About
Manuel Dacosse
Overview
Manuel "Manu" Dacosse is a Belgian cinematographer. He is known for his work with directors Hélène Cattet and Bruno Forzani on the films Amer (2009), The Strange Colour of Your Body's Tears (2013), and Let the Corpses Tan (2017), the last two of which earned him the Magritte Award for Best Cinematography.
He collaborated with director François Ozon on L'Amant double (2017) and By the Grace of God (2019); the latter received five nominations at the 25th Lumières Awards, including Best Cinematography for Dacosse. His film credits also include Torpedo (2012), Mobile Home (2012), Tasher Desh (2012), Alleluia (2014), The Lady in the Car with Glasses and a Gun (2015), Evolution (2015), Axolotl Overkill (2017), Adoration (2019), and The Silencing (2020).
Source: Article "Manuel Dacosse" from Wikipedia in english, licensed under CC-BY-SA 3.0.
Known for
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| 2024 | Maldoror | Camera | Director of Photography | N/A N/A |
| 2023 | Vincent Must Die | Camera | Director of Photography | 60 Fair |
| 2023 | The Crime Is Mine | Camera | Director of Photography | 61 Fair |
| 2023 | When Will It Be Again Like It Never Was Before | Camera | Director of Photography | 58 Average |
| 2022 | You Will Not Have My Hate | Camera | Director of Photography | 59 Average |
| 2022 | Simone: Woman of the Century | Camera | Director of Photography | 67 Fair |
| 2022 | Peter von Kant | Camera | Director of Photography | 58 Average |
| 2022 | Inexorable | Camera | Director of Photography | 59 Average |
| 2021 | LYNX | Camera | Director of Photography | 59 Average |
| 2020 | The Silencing | Camera | Director of Photography | 62 Fair |
| 2020 | Adoration | Camera | Director of Photography | 58 Average |
| 2019 | Three Days and a Life | Camera | Director of Photography | 60 Fair |
| 2019 | By the Grace of God | Camera | Director of Photography | 65 Fair |
| 2018 | The Emperor of Paris | Camera | Director of Photography | 61 Fair |
| 2017 | Let the Corpses Tan | Camera | Director of Photography | 59 Average |
| 2017 | Axolotl Overkill | Camera | Director of Photography | 58 Average |
| 2017 | Double Lover | Camera | Director of Photography | 60 Fair |
| 2017 | The Confession | Camera | Director of Photography | 59 Average |
| 2016 | Odd Job | Camera | Director of Photography | 59 Average |
| 2016 | Evolution | Camera | Director of Photography | 59 Average |
| 2015 | The Lady in the Car with Glasses and a Gun | Camera | Director of Photography | 57 Average |
| 2014 | Alleluia | Camera | Director of Photography | 59 Average |
| 2014 | Nectar | Camera | Director of Photography | 59 Average |
| 2013 | The Land of Cards | Camera | Director of Photography | 59 Average |
| 2013 | The Strange Color of Your Body's Tears | Camera | Director of Photography | 59 Average |
| 2013 | Electric Indigo | Camera | Director of Photography | 59 Average |
| 2013 | The ABCs of Death | Camera | Director of Photography | 53 Average |
| 2012 | Mobile Home | Camera | Director of Photography | 59 Average |
| 2012 | Torpédo | Camera | Director of Photography | 59 Average |
| 2009 | Amer | Camera | Director of Photography | 59 Average |
| 2008 | Black Lands | Camera | Director of Photography | N/A N/A |
| 2006 | Santos Palace | Camera | Director of Photography | 59 Average |
| 2004 | The Strange Portrait of the Lady in Yellow | Camera | Director of Photography | 59 Average |
| 2003 | The End of Our Love | Camera | Director of Photography | 59 Average |
| 2003 | The Five Obstructions | Camera | Additional Director of Photography | 61 Fair |
| 2002 | Yellow Room | Camera | Director of Photography | 59 Average |
| Dalloway | Camera | Director of Photography | N/A N/A |
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