star Wars Story | Camera | Camera Operator | 74 Good |
2016 | Doctor Strange | Camera | Camera Operator | 73 Good |
2016 | Jason Bourne | Camera | Camera Operator | 63 Fair |
2016 | The Huntsman: Winter's War | Camera | Camera Operator | 62 Fair |
2016 | Grimsby | Camera | Camera Operator | 59 Average |
2015 | Spectre | Camera | Camera Operator | 65 Fair |
2015 | Mission: Impossible - Rogue Nation | Camera | Camera Operator | 71 Good |
2015 | Kingsman: The Secret Service | Camera | Camera Operator | 75 Good |
2014 | Robot Overlords | Camera | Camera Operator | 55 Average |
2014 | The Last Man | Camera | Director of Photography | 58 Average |
2014 | Maleficent | Camera | Camera Operator | 70 Good |
2014 | Edge of Tomorrow | Camera | Camera Operator | 75 Good |
2013 | Doonby | Camera | Director of Photography | 58 Average |
2013 | World War Z | Camera | Camera Operator | 67 Fair |
2013 | Fast & Furious 6 | Camera | Camera Operator | 67 Fair |
2012 | Skyfall | Camera | Camera Operator | 72 Good |
2012 | Snow White and the Huntsman | Camera | Camera Operator | 59 Average |
2012 | Dark Shadows | Camera | Additional Director of Photography | 60 Fair |
2011 | Ra.One | Camera | Camera Operator | 57 Average |
2011 | Captain America: The First Avenger | Camera | Camera Operator | 69 Fair |
2011 | Attack the Block | Camera | Camera Operator | 63 Fair |
2011 | Your Highness | Camera | Camera Operator | 54 Average |
2011 | The Rite | Camera | Camera Operator | 60 Fair |
2010 | Gulliver's Travels | Camera | Camera Operator | 53 Average |
2010 | Knight and Day | Camera | Camera Operator | 61 Fair |
2009 | Skellig | Camera | Second Unit Director of Photography | 58 Average |
2009 | Easier Ways to Make a Living | Camera | Director of Photography | N/A N/A |
2008 | Quantum of Solace | Camera | Camera Operator | 63 Fair |
2008 | City of Ember | Camera | "A" Camera Operator | 62 Fair |
2008 | The Mummy: Tomb of the Dragon Emperor | Camera | Camera Operator | 55 Average |
2008 | Doomsday | Camera | Second Unit Director of Photography | 59 Average |
2008 | Agent Crush | Camera | Director of Photography | 58 Average |
2007 | Hot Fuzz | Camera | Second Unit Director of Photography | 74 Good |
2005 | Bleak House | Camera | Camera Operator | 75 Good |
2005 | Bleak House | Camera | Second Unit Director of Photography | 75 Good |
2005 | All About George | Camera | Camera Operator | N/A N/A |
2004 | Alexander | Camera | Camera Operator | 59 Average |
2004 | Troy | Camera | Camera Operator | 71 Good |
2003 | Cold Mountain | Camera | Camera Operator | 66 Fair |
2003 | Henry VIII | Camera | Camera Operator | 69 Fair |
2003 | The League of Extraordinary Gentlemen | Camera | Camera Operator | 59 Average |
2002 | Die Another Day | Camera | Camera Operator | 59 Average |
2002 | Blade II | Camera | Additional Director of Photography | 64 Fair |
2001 | Lara Croft: Tomb Raider | Camera | Second Unit Director of Photography | 58 Average |
2001 | Lara Croft: Tomb Raider | Camera | Camera Operator | 58 Average |
2001 | Blow Dry | Camera | Camera Operator | 58 Average |
2000 | Quills | Camera | Camera Operator | 66 Fair |
1999 | The World Is Not Enough | Camera | Camera Operator | 62 Fair |
1999 | Entrapment | Camera | Camera Operator | 61 Fair |
1998 | Tale of the Mummy | Camera | Camera Operator | 56 Average |
1998 | Tale of the Mummy | Camera | Second Unit Director of Photography | 56 Average |
1997 | Tomorrow Never Dies | Camera | Camera Operator | 63 Fair |
1997 | The Trick | Camera | Director of Photography | 58 Average |
1995 | Cutthroat Island | Camera | Camera Operator | 58 Average |
1993 | Left Hand Drive | Camera | Camera Operator | 58 Average |
1992 | Project: Shadowchaser | Camera | Camera Operator | 57 Average |
1989 | DeepStar Six | Camera | Assistant Camera | 57 Average |
Crew |
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1997 | Sub Down | Crew | Lighting Camera | 58 Average |
Visual Effects |
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2014 | Robot Overlords | Visual Effects | VFX Director of Photography | 55 Average |
2006 | Casino Royale | Visual Effects | VFX Director of Photography | 74 Good |
2002 | K-19: The Widowmaker | Visual Effects | VFX Director of Photography | 63 Fair |
1995 | Hackers | Visual Effects | Visual Effects Camera | 62 Fair |