About
J. Michael Muro
Overview
J. Michael Muro is an American cinematographer and director working in both the film and television industries. Muro lives in New Orleans with his family.
Known for
Acting |
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| 2006 | The Meltdown Memoirs | Actor | Himself | N/A N/A |
| 1995 | Strange Days | Actor | Nervous POV | 66 Fair |
Directing |
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| 1987 | Street Trash | Directing | Director | 60 Fair |
| 1984 | Street Trash | Directing | Director | 59 Average |
Production |
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| 2024 | Street Trash | Production | Executive Producer | N/A N/A |
Sound |
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| 1982 | Basket Case | Sound | Sound Assistant | 60 Fair |
Camera |
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| 2025 | Horizon: An American Saga - Chapter 2 | Camera | Director of Photography | N/A N/A |
| 2024 | Horizon: An American Saga - Chapter 1 | Camera | Director of Photography | 62 Fair |
| 2018 | Billionaire Boys Club | Camera | Director of Photography | 58 Average |
| 2017 | The Book of Love | Camera | Director of Photography | 60 Fair |
| 2013 | Parker | Camera | Director of Photography | 60 Fair |
| 2011 | What's Your Number? | Camera | Director of Photography | 63 Fair |
| 2009 | Cirque du Freak: The Vampire's Assistant | Camera | Director of Photography | 58 Average |
| 2008 | Traitor | Camera | Director of Photography | 62 Fair |
| 2007 | Rush Hour 3 | Camera | Director of Photography | 64 Fair |
| 2007 | The Last Mimzy | Camera | Director of Photography | 61 Fair |
| 2006 | Flicka | Camera | Director of Photography | 62 Fair |
| 2006 | Miami Vice | Camera | Second Unit Director of Photography | 59 Average |
| 2005 | Roll Bounce | Camera | Director of Photography | 60 Fair |
| 2005 | Crash | Camera | Director of Photography | 70 Good |
| 2004 | The Chronicles of Riddick | Camera | Steadicam Operator | 64 Fair |
| 2004 | The Chronicles of Riddick | Camera | Camera Operator | 64 Fair |
| 2003 | Open Range | Camera | Director of Photography | 67 Fair |
| 2002 | Red Dragon | Camera | Camera Operator | 68 Fair |
| 2002 | Red Dragon | Camera | Steadicam Operator | 68 Fair |
| 2001 | Rush Hour 2 | Camera | "A" Camera Operator | 66 Fair |
| 2001 | Rush Hour 2 | Camera | Steadicam Operator | 66 Fair |
| 2001 | The Fast and the Furious | Camera | Steadicam Operator | 69 Fair |
| 2000 | The Family Man | Camera | "B" Camera Operator | 66 Fair |
| 2000 | The Family Man | Camera | Steadicam Operator | 66 Fair |
| 1999 | The Insider | Camera | "B" Camera Operator | 71 Good |
| 1999 | The Insider | Camera | Steadicam Operator | 71 Good |
| 1999 | Runaway Bride | Camera | Steadicam Operator | 60 Fair |
| 1998 | The Negotiator | Camera | Steadicam Operator | 68 Fair |
| 1998 | The Negotiator | Camera | Camera Operator | 68 Fair |
| 1998 | U.S. Marshals | Camera | Steadicam Operator | 63 Fair |
| 1997 | Titanic | Camera | Steadicam Operator | 78 Good |
| 1997 | L.A. Confidential | Camera | Steadicam Operator | 76 Good |
| 1995 | Heat | Camera | Steadicam Operator | 77 Good |
| 1995 | Strange Days | Camera | Camera Operator | 66 Fair |
| 1995 | Strange Days | Camera | Steadicam Operator | 66 Fair |
| 1994 | True Lies | Camera | Steadicam Operator | 69 Fair |
| 1993 | The Beverly Hillbillies | Camera | Steadicam Operator | 61 Fair |
| 1993 | Falling Down | Camera | Steadicam Operator | 72 Good |
| 1992 | A Few Good Men | Camera | Steadicam Operator | 73 Good |
| 1992 | Sneakers | Camera | Steadicam Operator | 65 Fair |
| 1992 | Raising Cain | Camera | Steadicam Operator | 59 Average |
| 1992 | Thunderheart | Camera | Steadicam Operator | 60 Fair |
| 1991 | JFK | Camera | Steadicam Operator | 72 Good |
| 1991 | Terminator 2: Judgment Day | Camera | Steadicam Operator | 80 Very good |
| 1991 | The Doors | Camera | Steadicam Operator | 67 Fair |
| 1990 | Predator 2 | Camera | Steadicam Operator | 62 Fair |
| 1990 | Dances with Wolves | Camera | Steadicam Operator | 76 Good |
| 1990 | Dances with Wolves | Camera | Camera Operator | 76 Good |
| 1990 | The Palermo Connection | Camera | Steadicam Operator | 59 Average |
| 1989 | The Abyss | Camera | Steadicam Operator | 71 Good |
| 1989 | The Mighty Quinn | Camera | Steadicam Operator | 59 Average |
| 1988 | Brain Damage | Camera | Steadicam Operator | 61 Fair |
| 1986 | Forever, Lulu | Camera | Steadicam Operator | 58 Average |