About
Mark Mangini
Overview
Mark Anthony Mangini is a two time Academy Award winning (Dune, Mad Max Fury Road) and six time nominated Sound Designer known for films including Blade Runner 2049, Star Treks I,IV,&V, The Fifth Element, and Gremlins.
He founded and ran Weddington Productions, a successful Hollywood post-production sound company, for 25 years.
Known for
Acting |
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| 2022 | In Search of Darkness: Part III | Actor | Self | 59 Average |
| 2022 | The Sounds of Dune: Behind the Scenes with Denis Villeneuve | Actor | Self | N/A N/A |
| 2019 | Making Waves: The Art of Cinematic Sound | Actor | Self | 59 Average |
| 2001 | The Flintstones: On the Rocks | Actor | Dino (voice) | 59 Average |
Sound |
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| 2024 | Mother of the Bride | Sound | Supervising Sound Editor | 59 Average |
| 2024 | Mother of the Bride | Sound | Sound Re-Recording Mixer | 59 Average |
| 2023 | Divinity | Sound | Sound Designer | 58 Average |
| 2023 | Teenage Mutant Ninja Turtles: Mutant Mayhem | Sound | Sound Designer | 68 Fair |
| 2023 | Teenage Mutant Ninja Turtles: Mutant Mayhem | Sound | Supervising Sound Editor | 68 Fair |
| 2023 | Teenage Mutant Ninja Turtles: Mutant Mayhem | Sound | Sound Re-Recording Mixer | 68 Fair |
| 2023 | 32 Sounds | Sound | Sound Designer | 58 Average |
| 2022 | A Christmas Story Christmas | Sound | Sound Re-Recording Mixer | 59 Average |
| 2022 | A Christmas Story Christmas | Sound | Sound Designer | 59 Average |
| 2022 | Good Night Oppy | Sound | Sound Designer | 60 Fair |
| 2021 | Dune | Sound | Sound Designer | 77 Good |
| 2021 | Dune | Sound | Supervising Sound Editor | 77 Good |
| 2020 | Fireball: Visitors from Darker Worlds | Sound | Sound Re-Recording Mixer | 59 Average |
| 2020 | The Way Back | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2020 | The Way Back | Sound | Supervising Sound Editor | 64 Fair |
| 2019 | Family Romance, LLC | Sound | Sound Designer | 59 Average |
| 2019 | Family Romance, LLC | Sound | Sound Mixer | 59 Average |
| 2017 | Blade Runner 2049 | Sound | Supervising Sound Editor | 75 Good |
| 2016 | The Accountant | Sound | Sound Re-Recording Mixer | 70 Good |
| 2016 | The Accountant | Sound | Supervising Sound Editor | 70 Good |
| 2015 | Black Mass | Sound | Supervising Sound Editor | 64 Fair |
| 2015 | Black Mass | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2015 | Mad Max: Fury Road | Sound | Supervising Sound Editor | 75 Good |
| 2014 | The Book of Life | Sound | Additional Sound Re-Recording Mixer | 72 Good |
| 2014 | Transcendence | Sound | Sound Designer | 60 Fair |
| 2013 | Jack the Giant Slayer | Sound | Supervising Sound Editor | 58 Average |
| 2011 | The Rum Diary | Sound | Supervising Sound Editor | 58 Average |
| 2011 | Warrior | Sound | Sound Effects | 76 Good |
| 2011 | Mr. Popper's Penguins | Sound | Sound Designer | 59 Average |
| 2011 | Mr. Popper's Penguins | Sound | Sound Supervisor | 59 Average |
| 2011 | The Rite | Sound | Supervising Sound Editor | 60 Fair |
| 2010 | Going the Distance | Sound | Sound Designer | 60 Fair |
| 2010 | Valentine's Day | Sound | Sound Designer | 58 Average |
| 2010 | Valentine's Day | Sound | Supervising Sound Editor | 58 Average |
| 2009 | The Men Who Stare at Goats | Sound | Sound Re-Recording Mixer | 59 Average |
| 2009 | The Men Who Stare at Goats | Sound | Sound Designer | 59 Average |
| 2008 | Che: Part Two | Sound | Sound Effects Editor | 63 Fair |
| 2008 | Che: Part Two | Sound | Sound Re-Recording Mixer | 63 Fair |
| 2008 | Che: Part One | Sound | Sound Re-Recording Mixer | 64 Fair |
| 2008 | Che: Part One | Sound | Sound Effects Editor | 64 Fair |
| 2008 | American Teen | Sound | Sound Re-Recording Mixer | 59 Average |
| 2008 | American Teen | Sound | Sound Editor | 59 Average |
| 2008 | The Spiderwick Chronicles | Sound | Sound Designer | 65 Fair |
| 2007 | Wind Chill | Sound | Sound Re-Recording Mixer | 58 Average |
| 2007 | Blades of Glory | Sound | Sound Designer | 60 Fair |
| 2006 | 16 Blocks | Sound | Supervising Sound Editor | 62 Fair |
| 2005 | Just Like Heaven | Sound | Sound Designer | 67 Fair |
| 2005 | The Game of Their Lives | Sound | Supervising Sound Editor | 58 Average |
| 2004 | Shark Tale | Sound | Sound Effects Editor | 59 Average |
| 2004 | Anchorman: The Legend of Ron Burgundy | Sound | Supervising Sound Editor | 66 Fair |
| 2003 | Looney Tunes: Back in Action | Sound | Supervising Sound Editor | 62 Fair |
| 2002 | Ticker | Sound | Supervising Sound Editor | 59 Average |
| 2002 | Ticker | Sound | Sound Designer | 59 Average |
| 2002 | The Time Machine | Sound | Sound Designer | 61 Fair |
| 2002 | The Time Machine | Sound | Supervising Sound Editor | 61 Fair |
| 2002 | The Salton Sea | Sound | Sound Effects Designer | 61 Fair |
| 2001 | Impostor | Sound | Supervising Sound Editor | 59 Average |
| 2001 | Cats & Dogs | Sound | Supervising Dialogue Editor | 54 Average |
| 2000 | The Kid | Sound | Supervising Sound Editor | 64 Fair |
| 1999 | The Green Mile | Sound | Supervising Sound Editor | 84 Very good |
| 1999 | Stigmata | Sound | Supervising Sound Editor | 61 Fair |
| 1998 | Lethal Weapon 4 | Sound | Supervising Sound Editor | 64 Fair |
| 1998 | Small Soldiers | Sound | Supervising Sound Editor | 64 Fair |
| 1998 | City of Angels | Sound | Supervising Sound Editor | 66 Fair |
| 1997 | Conspiracy Theory | Sound | Supervising Sound Editor | 64 Fair |
| 1997 | The Fifth Element | Sound | Sound Designer | 75 Good |
| 1997 | The Fifth Element | Sound | Sound Supervisor | 75 Good |
| 1997 | Schizopolis | Sound | Sound Editor | 59 Average |
| 1996 | Space Jam | Sound | Supervising Sound Editor | 67 Fair |
| 1996 | Gray's Anatomy | Sound | Sound Editor | 59 Average |
| 1996 | Phenomenon | Sound | Supervising Sound Editor | 62 Fair |
| 1995 | Die Hard: With a Vengeance | Sound | Sound Designer | 71 Good |
| 1995 | The Living Sea | Sound | Sound Effects | 59 Average |
| 1994 | The Puppet Masters | Sound | Supervising Sound Editor | 58 Average |
| 1994 | The Lion King | Sound | Supervising Sound Editor | 82 Very good |
| 1994 | The Flintstones | Sound | Supervising Sound Editor | 53 Average |
| 1993 | Cool Runnings | Sound | Supervising Sound Editor | 67 Fair |
| 1993 | Suture | Sound | Sound Designer | 59 Average |
| 1993 | Matinee | Sound | Supervising Sound Editor | 61 Fair |
| 1992 | Aladdin | Sound | Sound Effects | 75 Good |
| 1992 | Newsies | Sound | Supervising Sound Editor | 62 Fair |
| 1991 | Kafka | Sound | Sound Editor | 60 Fair |
| 1991 | Kafka | Sound | Sound Designer | 60 Fair |
| 1991 | Beauty and the Beast | Sound | Sound Effects | 76 Good |
| 1990 | RoboCop 2 | Sound | Sound Effects Editor | 59 Average |
| 1990 | Gremlins 2: The New Batch | Sound | Sound Effects | 63 Fair |
| 1989 | Star Trek V: The Final Frontier | Sound | Sound Effects | 57 Average |
| 1989 | The 'Burbs | Sound | Sound Effects | 65 Fair |
| 1988 | Alien Nation | Sound | Supervising Sound Editor | 59 Average |
| 1988 | Bad Dreams | Sound | Sound Effects Editor | 58 Average |
| 1987 | 3 Men and a Baby | Sound | Supervising Sound Editor | 60 Fair |
| 1987 | Innerspace | Sound | Supervising Sound Editor | 65 Fair |
| 1986 | Solarbabies | Sound | Supervising Sound Editor | 57 Average |
| 1986 | Star Trek IV: The Voyage Home | Sound | Sound Effects | 67 Fair |
| 1986 | The Hitcher | Sound | Supervising Sound Effects Editor | 66 Fair |
| 1985 | Explorers | Sound | Sound Effects | 60 Fair |
| 1984 | Gremlins | Sound | Supervising Sound Editor | 70 Good |
| 1982 | 48 Hrs. | Sound | ADR Editor | 64 Fair |
| 1982 | Poltergeist | Sound | Sound Effects Editor | 69 Fair |
| 1981 | Pennies from Heaven | Sound | Dialogue Editor | 59 Average |
| 1981 | Raiders of the Lost Ark | Sound | Sound Effects Editor | 78 Good |
| 1981 | Escape from New York | Sound | Dialogue Editor | 69 Fair |
| 1981 | The Hand | Sound | Sound Editor | 59 Average |
| 1980 | The Final Countdown | Sound | Sound Effects Editor | 62 Fair |
Crew |
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| 1997 | The Fifth Element | Crew | Additional Music | 75 Good |