About
Josef von Sternberg
Overview
Josef von Sternberg, born Jonas Sternberg (29 May 1894 – 22 December 1969) was an Austrian-born film director and is among the few whose career successfully spanned the transition from the silent to the sound era. He is considered one of the earliest 'auteur' filmmakers, having filled many other roles on his films including those of cinematographer, screenwriter, and editor. Sternberg's style influenced later directors, particularly those of the film noir period. He is particularly noted for his distinctive mise en scène, use of lighting and soft lens, and collaboration with actress Marlene Dietrich. Among his most important works are The Blue Angel (1930), Morocco (1930), Shanghai Express (1932) and The Scarlet Empress (1934). Andrew Sarris in his influential book of film criticism The American Cinema: Directors and Directions 1929–1968 included him in the "pantheon" of the 14 greatest film directors who had worked in the United States.
Known for
Acting |
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1996 | No Angel: A Life of Marlene Dietrich | Actor | 59 Average |
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1969 | The Epic That Never Was | Actor | Himself - Director | 58 Average |
1969 | Josef von Sternberg, A Retrospective | Actor | Interviewee | N/A N/A |
1968 | Josef von Sternberg Interview | Actor | Self | N/A N/A |
1967 | Josef von Sternberg - From Silence Comes Another | Actor | Self | 59 Average |
1953 | Anatahan | Actor | Narrator (voice) (uncredited) | 59 Average |
1925 | 1925 Studio Tour | Actor | Self | 59 Average |
1917 | A Girl's Folly | Actor | Cameraman (uncredited) | 59 Average |
Directing |
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1957 | Jet Pilot | Directing | Director | 58 Average |
1953 | Anatahan | Directing | Director | 59 Average |
1952 | Macao | Directing | Director | 59 Average |
1946 | Duel in the Sun | Directing | Co-Director | 59 Average |
1944 | The Town | Directing | Director | 58 Average |
1941 | The Shanghai Gesture | Directing | Director | 59 Average |
1940 | I Take This Woman | Directing | Co-Director | 59 Average |
1939 | Sergeant Madden | Directing | Director | 58 Average |
1938 | The Great Waltz | Directing | Co-Director | 58 Average |
1936 | The King Steps Out | Directing | Director | 59 Average |
1935 | Crime and Punishment | Directing | Director | 59 Average |
1935 | The Fashion Side of Hollywood | Directing | Director | 59 Average |
1935 | The Devil Is a Woman | Directing | Director | 59 Average |
1934 | The Scarlet Empress | Directing | Director | 60 Fair |
1932 | Blonde Venus | Directing | Director | 60 Fair |
1932 | Shanghai Express | Directing | Director | 61 Fair |
1931 | An American Tragedy | Directing | Director | 59 Average |
1931 | Dishonored | Directing | Director | 59 Average |
1930 | Marlene Dietrich, “The Blue Angel” Screen Test | Directing | Director | 59 Average |
1930 | Morocco | Directing | Director | 59 Average |
1930 | The Blue Angel | Directing | Director | 64 Fair |
1929 | Thunderbolt | Directing | Director | 58 Average |
1929 | The Case of Lena Smith | Directing | Director | 58 Average |
1928 | The Docks of New York | Directing | Director | 60 Fair |
1928 | The Drag Net | Directing | Director | 59 Average |
1928 | The Last Command | Directing | Director | 60 Fair |
1927 | Underworld | Directing | Director | 60 Fair |
1927 | Children of Divorce | Directing | Co-Director | 58 Average |
1926 | The Exquisite Sinner | Directing | Director | N/A N/A |
1926 | A Woman of the Sea | Directing | Director | 59 Average |
1925 | The Masked Bride | Directing | Director | N/A N/A |
1925 | The Salvation Hunters | Directing | Director | 58 Average |
1924 | By Divine Right | Directing | Assistant Director | N/A N/A |
1922 | The Bohemian Girl | Directing | Assistant Director | 59 Average |
1921 | The Highest Bidder | Directing | Assistant Director | N/A N/A |
1919 | The Mystery of the Yellow Room | Directing | Assistant Director | 58 Average |
Writing |
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1953 | Anatahan | Writing | Screenplay | 59 Average |
1941 | The Shanghai Gesture | Writing | Writer | 59 Average |
1941 | The Shanghai Gesture | Writing | Adaptation | 59 Average |
1932 | Blonde Venus | Writing | Writer | 60 Fair |
1931 | An American Tragedy | Writing | Writer | 59 Average |
1931 | Dishonored | Writing | Writer | 59 Average |
1930 | The Blue Angel | Writing | Writer | 64 Fair |
1928 | The Street of Sin | Writing | Story | N/A N/A |
1928 | The Last Command | Writing | Story | 60 Fair |
1927 | Underworld | Writing | Writer | 60 Fair |
1926 | The Exquisite Sinner | Writing | Writer | N/A N/A |
1926 | A Woman of the Sea | Writing | Writer | 59 Average |
1925 | The Salvation Hunters | Writing | Screenplay | 58 Average |
1924 | By Divine Right | Writing | Scenario Writer | N/A N/A |
Production |
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1953 | Anatahan | Production | Executive Producer | 59 Average |
1935 | The Devil Is a Woman | Production | Producer | 59 Average |
1934 | The Scarlet Empress | Production | Producer | 60 Fair |
1932 | Blonde Venus | Production | Producer | 60 Fair |
1931 | An American Tragedy | Production | Producer | 59 Average |
1928 | The Docks of New York | Production | Producer | 60 Fair |
1925 | The Salvation Hunters | Production | Producer | 58 Average |
Sound |
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1931 | Dishonored | Sound | Music | 59 Average |
Art |
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1935 | The Devil Is a Woman | Art | Art Direction | 59 Average |
1934 | The Scarlet Empress | Art | Art Direction | 60 Fair |
Camera |
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1953 | Anatahan | Camera | Director of Photography | 59 Average |
1935 | The Devil Is a Woman | Camera | Director of Photography | 59 Average |
Crew |
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1931 | Dishonored | Crew | Additional Music | 59 Average |
Editing |
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1934 | The Scarlet Empress | Editing | Editor | 60 Fair |
1932 | Blonde Venus | Editing | Editor | 60 Fair |
1931 | Dishonored | Editing | Editor | 59 Average |
1925 | The Salvation Hunters | Editing | Editor | 58 Average |