
About
Nick Elliot
Overview
No biography available
Known for
Directing |
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1981 | Three Day Pass | Directing | Director | N/A N/A |
1979 | Where Joey Lives | Directing | Director | N/A N/A |
1976 | Morning, Noon and Night | Directing | Director | N/A N/A |
1975 | Snowballing | Directing | Director | N/A N/A |
1967 | Behind Every Good Man | Directing | Director | 59 Average |
Writing |
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1981 | Three Day Pass | Writing | Writer | N/A N/A |
1976 | Morning, Noon and Night | Writing | Writer | N/A N/A |
Production |
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1981 | Three Day Pass | Production | Producer | N/A N/A |
1976 | Morning, Noon and Night | Production | Producer | N/A N/A |
1973 | Brothers | Production | Producer | 59 Average |
Camera |
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1990 | Made in Hollywood | Camera | Director of Photography | 58 Average |
1989 | Jeff Stryker's Powerfull II: The Return | Camera | Director of Photography | N/A N/A |
1987 | Bigger Than Life | Camera | Director of Photography | N/A N/A |
1986 | Nightcrawler: A Leathersex Fantasy | Camera | Director of Photography | 60 Fair |
1986 | Kappa | Camera | Director of Photography | N/A N/A |
1985 | Inch By Inch | Camera | Director of Photography | 58 Average |
1984 | Spalding Gray's Map of L.A. | Camera | Director of Photography | 59 Average |
1984 | Like A Horse | Camera | Director of Photography | N/A N/A |
1984 | Sizing Up: Before Your Very Eyes | Camera | Director of Photography | N/A N/A |
1983 | The Big Surprise | Camera | Director of Photography | N/A N/A |
1982 | Skin Flix | Camera | Director of Photography | N/A N/A |
1982 | The Brig | Camera | Director of Photography | N/A N/A |
1981 | Three Day Pass | Camera | Director of Photography | N/A N/A |
1981 | Al Parker's Flashback | Camera | Camera Operator | N/A N/A |
1980 | Private Collection | Camera | Camera Operator | N/A N/A |
1980 | Wet Shorts | Camera | Director of Photography | N/A N/A |
1980 | Flesh and Fantasy | Camera | Director of Photography | N/A N/A |
1979 | Gettin' Down | Camera | Director of Photography | 59 Average |
1979 | Army of Lovers or Revolt of the Perverts | Camera | Director of Photography | 58 Average |
1979 | The Harder They Fall | Camera | Director of Photography | 58 Average |
1977 | El Paso Wrecking Corp. | Camera | Director of Photography | 58 Average |
1977 | Gemini | Camera | Director of Photography | N/A N/A |
1977 | Two Days in a Hot Place | Camera | Director of Photography | N/A N/A |
1976 | Kansas City Trucking Co. | Camera | Director of Photography | 58 Average |
1976 | Garage Sale | Camera | Director of Photography | 59 Average |
1976 | Morning, Noon and Night | Camera | Director of Photography | N/A N/A |
1975 | Snowballing | Camera | Director of Photography | N/A N/A |
1973 | Brothers | Camera | Director of Photography | 59 Average |
Crew |
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1986 | Bi-Bi Love | Crew | Cinematography | N/A N/A |
1980 | Closed Set | Crew | Cinematography | N/A N/A |
1980 | Pieces of Eight | Crew | Cinematography | N/A N/A |
1976 | Straight | Crew | Cinematography | N/A N/A |
Editing |
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1981 | Three Day Pass | Editing | Editor | N/A N/A |
1976 | Morning, Noon and Night | Editing | Editor | N/A N/A |
1973 | The Age of Ballyhoo | Editing | Editor | N/A N/A |