About
Anthony J. Rickert-Epstein
Overview
Anthony J. Rickert-Epstein (A.J.) was born and raised in Cincinnati, Ohio, and has been making films since he was eight years old. He attended Miami University in Oxford, Ohio, graduating at age twenty with a Bachelor's degree in Mass Communications and a minor in Film Studies. He often returns to his alma mater to teach and mentor students. During his time attending class at Miami, A.J. created the first active filmmaking organization called the Miami Association of Filmmakers and Independent Actors (M.A.F.I.A.). It is a still-flourishing group committed to the ins and outs of filmmaking and staying up to date with the latest technology.
A.J. also attended NYU Tisch School of the Arts in Manhattan in 2003, where he learned to work with traditional film stocks, shooting five short films and editing them using razor blades and tape on a Steenbeck editing table. He has subsequently been the main editor for several feature films, some of which have been uncredited.
Today, A.J. is an IATSE 600 cinematographer as well as a seasoned visual effects supervisor and editor. His work can be seen in numerous feature-length films, television shows, music videos, and web series. Most recently he lensed and VFX supervised the smash hit biopic "Salt-N-Pepa", (directed by Mario Van Peebles) in addition to lensing, VFX supervising, and editing the period piece "Songs of Solomon", which was the official 2020 Academy Awards submission by the country of Armenia for best international feature film, best cinematography, and best editing. Songs of Solomon will be released theatrically worldwide in 2021.
A.J. is married to photographer Christina Napier. They have three children.
Known for
Acting |
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2015 | The Night Crew | Actor | A.J. | 58 Average |
2014 | Misfire | Actor | Weyland | 57 Average |
Directing |
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2013 | Compound Fracture | Directing | Director | 58 Average |
Camera |
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2024 | Lights Out | Camera | "A" Camera Operator | 60 Fair |
2024 | Lights Out | Camera | Director of Photography | 60 Fair |
2022 | Section 8 | Camera | Director of Photography | 59 Average |
2022 | Incarnation | Camera | Director of Photography | 58 Average |
2021 | Every Last One of Them | Camera | Director of Photography | 58 Average |
2021 | Karen | Camera | Director of Photography | 57 Average |
2021 | Take Back | Camera | Director of Photography | 59 Average |
2021 | Wrong Turn | Camera | "B" Camera Operator | 59 Average |
2020 | Songs of Solomon | Camera | Director of Photography | 59 Average |
2018 | Armed | Camera | Director of Photography | 58 Average |
2017 | Doomsday Device | Camera | Director of Photography | 58 Average |
2016 | Mind Blown | Camera | Director of Photography | 58 Average |
2016 | Vigilante Diaries | Camera | Director of Photography | 57 Average |
2016 | Code of Honor | Camera | Director of Photography | 56 Average |
2015 | The Night Crew | Camera | Director of Photography | 58 Average |
2014 | Revenge of the Bimbot Zombie Killers | Camera | Director of Photography | N/A N/A |
2014 | Misfire | Camera | Director of Photography | 57 Average |
2014 | Live Nude Girls | Camera | Director of Photography | 58 Average |
2013 | Dead Drop | Camera | Director of Photography | 58 Average |
2010 | Across the Line: The Exodus of Charlie Wright | Camera | Director of Photography | 58 Average |
Crew |
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2017 | Dead Body | Crew | Cinematography | 58 Average |
2013 | Night Riders | Crew | Cinematography | N/A N/A |
2012 | We the Party | Crew | Cinematography | 58 Average |
2010 | The Lost Skeleton Returns Again | Crew | Cinematography | 59 Average |
2009 | Dark and Stormy Night | Crew | Cinematography | 59 Average |
The Mob Priest | Crew | Cinematography | N/A N/A |
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Editing |
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2021 | Every Last One of Them | Editing | Colorist | 58 Average |
2021 | 45 Days: The Fight for a Nation | Editing | Editor | 59 Average |
2020 | Songs of Solomon | Editing | Editor | 59 Average |
Visual Effects |
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2022 | Section 8 | Visual Effects | Visual Effects Supervisor | 59 Average |
2022 | Incarnation | Visual Effects | Visual Effects | 58 Average |
2021 | Every Last One of Them | Visual Effects | Visual Effects Supervisor | 58 Average |
2021 | Take Back | Visual Effects | Visual Effects Supervisor | 59 Average |
2020 | Paydirt | Visual Effects | Visual Effects Supervisor | 58 Average |
2017 | Dead Body | Visual Effects | Visual Effects | 58 Average |
2017 | Death Race 2050 | Visual Effects | Visual Effects Supervisor | 54 Average |
2016 | Vigilante Diaries | Visual Effects | Visual Effects Supervisor | 57 Average |
2016 | Code of Honor | Visual Effects | Visual Effects Supervisor | 56 Average |
2015 | Blunt Force Trauma | Visual Effects | Visual Effects | 57 Average |
2015 | Hangman | Visual Effects | Visual Effects Supervisor | 56 Average |
2013 | Dead Drop | Visual Effects | Visual Effects Supervisor | 58 Average |