About
Luke Fowler
Overview
Scottish artist, filmmaker and musician Luke Fowler has developed a practice that is, at the same time, singular and collaborative, poetic and political, structural and documentary, archival and deeply human. With an emphasis on communities of people, outward thinkers and the history of the left, his 16mm films tell the stories of alternative movements in Britain, from psychiatry to photography to music to education. Whilst some of his early films dealt with music and musicians as subjects, in later works sound itself becomes a key concern. (Maria Palacios Cruz)
Known for
Directing |
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2024 | Being in a Place: A Portrait of Margaret Tait | Directing | Director | 59 Average |
2024 | N'importe Quoi (Extérieur - Jour) | Directing | Director | N/A N/A |
2024 | A Visit With Robert | Directing | Director | N/A N/A |
2023 | N’Importe Quoi (for Brunhild) | Directing | Director | N/A N/A |
2023 | No Interior | Directing | Director | N/A N/A |
2023 | COP26FILM | Directing | Director | N/A N/A |
2021 | For Dan | Directing | Director | N/A N/A |
2020 | Patrick | Directing | Director | N/A N/A |
2019 | Houses (for Margaret) | Directing | Director | N/A N/A |
2019 | Cézanne | Directing | Director | N/A N/A |
2018 | Mum's Cards | Directing | Director | 59 Average |
2018 | Enceindre | Directing | Director | N/A N/A |
2017 | Country Grammar | Directing | Director | N/A N/A |
2017 | Electro-Pythagorus: A Portrait of Martin Bartlett | Directing | Director | 59 Average |
2016 | For Christian | Directing | Director | N/A N/A |
2014 | To The Editor of Amateur Photographer | Directing | Director | N/A N/A |
2014 | Depositions | Directing | Director | N/A N/A |
2012 | The Poor Stockinger, The Luddite Cropper and The Deluded Followers of Joanna Southcott | Directing | Director | N/A N/A |
2012 | All Divided Selves | Directing | Director | N/A N/A |
2009 | Tenement Films | Directing | Director | N/A N/A |
2009 | A Grammar for Listening (Part 3) | Directing | Director | N/A N/A |
2009 | A Grammar for Listening (Part 2) | Directing | Director | N/A N/A |
2009 | A Grammar for Listening (Part 1) | Directing | Director | N/A N/A |
2008 | Anna | Directing | Director | N/A N/A |
2008 | Helen | Directing | Director | N/A N/A |
2008 | Lester | Directing | Director | N/A N/A |
2008 | David | Directing | Director | N/A N/A |
2008 | George | Directing | Director | N/A N/A |
2008 | Bogman Palmjaguar | Directing | Director | N/A N/A |
2007 | Paddington Collaboration | Directing | Director | N/A N/A |
2006 | Half Life | Directing | Director | N/A N/A |
2006 | Pilgrimage from Scattered Points | Directing | Director | N/A N/A |
2003 | The Way Out | Directing | Director | N/A N/A |
2001 | What You See Is Where You’re At | Directing | Director | N/A N/A |
Writing |
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2017 | Electro-Pythagorus: A Portrait of Martin Bartlett | Writing | Writer | 59 Average |
Production |
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2024 | Being in a Place: A Portrait of Margaret Tait | Production | Producer | 59 Average |
2020 | Patrick | Production | Producer | N/A N/A |
Sound |
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2024 | Being in a Place: A Portrait of Margaret Tait | Sound | Sound | 59 Average |
Camera |
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2024 | Being in a Place: A Portrait of Margaret Tait | Camera | Director of Photography | 59 Average |
2020 | Patrick | Camera | Director of Photography | N/A N/A |
Crew |
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2012 | All Divided Selves | Crew | Cinematography | N/A N/A |
Editing |
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2020 | Patrick | Editing | Editor | N/A N/A |
2017 | Electro-Pythagorus: A Portrait of Martin Bartlett | Editing | Editor | 59 Average |