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About
Humberto Mauro
Overview
Humberto Duarte Mauro (30 April 1897 – 5 October 1983) was a Brazilian film director. He is often considered the greatest director of early Brazilian cinema.
Mauro's second feature film Thesouro Perdido (Lost Treasure) won the Brazilian "Film of the Year" award in 1927. Later that year, Phebo Sul America Film was reorganized into Phebo Brasil Film. The first film released under the new Phebo was Braza Dormida (Sleeping Ember). Braza Dormida was a boxoffice success and furthered Mauro's career as one of Brazil's leading directors.
In July 1929, Mauro's final film for Phebo Brasil Film, Sangue Mineiro (Blood of Minas Gerais), was shown in Cataguases. In 1930, the film was given a nationwide release. The film was critically and popularly acclaimed. This was the first film in which Mauro worked with Carmen Santos who would star in many of Mauro's later films.
Phebo Brasil Film did not have the resources to continue to produce films. Adhemar Gonzaga offered Mauro a directing job for Cinédia, which was centered in Rio de Janeiro. Gonzaga had started to shoot Lábios sem Beijos (Lips Without Kisses) which starred Carmen Santos. However, Carmen became pregnant was unable to finish production. Gonzaga handed the project over to Mauro, who both directed and photograpghed the film, in March 1930. Mauro decided to make the film silent even though sound was available. He wanted to explore the possibilities of silent film. Upon release in 1930, the film won the Jornal do Brasil film of the year award. Mauro acted as cinematographer for Cinédia's second film Muhler (Woman).
Mauro began shooting Ganga Bruta in September 1931. The film was not completed until 1933 due to cast replacements. The film was silent with synchronized sound recorded on Vitaphone discs added later. The film received little acclaim until two decades after its release.
Mauro co-directed his first talking film with Adhemar Gonzaga. A Voz do Carnaval (The Voice of Carnival) was a musical. Afterwards, Mauro left Cinédia for Brasil Vita Filme in 1934. He directed two feature films and several documentaries for Brasil Vita Filme.
In 1936, Mauro joined the Instituto de Nacional do Cinema Educativo (INCE), which was then the government office for educational and propaganda films. Mauro shot hundreds of documentaries when he was working in INCE, and he also shot his last three movies: Descobrimento do Brasil (The Discovery of Brazil), Argila (Clay), and O Canto da Saudade (The Song of Yearning). His final film was Carro de Bois (Ox Cart), a documentary, in 1974.
Description above from the Wikipedia article Humberto Mauro, full list of contributors on Wikipedia.
Known for
Acting |
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2018 | Humberto Mauro | Actor | Ele mesmo (arquivo) | 59 Average |
2008 | Castelar e Nelson Dantas no País dos Generais | Actor | Himself (archive footage) | N/A N/A |
1979 | Humberto Mauro: Eu Coração Dou Bom | Actor | Ele mesmo | 59 Average |
1978 | Mulheres de Cinema | Actor | Self | N/A N/A |
1978 | A Noiva da Cidade | Actor | N/A N/A |
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1977 | Entrevista de Humberto Mauro a David Neves e Alex Viany | Actor | Ele mesmo | N/A N/A |
1977 | Flagrantes da Vida Rural: Fazendas Clássicas | Actor | Self (uncredited) | N/A N/A |
1975 | Mauro, Humberto | Actor | 59 Average |
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1970 | Humberto Mauro | Actor | Ele mesmo | N/A N/A |
1969 | Memories of Helen | Actor | Tio Mário | N/A N/A |
1952 | O Canto da Saudade | Actor | Januário | N/A N/A |
1938 | Chegada de Humberto Mauro de Veneza | Actor | Self | N/A N/A |
1931 | Woman | Actor | Padrasto | 59 Average |
1929 | Sangue Mineiro | Actor | 59 Average |
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1927 | National Treasure | Actor | Manuel Faca | 59 Average |
Directing |
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1977 | Flagrantes da Vida Rural: Fazendas Clássicas | Directing | Director | N/A N/A |
1974 | Carro de Bois | Directing | Director | 59 Average |
1964 | A Velha a Fiar | Directing | Director | 59 Average |
1962 | O Papel | Directing | Director | N/A N/A |
1960 | Endemias Rurais | Directing | Director | N/A N/A |
1959 | O Café | Directing | Director | N/A N/A |
1958 | City of Caeté | Directing | Director | N/A N/A |
1958 | São João Del Rei | Directing | Director | N/A N/A |
1958 | Belo Horizonte | Directing | Director | N/A N/A |
1957 | Congonhas do Campo | Directing | Director | N/A N/A |
1956 | O João de Barro | Directing | Director | N/A N/A |
1956 | Rural Constructions | Directing | Director | N/A N/A |
1956 | Manhã Na Roça: O Carro de Bois) | Directing | Director | N/A N/A |
1956 | Biblioteca Demonstrativa Castro Alves: Uma Biblioteca Modêlo | Directing | Director | N/A N/A |
1956 | Meus Oito Anos: Canto Escolar | Directing | Director | 59 Average |
1955 | Engenhos e Usinas | Directing | Director | N/A N/A |
1955 | Cantos de Trabalho | Directing | Director | N/A N/A |
1954 | Captação da Água | Directing | Director | N/A N/A |
1954 | Aboio e Cantiga | Directing | Director | N/A N/A |
1954 | Higiene Rural | Directing | Director | N/A N/A |
1952 | O Canto da Saudade | Directing | Director | N/A N/A |
1950 | Alberto Nepomuceno | Directing | Director | N/A N/A |
1949 | Cidade do Salvador | Directing | Director | N/A N/A |
1949 | Ruy Barbosa | Directing | Director | N/A N/A |
1949 | Cidade do Rio de Janeiro | Directing | Director | N/A N/A |
1948 | Castro Alves | Directing | Director | N/A N/A |
1948 | Azulão e Pinhal | Directing | Director | N/A N/A |
1947 | O cristal oscilador: industrialização do quartzo no Brasil | Directing | Director | N/A N/A |
1947 | O Judas em Sábado de Aleluia | Directing | Director | N/A N/A |
1946 | Leopoldo Miguez | Directing | Director | N/A N/A |
1945 | Vicente de Carvalho - Palavras ao Mar | Directing | Director | N/A N/A |
1945 | O Ensino Industrial no Brasil | Directing | Director | N/A N/A |
1945 | O Segredo das Asas | Directing | Director | N/A N/A |
1945 | Barão do Rio Branco | Directing | Director | N/A N/A |
1945 | Chuá-Chuá e Casinha Pequenina | Directing | Director | N/A N/A |
1944 | Euclydes da Cunha - 1866-1909 | Directing | Director | N/A N/A |
1944 | O Escravo | Directing | Director | 59 Average |
1942 | Henrique Oswald | Directing | Director | N/A N/A |
1942 | O Despertar da Redentora | Directing | Director | 59 Average |
1942 | O Dragãozinho Manso - Jonjoca | Directing | Director | N/A N/A |
1942 | Miocárdio em Cultura: Potenciais de Ação | Directing | Director | N/A N/A |
1942 | Carlos Gomes: O Guarani - Invocação dos Aimorés | Directing | Director | 58 Average |
1941 | Ponteio - Segundo Movimento do Concerto para Piano e Orquestra de Hekel Tavares | Directing | Director | N/A N/A |
1940 | Clay | Directing | Director | 58 Average |
1940 | Bandeirantes | Directing | Director | 59 Average |
1940 | Aráras | Directing | Director | N/A N/A |
1939 | Lagoa Santa | Directing | Director | N/A N/A |
1939 | Instituto Oswaldo Cruz | Directing | Director | N/A N/A |
1939 | Cerâmica de Marajó | Directing | Director | N/A N/A |
1939 | O Puraquê | Directing | Director | N/A N/A |
1939 | Um Apólogo | Directing | Director | 59 Average |
1939 | Abastecimento d'Água do Rio de Janeiro (História da Água) | Directing | Director | N/A N/A |
1938 | Febre Amarela II | Directing | Director | N/A N/A |
1938 | Febre Amarela I | Directing | Director | N/A N/A |
1938 | Chegada de Humberto Mauro de Veneza | Directing | Director | N/A N/A |
1937 | The Discovery of Brazil | Directing | Director | 58 Average |
1937 | Telúrio | Directing | Director | N/A N/A |
1937 | Orquídeas | Directing | Director | N/A N/A |
1937 | Victória Régia | Directing | Director | 59 Average |
1937 | Academia Brasileira | Directing | Director | N/A N/A |
1937 | Papagaio | Directing | Director | N/A N/A |
1937 | Victória Régia: Horto Botânico do Museu Nacional | Directing | Director | N/A N/A |
1936 | Os Inconfidentes | Directing | Director | N/A N/A |
1936 | Um Parafuso | Directing | Director | N/A N/A |
1936 | Cidade Mulher | Directing | Director | N/A N/A |
1936 | O Cysne | Directing | Director | N/A N/A |
1935 | Favela dos Meus Amores | Directing | Director | N/A N/A |
1933 | Rough Gang | Directing | Director | 59 Average |
1930 | Virgin Lips | Directing | Director | 59 Average |
1929 | Sangue Mineiro | Directing | Director | 59 Average |
1928 | Dormant Embers | Directing | Director | 59 Average |
1927 | National Treasure | Directing | Director | 59 Average |
Writing |
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1978 | A Noiva da Cidade | Writing | Screenstory | N/A N/A |
1978 | A Noiva da Cidade | Writing | Screenplay | N/A N/A |
1977 | Anchieta, José do Brasil | Writing | Dialogue | 59 Average |
1977 | Flagrantes da Vida Rural: Fazendas Clássicas | Writing | Screenplay | N/A N/A |
1974 | Carro de Bois | Writing | Writer | 59 Average |
1971 | How Tasty Was My Little Frenchman | Writing | Dialogue | 59 Average |
1952 | O Canto da Saudade | Writing | Screenplay | N/A N/A |
1948 | Minas Conspiracy | Writing | Screenplay | N/A N/A |
1942 | O Dragãozinho Manso - Jonjoca | Writing | Adaptation | N/A N/A |
1942 | O Despertar da Redentora | Writing | Screenplay | 59 Average |
1940 | Clay | Writing | Writer | 58 Average |
1938 | Chegada de Humberto Mauro de Veneza | Writing | Writer | N/A N/A |
1935 | Favela dos Meus Amores | Writing | Writer | N/A N/A |
1933 | Rough Gang | Writing | Screenplay | 59 Average |
1929 | Sangue Mineiro | Writing | Writer | 59 Average |
1928 | Dormant Embers | Writing | Writer | 59 Average |
1927 | National Treasure | Writing | Writer | 59 Average |
Production |
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1952 | O Canto da Saudade | Production | Producer | N/A N/A |
Camera |
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1945 | Chuá-Chuá e Casinha Pequenina | Camera | Director of Photography | N/A N/A |
1942 | Carlos Gomes: O Guarani - Invocação dos Aimorés | Camera | Director of Photography | 58 Average |
1939 | O Puraquê | Camera | Director of Photography | N/A N/A |
1937 | Orquídeas | Camera | Director of Photography | N/A N/A |
1931 | Woman | Camera | Director of Photography | 59 Average |
1930 | Virgin Lips | Camera | Director of Photography | 59 Average |
1927 | National Treasure | Camera | Director of Photography | 59 Average |
Crew |
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1940 | Aráras | Crew | Cinematography | N/A N/A |
1939 | Instituto Oswaldo Cruz | Crew | Cinematography | N/A N/A |
1937 | Telúrio | Crew | Cinematography | N/A N/A |
1935 | Favela dos Meus Amores | Crew | Cinematography | N/A N/A |
Editing |
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1945 | Chuá-Chuá e Casinha Pequenina | Editing | Editor | N/A N/A |
1939 | Instituto Oswaldo Cruz | Editing | Editor | N/A N/A |
1939 | Cerâmica de Marajó | Editing | Editor | N/A N/A |
1933 | Rough Gang | Editing | Editor | 59 Average |
1930 | Virgin Lips | Editing | Editor | 59 Average |
1927 | National Treasure | Editing | Editor | 59 Average |