About
Ryal Cosgrove
Overview
No biography available
Known for
Art |
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1981 | Happy Birthday to Me | Art | Assistant Set Propsman | 59 Average |
Crew |
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2015 | The Walk | Crew | Special Effects Coordinator | 68 Fair |
2010 | Barney's Version | Crew | Special Effects Coordinator | 64 Fair |
2008 | The Curious Case of Benjamin Button | Crew | Special Effects Coordinator | 75 Good |
2008 | Punisher: War Zone | Crew | Special Effects Coordinator | 58 Average |
2007 | The House Sitter | Crew | Special Effects | 58 Average |
2006 | The Covenant | Crew | Special Effects Coordinator | 56 Average |
2006 | Banshee | Crew | Special Effects Coordinator | 59 Average |
2006 | The Woods | Crew | Special Effects Coordinator | 58 Average |
2005 | An American Haunting | Crew | Special Effects Coordinator | 57 Average |
2004 | Noel | Crew | Special Effects Coordinator | 58 Average |
2004 | I Do (But I Don't) | Crew | Special Effects Coordinator | 58 Average |
2003 | Wall of Secrets | Crew | Special Effects Coordinator | 58 Average |
2002 | FearDotCom | Crew | Special Effects Coordinator | 49 Bad |
2001 | The Hidden Fortress | Crew | Special Effects Coordinator | 59 Average |
2000 | The Whole Nine Yards | Crew | Special Effects Coordinator | 62 Fair |
1999 | Dead Silent | Crew | Special Effects | 58 Average |
1998 | Dead End | Crew | Special Effects | 58 Average |
1997 | The Assignment | Crew | Special Effects Coordinator | 60 Fair |
1995 | The Wrong Woman | Crew | Special Effects | 58 Average |
1990 | Back Stab | Crew | Special Effects | 58 Average |
1990 | The Amityville Curse | Crew | Special Effects Coordinator | 55 Average |
Visual Effects |
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2014 | Brick Mansions | Visual Effects | Special Effects Supervisor | 58 Average |
2013 | Riddick | Visual Effects | Special Effects Supervisor | 62 Fair |
2013 | RED 2 | Visual Effects | Special Effects Supervisor | 64 Fair |
2011 | Source Code | Visual Effects | Special Effects Supervisor | 72 Good |
1996 | Midnight in Saint Petersburg | Visual Effects | Special Effects Supervisor | 58 Average |