
About
Matt Barse
Overview
Matt Barse (Wichita and Affiliated Tribes) is an alumnus of the University of Oklahoma with a major in Integrative Studies and minor in Film Media Studies. He also received a Professional Certificate in Screenwriting from UCLA and a Certificate of Mastery in Digital Cinema Production from Oklahoma City Community College. His work encompasses both narrative fiction and documentary with recent projects centering on horror and sci-fi.
Barse is an award-winning filmmaker, primarily writer, director and editor. Fiction short films include Lovely Day (2012), a drama about an estranged couple, Epilogue (2020), a horror/thriller featuring a young woman haunted by her troubled past, and Distance (2023), a pandemic drama with an emphasis on the undead. Non-fiction work is based on Indigenous stories with I Said I Would Never Paint This Way Again (2013), focusing on established artists from various tribes and backgrounds, and Shan Goshorn: Reclaiming Our Power (and More) (2019).
He has also been cast on the sets of major motion pictures and television series as background, stand-in, and non-speaking roles, notably Reservation Dogs (2022) for FX on Hulu, Tulsa King (2022) for Paramount+, indie feature Fancy Dance (2023), and Killers of the Flower Moon (2023) for Apple+. Projects in development include Indigenous sci-fi drama Nebula Unfolding with Sunrise Tippeconnie, the A.I. sci-fi drama Saavie with Elizabeth Drew, zombie horror/romantic comedy feature Dawn of the Bed, and The Boy from Enemy Swim, the story of a young Dakota man growing up on the Lake Traverse Reservation in the early twentieth century.
Known for
Acting |
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Horsewater | Actor | Alleyway buddy | N/A N/A |
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Directing |
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2023 | Distance. | Directing | Director | N/A N/A |
2020 | Epilogue | Directing | Director | N/A N/A |
2013 | I Said I Would Never Paint This Way Again | Directing | Director | N/A N/A |
2012 | Lovely Day | Directing | Director | N/A N/A |
2009 | Broken Love | Directing | Director | N/A N/A |
2008 | Dawn of the Bed | Directing | Director | N/A N/A |
2008 | Liquor, Beer & Wine | Directing | Director | N/A N/A |
Writing |
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2023 | Distance. | Writing | Screenplay | N/A N/A |
2020 | Epilogue | Writing | Screenplay | N/A N/A |
2012 | Lovely Day | Writing | Screenplay | N/A N/A |
2009 | Broken Love | Writing | Screenplay | N/A N/A |
2008 | Dawn of the Bed | Writing | Screenplay | N/A N/A |
2008 | Liquor, Beer & Wine | Writing | Screenplay | N/A N/A |
Production |
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Horsewater | Production | Associate Producer | N/A N/A |
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Horsewater | Production | Location Manager | N/A N/A |
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Camera |
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2020 | Epilogue | Camera | Director of Photography | N/A N/A |
Crew |
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2008 | Dawn of the Bed | Crew | Cinematography | N/A N/A |
Editing |
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2025 | Hock E Aye Vi Edgar Heap of Birds: Family - An Oral History Project | Editing | Editor | N/A N/A |