About
Thomas J. Geraghty
Overview
Born and raised in Indiana, Thomas Geraghty left for New York after graduating school and got a job as a reporter for the New York Herald and later the New York Tribune. His entrance into the film business was as a publicist, and he later became a writer for the one-reel comedies of Sidney Drew. In Los Angeles he got a job as a writer for Douglas Fairbanks, and was sent to New York by Famous Players-Lasky when it opened a studio there. He ran the studio for several years, then was sent to London to run the studio there, before returning to the US in 1922. He turned out screenplays for various studios throughout the 1920s and 1930s, including the highly regarded 'Wings of the Morning' (1937).
Known for
Acting |
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1919 | When the Clouds Roll By | Actor | Himself | 59 Average |
Writing |
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1937 | Wings of the Morning | Writing | Screenplay | 58 Average |
1936 | Debt of Honour | Writing | Writer | N/A N/A |
1936 | Keep Your Seats, Please | Writing | Screenplay | 59 Average |
1936 | She Knew What She Wanted | Writing | Writer | N/A N/A |
1935 | No Limit | Writing | Screenplay | 59 Average |
1935 | So You Won't Talk | Writing | Story | N/A N/A |
1934 | The Church Mouse | Writing | Writer | 58 Average |
1933 | Samarang | Writing | Scenario Writer | 58 Average |
1933 | Elmer, the Great | Writing | Screenplay | 58 Average |
1932 | Mr. Robinson Crusoe | Writing | Adaptation | 59 Average |
1929 | Tanned Legs | Writing | Adaptation | 58 Average |
1929 | Footlights and Fools | Writing | Writer | N/A N/A |
1929 | Smiling Irish Eyes | Writing | Screenplay | N/A N/A |
1929 | Synthetic Sin | Writing | Writer | N/A N/A |
1928 | Harold Teen | Writing | Writer | 58 Average |
1928 | The Big Noise | Writing | Adaptation | N/A N/A |
1928 | Mad Hour | Writing | Writer | N/A N/A |
1928 | Beau Sabreur | Writing | Writer | N/A N/A |
1928 | Wife Savers | Writing | Writer | N/A N/A |
1927 | Now We're in the Air | Writing | Writer | 59 Average |
1927 | Fireman, Save My Child | Writing | Writer | N/A N/A |
1926 | The New Klondike | Writing | Writer | 58 Average |
1925 | Irish Luck | Writing | Screenplay | 58 Average |
1925 | The Man Who Found Himself | Writing | Co-Writer | N/A N/A |
1925 | Wild, Wild Susan | Writing | Scenario Writer | N/A N/A |
1925 | The Sporting Venus | Writing | Writer | 59 Average |
1925 | The End of the World | Writing | Adaptation | N/A N/A |
1925 | Sackcloth and Scarlet | Writing | Writer | N/A N/A |
1924 | Pied Piper Malone | Writing | Screenplay | 58 Average |
1923 | Woman-Proof | Writing | Writer | N/A N/A |
1923 | Hollywood | Writing | Writer | 59 Average |
1921 | The Charm School | Writing | Scenario Writer | N/A N/A |
1920 | Always Audacious | Writing | Writer | N/A N/A |
1920 | You Never Can Tell | Writing | Writer | N/A N/A |
1920 | The Mollycoddle | Writing | Screenplay | 58 Average |
1920 | The Isle of Love | Writing | Writer | 59 Average |
1919 | When the Clouds Roll By | Writing | Scenario Writer | 59 Average |
1919 | In Old Kentucky | Writing | Writer | N/A N/A |
1919 | Too Much Johnson | Writing | Scenario Writer | N/A N/A |
1919 | A Man's Fight | Writing | Screenplay | N/A N/A |
1919 | The Courageous Coward | Writing | Story | N/A N/A |
1919 | A Heart in Pawn | Writing | Writer | N/A N/A |
1919 | A Heart in Pawn | Writing | Scenario Writer | N/A N/A |
1919 | Diane of the Green Van | Writing | Writer | N/A N/A |
1918 | Social Ambition | Writing | Scenario Writer | N/A N/A |
1917 | Those Without Sin | Writing | Scenario Writer | N/A N/A |
1917 | The American Consul | Writing | Writer | N/A N/A |
Production |
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1925 | The End of the World | Production | Producer | N/A N/A |
Crew |
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1935 | Mr. What's-His-Name? | Crew | Script | N/A N/A |