About
Levy Dy
Overview
Hailing from Metro Manila, Aldrin De la Paz (Levy Dy) embarked on a cinematic voyage that sprouted from childhood exposure to a diverse spectrum of films, TV shows, and anime. His passion for storytelling bloomed further during senior high when he and his STEM classmates ventured into a school-wide film festival.
Redirecting from a medical education, Levy honed his skills at Far Eastern University, graduating with a degree in Communication with a focus on Digital Cinema. His artistic footprint encompasses an array of impactful projects, including "Mariposa sa Dilim" (writer and cinematographer), "We Were Never Really Strangers" (cinematographer), and "Waltz of Qualm" (editor).
Levy's directorial debut, "Pink Taxi Company," showcased his adept storytelling as a director. Beyond the silver screen, Levy lends his creative vision to music videos for major labels like Viva Records and O/C Records.
In the realm of freelance work, Levy continues to shape visual narratives that transcend boundaries, cementing his legacy as a dynamic filmmaker. From childhood curiosity to a vibrant career, Levy's journey underscores the potency of pursuing creative passions, leaving an enduring mark on the cinematic canvas.
Known for
Directing |
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2023 | Pink Taxi Company | Directing | Director | N/A N/A |
Writing |
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2023 | Pink Taxi Company | Writing | Writer | N/A N/A |
Production |
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2023 | Pink Taxi Company | Production | Executive Producer | N/A N/A |
2022 | We Were Never Really Strangers | Production | Producer | N/A N/A |
Art |
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2022 | Hutik sang mga Kuliglig | Art | Assistant Director of Photography | N/A N/A |
Camera |
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2022 | We Were Never Really Strangers | Camera | Director of Photography | N/A N/A |
2022 | Hutik sang mga Kuliglig | Camera | Key Grip | N/A N/A |
2022 | Hutik sang mga Kuliglig | Camera | Camera Operator | N/A N/A |
Crew |
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2023 | I Don't Want to Walk Alone | Crew | Cinematography | N/A N/A |
Editing |
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2023 | Pink Taxi Company | Editing | Editor | N/A N/A |
2022 | We Were Never Really Strangers | Editing | Editor | N/A N/A |
2021 | Waltz of Qualm | Editing | Editor | N/A N/A |
2019 | A Child Behind Bars | Editing | Editor | N/A N/A |
2019 | A Child Behind Bars | Editing | Colorist | N/A N/A |
If I Could Give You The Moon | Editing | Assistant Editor | N/A N/A |
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Lighting |
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2024 | patient 08: the case of Seraphiel Manolito's divine potentiality - year 20__ | Lighting | Best Boy Lighting Technician | N/A N/A |
2023 | Hold Me Tighter Than Before | Lighting | Gaffer | N/A N/A |
On the Shepherd's Warning | Lighting | Gaffer | N/A N/A |
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If I Could Give You The Moon | Lighting | Gaffer | N/A N/A |