About
Andy Koyama
Overview
Andy Koyama (born April 18, 1962) is a Canadian rerecording mixer.
Koyama grew up in Toronto and attended the University of Toronto, with a major in Engineering Physics.
After college he worked as a musician and recording engineer. He then worked for 12 years at the Deluxe sound facility in Toronto, where he was responsible for mixing film and television projects. He moved to Los Angeles and worked at the Universal Studios sound department, Sony Pictures Entertainment sound department, and Todd-AO before joining the Formosa Group.
Koyama and his fellow sound mixers David Brownlow and Beau Borders were nominated for an Academy Award for Best Sound Mixing for the 2013 film Lone Survivor.
Koyama was nominated for 2 CAS awards in 2013: Best sound mixing for an animated feature film, "Walking With Dinosaurs," and Best sound mixing for a live-action feature film, "Lone Survivor.".
Koyama won an MPSE Golden Reel award for best sound editing for a feature film direct to video, "LOVE," in 2011.
Description above from the Wikipedia article Andy Koyama, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Sound |
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| 2024 | Rebel Moon - Part Two: The Scargiver | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2023 | John Wick: Chapter 4 | Sound | Sound Re-Recording Mixer | 75 Good |
| 2023 | 80 for Brady | Sound | Recording Supervision | 60 Fair |
| 2023 | 80 for Brady | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2022 | Amsterdam | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2022 | End of the Road | Sound | Sound Re-Recording Mixer | 59 Average |
| 2021 | American Underdog | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2021 | Kate | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2021 | He's All That | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2021 | Army of the Dead | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2021 | Zack Snyder's Justice League | Sound | Sound Re-Recording Mixer | 79 Good |
| 2020 | Unhinged | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2019 | The Peanut Butter Falcon | Sound | Sound Re-Recording Mixer | 70 Good |
| 2019 | John Wick: Chapter 3 - Parabellum | Sound | Sound Re-Recording Mixer | 73 Good |
| 2019 | Five Feet Apart | Sound | Sound Re-Recording Mixer | 80 Very good |
| 2019 | Velvet Buzzsaw | Sound | Sound Re-Recording Mixer | 54 Average |
| 2019 | Late Night | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2018 | Instant Family | Sound | Sound Re-Recording Mixer | 72 Good |
| 2018 | Hell Fest | Sound | Sound Re-Recording Mixer | 57 Average |
| 2017 | What Happened to Monday | Sound | Sound Re-Recording Mixer | 70 Good |
| 2017 | Table 19 | Sound | Sound Re-Recording Mixer | 58 Average |
| 2017 | John Wick: Chapter 2 | Sound | Sound Re-Recording Mixer | 72 Good |
| 2016 | Incarnate | Sound | Sound Re-Recording Mixer | 56 Average |
| 2016 | Now You See Me 2 | Sound | Sound Re-Recording Mixer | 67 Fair |
| 2016 | The Finest Hours | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2014 | Nightcrawler | Sound | Sound Re-Recording Mixer | 76 Good |
| 2014 | John Wick | Sound | Sound Re-Recording Mixer | 74 Good |
| 2014 | The Book of Life | Sound | Sound Re-Recording Mixer | 72 Good |
| 2013 | Lone Survivor | Sound | Sound Re-Recording Mixer | 72 Good |
| 2013 | Carrie | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2013 | The Last Stand | Sound | Sound Re-Recording Mixer | 60 Fair |
| 2012 | The Dictator | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2012 | Battleship | Sound | Sound Re-Recording Mixer | 58 Average |
| 2012 | The Grey | Sound | Additional Sound Re-Recording Mixer | 65 Fair |
| 2011 | Mr. Popper's Penguins | Sound | Sound Re-Recording Mixer | 59 Average |
| 2010 | Dinner for Schmucks | Sound | Sound Re-Recording Mixer | 57 Average |
| 2010 | When You're Strange | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2010 | She's Out of My League | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2009 | The Twilight Saga: New Moon | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | The Incredible Hulk | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2006 | Accepted | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2006 | The Omen | Sound | Sound Mixer | 57 Average |
| 2006 | The Fast and the Furious: Tokyo Drift | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2006 | She's the Man | Sound | Sound Re-Recording Mixer | 66 Fair |
| 2004 | Meet the Fockers | Sound | Sound Re-Recording Mixer | 62 Fair |
| 2004 | White Chicks | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2003 | Honey | Sound | Sound Re-Recording Mixer | 61 Fair |
| 2003 | The Core | Sound | Additional Sound Re-Recording Mixer | 58 Average |
| 2003 | The Core | Sound | Sound Re-Recording Mixer | 58 Average |
| 2002 | The Adventures of Pluto Nash | Sound | Sound Re-Recording Mixer | 51 Average |
| 2002 | About a Boy | Sound | Sound Re-Recording Mixer | 65 Fair |
| 2001 | Lara Croft: Tomb Raider | Sound | Additional Sound Re-Recording Mixer | 58 Average |
| 2000 | Bring It On | Sound | Sound Re-Recording Mixer | 61 Fair |
| 1999 | From Dusk Till Dawn 3: The Hangman's Daughter | Sound | Sound Re-Recording Mixer | 54 Average |
| 1999 | From Dusk Till Dawn 3: The Hangman's Daughter | Sound | Foley Recordist | 54 Average |
| 1998 | The Big Hit | Sound | Sound Re-Recording Mixer | 59 Average |
| 1996 | Bogus | Sound | Sound Re-Recording Mixer | 58 Average |
| 1994 | Fun | Sound | Sound Mixer | 58 Average |
| 1994 | Twin Sitters | Sound | Sound Re-Recording Mixer | 59 Average |