About
Anatole Litvak
Overview
Anatole Litvak (May 10, 1902 – December 15, 1974) was a Ukrainian-born filmmaker of Jewish heritage who wrote, directed, and produced films in a various countries and languages. He was nominated for an Academy Award for Best Director for the film The Snake Pit (1948).
Description above from the Wikipedia article Anatole Litvak, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Acting |
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2019 | Hollywood's Second World War | Actor | Self (archive footage) | 59 Average |
2015 | Ingrid Bergman: In Her Own Words | Actor | Self (archive footage) | 60 Fair |
1975 | Film Emigration from Nazi Germany | Actor | Self | N/A N/A |
1943 | Show-Business at War | Actor | Self | 59 Average |
Directing |
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2018 | Clouzot : The Early Works | Directing | Director | N/A N/A |
2000 | Why We Fight: World War II: The Battle of China / War Comes to America | Directing | Director | N/A N/A |
1970 | The Lady in the Car with Glasses and a Gun | Directing | Director | 58 Average |
1967 | The Night of the Generals | Directing | Director | 61 Fair |
1962 | Five Miles to Midnight | Directing | Director | 58 Average |
1961 | Goodbye Again | Directing | Director | 59 Average |
1959 | The Journey | Directing | Director | 59 Average |
1957 | Mayerling | Directing | Director | 58 Average |
1956 | Anastasia | Directing | Director | 61 Fair |
1955 | The Deep Blue Sea | Directing | Director | 58 Average |
1953 | Act of Love | Directing | Director | 59 Average |
1951 | Decision Before Dawn | Directing | Director | 59 Average |
1948 | The Snake Pit | Directing | Director | 60 Fair |
1948 | Sorry, Wrong Number | Directing | Director | 61 Fair |
1947 | The Long Night | Directing | Director | 58 Average |
1945 | War Comes to America | Directing | Director | 59 Average |
1945 | Your Job in Germany | Directing | Director | 59 Average |
1944 | Why We Fight: The Battle of China | Directing | Director | 59 Average |
1943 | Why We Fight: The Battle of Russia | Directing | Director | 59 Average |
1943 | Why We Fight: The Battle of Britain | Directing | Director | 59 Average |
1943 | Why We Fight: Divide and Conquer | Directing | Director | 59 Average |
1943 | Why We Fight: The Nazis Strike | Directing | Director | 59 Average |
1942 | Prelude to War | Directing | Director | 59 Average |
1942 | This Above All | Directing | Director | 59 Average |
1941 | Blues in the Night | Directing | Director | 59 Average |
1941 | Out of the Fog | Directing | Director | 59 Average |
1940 | City for Conquest | Directing | Director | 59 Average |
1940 | All This, and Heaven Too | Directing | Director | 60 Fair |
1940 | Castle on the Hudson | Directing | Director | 59 Average |
1939 | Confessions of a Nazi Spy | Directing | Director | 59 Average |
1938 | The Sisters | Directing | Director | 58 Average |
1938 | The Amazing Dr. Clitterhouse | Directing | Director | 60 Fair |
1937 | Tovarich | Directing | Director | 58 Average |
1937 | The Woman I Love | Directing | Director | N/A N/A |
1936 | Mayerling | Directing | Director | 59 Average |
1935 | Flight Into Darkness | Directing | Director | 58 Average |
1933 | Sleeping Car | Directing | Director | 58 Average |
1933 | Tell Me Tonight | Directing | Director | 58 Average |
1933 | The Old Devil | Directing | Director | 59 Average |
1932 | Tell Me Tonight | Directing | Director | N/A N/A |
1932 | The Song of Night | Directing | Director | 59 Average |
1932 | Lilac | Directing | Director | 59 Average |
1931 | Calais-Douvres | Directing | Director | N/A N/A |
1931 | No More Love | Directing | Director | 59 Average |
1930 | Dolly is making a career | Directing | Director | N/A N/A |
1930 | The White Devil | Directing | Assistant Director | 58 Average |
1928 | Secrets of the Orient | Directing | Assistant Director | N/A N/A |
1927 | Loves of Casanova | Directing | Assistant Director | 59 Average |
1927 | Napoleon | Directing | Assistant Director | 63 Fair |
1923 | Le chant de l'amour triomphant | Directing | Assistant Director | N/A N/A |
Writing |
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1947 | Meet Me at Dawn | Writing | Story | 59 Average |
1935 | Flight Into Darkness | Writing | Writer | 58 Average |
1933 | Sleeping Car | Writing | Story | 58 Average |
1933 | The Old Devil | Writing | Writer | 59 Average |
1932 | Lilac | Writing | Writer | 59 Average |
1931 | Calais-Douvres | Writing | Screenplay | N/A N/A |
1931 | No More Love | Writing | Screenplay | 59 Average |
Production |
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1970 | The Lady in the Car with Glasses and a Gun | Production | Producer | 58 Average |
1967 | The Night of the Generals | Production | Producer | 61 Fair |
1966 | 10:30 P.M. Summer | Production | Producer | 58 Average |
1962 | Five Miles to Midnight | Production | Producer | 58 Average |
1961 | Goodbye Again | Production | Producer | 59 Average |
1959 | The Journey | Production | Producer | 59 Average |
1957 | Mayerling | Production | Producer | 58 Average |
1955 | The Deep Blue Sea | Production | Producer | 58 Average |
1951 | Decision Before Dawn | Production | Producer | 59 Average |
1948 | The Snake Pit | Production | Producer | 60 Fair |
1948 | Sorry, Wrong Number | Production | Producer | 61 Fair |
1947 | The Long Night | Production | Producer | 58 Average |
1940 | City for Conquest | Production | Producer | 59 Average |
1940 | All This, and Heaven Too | Production | Producer | 60 Fair |
1938 | The Sisters | Production | Associate Producer | 58 Average |
1938 | The Sisters | Production | Producer | 58 Average |
1938 | The Amazing Dr. Clitterhouse | Production | Producer | 60 Fair |
1937 | Tovarich | Production | Producer | 58 Average |
1930 | The White Devil | Production | Production Manager | 58 Average |
Art |
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1933 | Tell Me Tonight | Art | Supervising Art Director | 58 Average |
Editing |
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1925 | The Joyless Street | Editing | Editor | 59 Average |