
About
Edgar Brasil
Overview
Edgar Brasil, born Edgar Hauschildt (June 21, 1902 – April 1, 1954) was a German-born Brazilian cinematographer. He worked on more than 50 productions during his career. Edgar Brasil's career focused primarily on studio cinema. Therefore, at each company he worked for, he encountered different resources and developed different types of cinema. While at Cinédia, he developed a style very similar to Hollywood, with elements and features of Art Deco cinema, moving toward classical cinematography. At Atlântida, due to technical limitations, Edgar had to make more basic and restrained films. It was at Vera Cruz and Kino Filmes that Brasil returned to studio work creatively, once again influenced by North American cinema, through expressionist lighting reminiscent of Hollywood film noir. (Wikipedia)
Known for
Acting |
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1931 | Limite | Actor | Man asleep in the theatre | 60 Fair |
Camera |
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1955 | A Real Woman | Camera | Director of Photography | 58 Average |
1954 | Candinho | Camera | Director of Photography | 58 Average |
1952 | Barnabé, You Are Mine | Camera | Director of Photography | N/A N/A |
1952 | Veneno | Camera | Director of Photography | N/A N/A |
1952 | O Rei do Samba | Camera | Director of Photography | N/A N/A |
1952 | É Fogo na Roupa | Camera | Director of Photography | N/A N/A |
1950 | The Shadow of Another | Camera | Director of Photography | N/A N/A |
1950 | Aviso aos Navegantes | Camera | Director of Photography | 59 Average |
1949 | Também Somos Irmãos | Camera | Director of Photography | 58 Average |
1949 | Terra Violenta | Camera | Director of Photography | N/A N/A |
1948 | Minas Conspiracy | Camera | Director of Photography | N/A N/A |
1945 | Não Adianta Chorar | Camera | Director of Photography | N/A N/A |
1943 | Tristezas Não Pagam Dívidas | Camera | Director of Photography | N/A N/A |
1943 | Entra na Farra | Camera | Director of Photography | N/A N/A |
1939 | Banana-da-Terra | Camera | Director of Photography | N/A N/A |
1937 | O Samba da Vida | Camera | Director of Photography | N/A N/A |
1936 | The Young Great-Great-Grandfather | Camera | Camera Operator | N/A N/A |
1936 | Alô Alô Carnaval | Camera | Director of Photography | 58 Average |
1935 | Hello, Hello, Brazil! | Camera | Director of Photography | N/A N/A |
1933 | Rough Gang | Camera | Director of Photography | 59 Average |
1933 | A voz do Carnaval | Camera | Camera Operator | N/A N/A |
1933 | A voz do Carnaval | Camera | Director of Photography | N/A N/A |
1931 | Limite | Camera | Camera Operator | 60 Fair |
1931 | Limite | Camera | Director of Photography | 60 Fair |
Crew |
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1948 | Falta Alguém no Manicômio | Crew | Cinematography | N/A N/A |
1948 | É Com Este Que Eu Vou | Crew | Cinematography | N/A N/A |
1947 | The World is a Tambourine | Crew | Cinematography | N/A N/A |
1946 | Fantasma por Acaso | Crew | Cinematography | N/A N/A |
1939 | Family Football | Crew | Cinematography | N/A N/A |
1938 | Tererê Não Resolve | Crew | Cinematography | N/A N/A |
1936 | Bonequinha de Seda | Crew | Cinematography | N/A N/A |
1929 | Sangue Mineiro | Crew | Cinematography | 58 Average |
1928 | Dormant Embers | Crew | Cinematography | 58 Average |
Editing |
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1931 | Limite | Editing | Editor | 60 Fair |
Lighting |
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1931 | Limite | Lighting | Lighting Director | 60 Fair |