About
ValentÃn Fusari Picollo
Overview
I am currently developing in the area of post-production for films and series from different OTTs, leading different projects, I have a clear interpersonal vision to be able to communicate the processes with my colleagues and carry them out.
I have a strong technical knowledge in the camera department as a DIT, which I like to complement with a more artistic and comprehensive look at the ongoing project in order to enhance its scope.
Known for
Editing |
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| 2024 | Upon Open Sky | Editing | Online Editor | 59 Average |
| 2024 | The Man Who Loved UFOs | Editing | Online Editor | 59 Average |
| 2024 | The Practice | Editing | Online Editor | 58 Average |
| 2024 | The Consortium | Editing | Colorist | N/A N/A |
| 2024 | Rest in Peace | Editing | Online Editor | 59 Average |
| 2024 | Coppola, the Agent | Editing | Online Editor | 71 Good |
| 2024 | Eureka | Editing | Online Editor | 59 Average |
| 2023 | Elena Knows | Editing | Online Editor | 59 Average |
| 2023 | Puan | Editing | Online Editor | 59 Average |
| 2023 | Blondi | Editing | Online Editor | 59 Average |
| 2023 | The Parrot | Editing | Colorist | 59 Average |
| 2023 | Love After Music | Editing | Online Editor | 72 Good |
| 2023 | Ringo. Glory and Death | Editing | Online Editor | 70 Good |
| 2023 | The Cry of the Butterflies | Editing | Color Assistant | 69 Fair |
| 2023 | The Cry of the Butterflies | Editing | Online Editor | 69 Fair |
| 2023 | The Trial | Editing | Online Editor | 58 Average |
| 2022 | The End of Love | Editing | Online Editor | 70 Good |
| 2022 | Targeted | Editing | Online Editor | 58 Average |
Lighting |
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| 2023 | The Parrot | Lighting | Gaffer | 59 Average |
| 2023 | Lola no es un apodo para Dolores | Lighting | Gaffer | N/A N/A |