About
Franz Seemann
Overview
The production designer Franz Seemann joined the film business in 1919 and he created his first set for "Die Ehe der Frau Mary" (1919), he then emigrated to the USA but never worked for the film again. He also realised the short film "Kopf kalt - Füsse warm" as a director. After his retirement from the film business he worked as an architect till 1933 before he had to leave Germany because he was a Jew. His last cinematical works came in the silent movie era of the 20s into being and he was the production designer or art director for numerous movies.
Known for
Directing |
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1928 | Kopf kalt, Füße warm | Directing | Director | N/A N/A |
Writing |
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1928 | Kopf kalt, Füße warm | Writing | Writer | N/A N/A |
Art |
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1928 | Das Girl von der Revue | Art | Art Direction | N/A N/A |
1928 | Der Biberpelz | Art | Art Direction | N/A N/A |
1927 | The Transformation of Dr. Bessel | Art | Art Direction | N/A N/A |
1927 | King of the Centre Forwards | Art | Production Design | 58 Average |
1924 | The Enchantress | Art | Set Designer | N/A N/A |
1924 | Dudu, a Human Destiny | Art | Art Direction | N/A N/A |
1921 | The Death in the Greenstreet | Art | Art Direction | N/A N/A |
1921 | Die Dreizehn aus Stahl | Art | Art Direction | N/A N/A |
1921 | Driving Force | Art | Art Direction | N/A N/A |
1920 | Die Tophar-Mumie | Art | Art Direction | N/A N/A |
1920 | Maulwürfe | Art | Art Direction | N/A N/A |
1920 | Johannes Goth | Art | Art Direction | N/A N/A |
1919 | Die Ehe der Frau Mary | Art | Set Designer | N/A N/A |