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About
Eric Larson
Overview
Born to Peter and Nora Larson. In 1915 his family moved to Salt Lake City, where he became interested in journalism and also secretly took drawing lessons. In 1925, he entered the University of Utah, later moving to Los Angeles to look for a job in journalism and writing, unfortunately unsuccessfully. He then decided to rekindle his ambition to become an artist, and was offered a job at Walt Disney Productions in 1933, as an `in-betweener'. Later the same year, he married Gertrude Jannes (although sadly, the couple remained childless). Animator Hamilton Luske recognized Larson's talent and promoted him to assistant animator; Luske, who had joined the studio two years previously, later became his mentor. Further promotion followed, with Eric as animator on Walt Disney's first feature length cartoon, Snow White and the Seven Dwarfs (1937); along with future veteran animators Milt Kahl and James Algar, he animated the forest animals that followed Snow White throughout. In 1940, he was promoted to animation director for Pinocchio (1940), and in that film he created the kitten, Figaro, who became one of his favorite characters. In Fantasia (1940), he created the centaurs and the horses in the "Pastoral Symphony" segment of the musical feature. By 1942, he had become a supervising animator for Bambi (1942) along with fellow workers Ollie Johnston, Frank Thomas, and Milt Kahl, with whom he had worked on Snow White. In Bambi, he created Friend Owl, and subsequently worked on birds for the next two assignments, creating the mad Aracuan Bird in The Three Caballeros (1944), and Sasha the Bird in Make Mine Music (1946). Larson also worked on Fun and Fancy Free, Song of the South, Melody Time, and So Dear to My Heart (1949). He later became part of the Animation Board, and Walt Disney appointed him as one of his Nine Old Men, who consisted of Les Clark, Woolie Reitherman, Eric Larson, Ward Kimball, Milt Kahl, Frank Thomas, Ollie Johnston, John Lounsbery and Marc Davis; all considered to be Walt's most trusted associates. -From IMDB
Known for
Acting |
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2010 | Taking Flight: The Making of Dumbo | Actor | Himself (archive footage) | N/A N/A |
2009 | Waking Sleeping Beauty | Actor | Himself (archive footage) | 61 Fair |
2009 | The Making of 'Pinocchio': No Strings Attached | Actor | Himself (Archive Footage) | N/A N/A |
2007 | The Pixar Story | Actor | Self (archive footage) | 63 Fair |
2005 | From Walt's Table: A Tribute to Disney's Nine Old Men | Actor | Self (Archive Footage) | N/A N/A |
1994 | The Making of Bambi: A Prince is Born | Actor | Self - Supervising Animator, 'Bambi' (archive footage) | N/A N/A |
Directing |
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1948 | Church Welfare in Action | Directing | Director | N/A N/A |
Art |
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2003 | Net Games | Art | Set Designer | 58 Average |
Crew |
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1942 | Bambi | Crew | Supervising Animator | 69 Fair |
Visual Effects |
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1977 | The Many Adventures of Winnie the Pooh | Visual Effects | Animation | 67 Fair |
1970 | The Aristocats | Visual Effects | Animation | 71 Good |
1969 | It's Tough to Be a Bird | Visual Effects | Animation | 58 Average |
1968 | Understanding Stresses and Strains | Visual Effects | Animation | N/A N/A |
1964 | Mary Poppins | Visual Effects | Animation | 74 Good |
1963 | The Sword in the Stone | Visual Effects | Animation | 70 Good |
1962 | A Symposium on Popular Songs | Visual Effects | Animation | 58 Average |
1961 | One Hundred and One Dalmatians | Visual Effects | Animation | 71 Good |
1959 | Sleeping Beauty | Visual Effects | Animation | 68 Fair |
1955 | Lady and the Tramp | Visual Effects | Animation Director | 69 Fair |
1955 | Lady and the Tramp | Visual Effects | Animation | 69 Fair |
1953 | Peter Pan | Visual Effects | Animation | 71 Good |
1953 | Peter Pan | Visual Effects | Animation Director | 71 Good |
1952 | Lambert the Sheepish Lion | Visual Effects | Animation | 60 Fair |
1951 | Alice in Wonderland | Visual Effects | Animation | 70 Good |
1950 | Cinderella | Visual Effects | Animation Director | 69 Fair |
1948 | Once Upon a Wintertime | Visual Effects | Animation | 58 Average |
1948 | Little Toot | Visual Effects | Animation | 58 Average |
1948 | Melody Time | Visual Effects | Animation | 59 Average |
1946 | Song of the South | Visual Effects | Animation Director | 60 Fair |
1946 | Peter and the Wolf | Visual Effects | Animation | 60 Fair |
1946 | A Knight for a Day | Visual Effects | Animation | 59 Average |
1945 | African Diary | Visual Effects | Animation | 58 Average |
1945 | Tiger Trouble | Visual Effects | Animation | 59 Average |
1944 | The Three Caballeros | Visual Effects | Animation | 61 Fair |
1944 | The Flying Gauchito | Visual Effects | Animation | 58 Average |
1940 | Fantasia | Visual Effects | Animation | 71 Good |
1940 | Pinocchio | Visual Effects | Animation | 70 Good |
1940 | Pinocchio | Visual Effects | Animation Director | 70 Good |
1939 | The Hockey Champ | Visual Effects | Animation | 59 Average |
1938 | Farmyard Symphony | Visual Effects | Animation | 59 Average |
1938 | The Whalers | Visual Effects | Animation | 59 Average |
1938 | Snow White and the Seven Dwarfs | Visual Effects | Animation | 70 Good |
1936 | Three Little Wolves | Visual Effects | Animation | 59 Average |
1935 | Cock o' the Walk | Visual Effects | Animation | 58 Average |
1935 | On Ice | Visual Effects | Animation | 60 Fair |
1935 | Who Killed Cock Robin? | Visual Effects | Animation | 59 Average |
1935 | Mickey's Service Station | Visual Effects | Animation Production Assistant | 59 Average |
1935 | The Tortoise and the Hare | Visual Effects | Animation Production Assistant | 61 Fair |
1934 | Two-Gun Mickey | Visual Effects | Animation Production Assistant | 59 Average |
1934 | Two-Gun Mickey | Visual Effects | Animation | 59 Average |